Author Archives: leslie

Antithesis of Athletic

For the last few weeks I’ve been walking a lot. In the summer I walk around town as a matter of habit, it’s nice out and pleasant to walk to the cafe for an iced coffee. Naturally, my walking increases. My doctor said to me during my last visit, “Have you considered walking?” Which I think is a funny way to say to me, “Hey tubby, you need to lose a few pounds and get your blood pressure down, so you know you should walk.” So I’ve increased my usual walks from short pleasant walks to longer less pleasant walks, especially with the heat we’ve been having.

One of the side effects of these walks is that my feet have been hurting because I’ve been walking in my usual shoes; chuck taylors, doc martins and the like. I haven’t had true athletic shoes in a very very long time. So last night I ventured into a big box shoe store and looked for womens’ sneakers that were black with no neon colors or pink, pale purple, or baby blue. Pretty much an impossible task. I found 4 out of 500 pairs of sneakers that were not garish in color.

I am tempted to go on a long tirade about how some women would like plain black sneakers or even black and white without the addition of neon colors, but I think that’s a tirade for another day.

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As I tie these sneakers to my feet I feel like a big fat fraud. I used to be pretty athletic. I used to run, mountain bike and a lot of those athletic things. At some point I ran out of time. When I lace these shoes up it doesn’t feel right, like I'm a fraud. I know I’m not going to do the things these sneakers are suggested for like running or whatever course work is. Instead I’m going to be walking around my city with a camera around my neck, a sketchbook in my bag, and an eye out for interesting things. Pretty much the antithesis of athletic. I took them for a short spin last night and found them to be perfectly comfortable and lovely to wear. IMG_4407
I ended up with navy blue sneakers with a small hint of bright neon blue. I opted for these knowing that in a few short walks I’ll have them dirtied up to being unrecognizably colored.

Cards Full of Faces

I wanted to show you some of the progress I’m making on the thank you ATC. I’m (as of this writing) on card number 19. I’ve stumbled into some great images in the Flickr Commons of Civil War era people. The great thing about that era is the mustaches on the dudes. There are some seriously awesome mustaches in those archives. The other things that is interesting is the contrast in women’s hair styles, some are completely severe and look like they hurt and others have some unkempt hair.

The interesting thing in the photographs is how washed out many of them are, as if proper lighting wasn’t thought of, or they were purposefully over exposed to hide some wrinkles and other imperfections. The overexposure of much of the face leaves the viewer with sharp contrast around the eyes and clear views of crow’s feet. I really love drawing from these images.

So here you have cards 16 through 19:
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I also wanted to show you the business end of the Uniball Signo Bit 0.18 pen I’m using to start most of these images. It’s so small my camera had a really hard time focusing on it. I put my uni kuru toga in the pic to give you a reference of the size of that tip. The kuru toga is a 0.5 tip. The Signo Bit is a 0.18. It’s tiny and allows me to get miniscule hair thin lines. It’s also waterproof and lightfast. It’s not quite as dark a black as the Signo Bit pens but for a micro tip pen it’s pretty great. I highly recommend this pen to anyone who wants a micro tipped pen to throw in their sketching bag. (You can get it at Jetpens as well as refills!)

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Supported

Well it’s been a crazy few weeks here in Comfortable Shoes Studio. A few weeks back I had car troubles and it completely depleted my reserves. It came as quite a shock when Ning sent me the email telling me that the yearly fee was coming due soon. Now, I know that the fee is due in the last week of July, it’s an every year sort of thing. It’s also one of those things I set out of my mind, especially when things are rough. So I paid for the brake system on one car and then the muffler on the other and didn’t think of poor Ning.

Like many people, I live paycheck to paycheck with a small reserve of funds built up over time. In fact I had been doing pretty well, I had cashed in my stock options, bought a shiny new computer and video camera and paid a bill or two. Needless to say I had a little buyer’s remorse when both cars decided to break down at once. So when that Ning bill came up as due soon, I decided to do my usual funding drive, but unlike most years where I ask for part of the fee, I asked the members for as much of it as we could get.

The outpouring of support, kind emails, and love of the group has been overwhelming and has on more than one occasion brought tears to my eyes. The members of Artjournaling.ning.com are the best in the world. I received donations from Germany, Australia, Canada, South America, England, and South Africa. I closed donations as soon as we hit the amount needed to pay the fee. After I closed the doors, people still wanted to donate, they sent in tips via the tip jar in the Challenge group. I got many more emails, again positive about the group.

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It was simply overwhelming. We raised the full fee in 18 hours.

I’ve received a few extra donations and I’m finding a way to sink that into the site. I decided straight away that the first thing I’d do to thank everyone who donated was send them a handwritten thank you note. After we reached the funding goal in 18 hours I wanted to do something a little more, so I decided I could fit an ATC into each envelope. I cut a bunch of ATC from some nice watercolor paper grabbed my pens and set to work.
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I thought that the ATC size would be a fast way to get everyone a small token of thanks. Heh. Heh. Heh. It is small, I’m working with smaller pens- Uniball Signo Bit 0.18 and Signo DX 0.28 in black with a wash of watercolor. These pens are tiny and I decided to stretch my artistic muscles by doing tiny little portraits. It took me a few cards to get accustomed to the ATC size but now I’m 13 cards into making a set of 34. Each card is taking much longer to complete than I had expected. Though I’ve shrunk the size of the portraits down I have not shrunk the time of creation down. Each of the ATC takes as long as a 5×7 inch portrait to create. So I’m spending anywhere from 15 to 45 minutes on each card. I was planning on spending a mere 15 min per card, but working with micro tips simply doesn’t allow me to speed the process up. If anyone ever tells you ATC are easy, they are totally wrong.
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I’ve done some of the cards from life while sitting in Atomic Cafe and sipping an iced Americano, the rest have been drawn from images in the Flickr Commons. I’ve been giving my own spin to each image. I’m enjoying the process even if it was unexpected.

