Author Archives: leslie

be free

I've had a lot of stuff going on in my head. I've been making a lot of drawings,
none of which I've been that happy with. I've been dabbling with paint, my
cricut machine but I've been avoiding those larger paintings I wrote about
awhile back…

Facebook alternates between being the bane of my existence and a tool of
happiness. I had an interaction with a friend of mine where the end result was
me contemplating sending her a message that simply said, "What is it you
are so afraid of?"* So I turn around and I ask myself with these larger
paintings that I really WANT to create, "What is it that I'm so afraid
of?" "What is holding me back?" 

At first as I think of these questions I have no answer, but the more I think
about it the more real it becomes. Working in a journal comes easy. It's (for
most) private, secretive, and as I call it, closeted. How many of you work
privately in your art journal? How many of you don't tell your friends or
family you art journal? Would they not understand? Would they call you crazy,
stupid or tell you that you’re wasting your time?**

Welcome to my world circa 1996.

The closet is a safe environment, warm womb like and it's easy to make art in a
journal, no one ever has to see it. The art journal can be a closet.  For some people the closet is the only place
they can create, and that’s okay at some point your going to want to open those
doors and share with people what it is you create. Not all of us have friends
and family that are supportive of art, or who would even try to understand. You
can’t let that hold you back from your urge to create. We all need to follow
that creative urge to where it takes us no matter the course.

So I ask you to look at what it is that you’re afraid of in
your journal, what holds you back. Journal it, Write it down. Acknowledging
those constraints will eventually allow you to loosen them and allow you to be
free. 

IMG_2054

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Video: Sketchbook Drawings

This kid's work is a little different from what i usually post. Its more of a straight sketchbook than art journal, but I like his use of line and 2 colors on a tan background. There is nothing wrong with working something SIMPLE. Black and white on tan. Its kinda genius.

Technique Tuesday: feelin like crapola


feelin like crapola

Originally uploaded by lessherger

I decided to  start a new feature on my blog. Every Tuesday I'll take an
Art Journal image of mine and dissect the techniques I used to create
it. Welcome to the new Technique Tuesday!

A few weeks ago I was hellishly ill with the flu (I think) and was out of commission for 2 days. I was sick enough that I didn't art journal! So when I started to feel better I was working on raw paper again. Again the paper is Stonehenge 140lb. I started this page by creating the border. Using a waterbrush I outlined the page in water. The edge was still moist when I used my brush pen to scribble the border. I held the pen at the very end and allowed myself to work very loose. Because the page was moist the ink feathered and spread out. Because I had not gesso'd the page the spread was very controlled. On the right page I again wet the page so that the ink would spread more. I then sketched out the left page with a pilot G2 gel pen. With my waterbrush in hand I added watercolor as I finished an area of the sketch. I used my watercolors to add color to the facing page, allowed that to dry and then wrote in the same gel pen I'd used to sketch the previous page.

This was a very simple but effective page to create. I particularly love the spread of the ink onto the moist raw paper and the conjunction of the watercolor and ink.

You can see the full sized image and get a lot of detail by clicking on
the thumbnail above and clicking the "see all sizes" button above the
image that comes up.

Try This: Obessive Drawing

I want to write a little post about repetitively drawing something
over and over again. Why? Because it helps you learn how to see and render that
item. Monet painted the Rouen Catherdral repeatedly in different lights and from many
angles. Van Gogh obsessively drew scenery around him. Rembrandt drew something like
90 self portraits. Van Gogh is one of my favorite examples of this sort of
exercise. When you get a chance look up some of his early work, the stuff he
did before “The Potato Eaters.”His early work was without a doubt dark, dingy
and as one of my professors would have called them, sophomoric and angsty.
Particularly look at his drawings of that early time period. Proportions are off;
his use of line is stiff and disconnected. Across a year or two he develops his
eye, his connection to the paper and canvas and a definite style. Ignore his
colorful later work and look to his lovely work in ink. Van Gogh developed
himself into a superior artist through HARD WORK in ink and pencil.

And you can do it to. You don’t have to give up the kids,
dog and house to traipse the seaside village of Arles. You can do it through
careful observation, hard work and repetition in your own home and your own
community.

A few days back I drew a face from memory. I couldn’t get
the nose just right, and for lack of a better way to put it, it pissed me off.
So I challenged myself to draw a bunch of noses from the few scant magazines I
had in the house and from images on flickr. (please for the love of all that is
decent do not search flickr for face shot… Trust me, it’s a bad idea.) So I
found some great pictures of faces, self portraits, and magazine images. I
found a few particular people that do a lot of lovely self portraits from all
sorts of angles. And I drew, so far I’ve sketched out 30 or so noses. I’ve
sketched them from all sorts of angles, given each one careful consideration,
to the angle of the bridge, the crookedness of the front bulbous portion, the
nasal cavities and nostril flair.  I’ve
also looked at the wrinkles around the eyes and the laugh-lines. I’ve looked
carefully at distinguishing features, and sketched them all.

So some ideas on how to try out this sort of exercise. I
chose noses but say eyes or mouths interests you more, or trees or buildings,
you can pick whatever you want, just stick to it for a few sessions. Grab a
cheap sketchbook or unlined notebook. When I mean cheap, it could be loose
printer paper. You want to not worry about how expensive your paper is when you
try this. You want to be able to get ticked off and toss it if you want, or
when you move to the next spot on the page to move on with no worries. I like
to work this sort of thing in mechanical pencil, cheap bic pencils. Again these
are something inexpensive. (Van Gogh cut his own pens out of reed.)

Look at the angles and lines in what you want to draw. Look
for a second before you put pencil to paper. Consider the item then draw. Look
at the shading. Where are the darkest areas? What are the lightest and
brightest areas? Where are the highlights? Fill a whole page with these images.
I fit 6 to 10 noses onto a page, work small and work large, but fill the whole
page, let the images overlap. The idea is that you’re not creating a work of
art but practicing.

What kind of lines do you keep making? Soft smudgy lines?
Scribbled scratchy lines? Jagged coarse lines? Smooth soft lines? Try different
types of lines, try making smooth gradations. Eventually you’ll find a way of
working with that pencil that looks right and feels right to you. Don’t add
color to these, keep it black and white.

Keep track of which page was your first, number the pages if
needed. Look back at the end and you’ll be amazed that after 3 or4 pages of conscientious
effort of drawing one thing over and over again you’ll be amazed at the difference
in the first drawing and the second. Try this exercise over the course of
several days. I’ve been working on mine now for about a week. I’ve noticed a
substantial difference in my ability to render the human nose. You can see some
of my images here and here.

sketch3


sketch3
Originally uploaded by jason.solo

I'm not sure what is really happening here but I like it. Lovely little illustration in black and white. The image doesn't say what the media is but it looks like it's either pencil or ball point pen.