Farmer’s Market Tomato

Every Monday I’ve been making time to go to the local farmer’s market and pick up some local bread and produce. I need to draw one of the breakfast rolls that I get from Piantidosi’s bakery but they are so good I can’t draw it before I eat it. (Seriously good, a soft squishy roll with either mocha chips or a fruity cinnamon roll oh yum!) So I’ve stuck to drawing my veggies, primarily my tomatoes. I also drew my  lovely sunny yellow  patti pan squashes. They aren’t pictured. P7104414This little drawing is in my Stillman and Birns Beta series sketchbook with delightful thick 180lb pages that just beg to be saturated with water. The page didn’t buckle or warp, but did swell as I painted, but dried almost completely flat. This is a great sketchbook for ink and watercolor work. I’m pretty excited to say they are coming out with these in a case bound version.
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The beta sketchbook won’t need gesso as a surface prep for art journalers. This will be great for those of us who don’t want to bother with gesso on our pages or who want to use fountain pens in our art journals.

I haven’t had enough time with this sketchbook to do a good review but I’m sure this one is going to be as awesome as the rest.

Reflect on 2 years of Drawing Practice

 

I’ve been doing a lot of research for my pen and ink booklet/class that I intend to release into the world at some point in 2012. One of the books I’ve been reading as part of the research is  “The Naked Art: Why We Draw” by Peter Steinhart. It’s not recommended reading for everyone. His writing while good, might bore anyone not interested deeply in art and why we draw.

I picked it up because it came up in a keyword search of my local library’s books on drawing. I’ve continued to read it because it’s written from the perspective of a person who does not consider himself to be an artist. He writes about how drawing the figure is meditative and trains his brain. There is an entire section devoted to the idea and process of training your brain. If you’ve been reading this blog for any period of time you know that this is a concept that I hold dear and affects me deeply.

This book reminds me of when I decided I wanted to draw better. That was 2 years ago and I knew that what I had ahead of me was work and practice. I gathered my tools and I started to work. I had an understanding of art. After all I had taken drawing and painting in college, but only one included real practical advice for drawing. That one class rocked my world. In one month my drawings went from… not very good to better. Had I stuck with it I can only imagine the draughtsman I would be today. Instead, I saw and felt that drawing was a lot of work and took time I did not have.

So my drawing went by the wayside.

For 10 years I ignored drawing as a skill and a tool that I needed to work on. Instead, I drew when I felt like it and not enough to exercise my brain.

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from 2 years ago

When I started to draw again, everything felt stiff, and as if it didn’t work. I produced a lot of terrible drawings, things that I simply flipped the page to the next and moved on from. Each terrible drawing was a learning experience. I had to be sure to NOT let them get me down. Each one was a step forward. Eventually as time went on, my drawings became better and better. At some point, I felt I was getting a realistic enough representation that I could move toward giving my drawings my own style- a tweak, if you will, of me.

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from 2 years ago

One of the many things Steinhart probes in his book is the idea that through drawing, we better ourselves. Although I can’t say I’ve bettered myself, I know that through observing the world more closely that I’ve definitely stretched my mind. While sketching, I’ve been able to make some difficult decisions that I’d otherwise not have been able to come to as easily. A rough day at work melts away when I pick up my pens and brush, even if the sketch doesn’t look quite right. The important bit is that I pick up my pens and brushes that day and draw.

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recent image

There are many sites that promise success in drawing in 5 to 10 minutes a day, but I don’t think that’s enough time. It’s a great start to get you fully addicted to drawing and it will exercise your mind to increase your ability to look and observe the world around you. 5 or 10 minutes is simply enough to get your drawing to a point where it will rock your world. I draw for the same reasons some of my friends do yoga. I draw because it is as essential to my happiness as eating, drinking and exercise. My friends who do yoga say the same. Yoga is a core part of their day. Without it they would not find themselves centered and rooted in reality.  None of my friends do yoga for only 5 to 10 minutes a day, but rather 20 or 30 minutes. Why are people willing to devote 20 or 30 minutes to exercise their body, yet they avoid spending 20 to 30 minutes to exercise their mind?

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recent cafe sketch

Like my friends who do yoga, I was so inspired by my brief time practicing drawing for 15 or so minutes that I found a way to give myself 20 or 30 minutes to draw. I gave up TV. I draw on my lunch breaks. I moved a TV tray table into the office to draw on while my partner studied. I found a way to make 20 or 30 minutes of drawing per day. Now I bring a sketchbook with me everywhere I go and draw every free moment. The time  I spend drawing is never time wasted.

I’m happier, possibly a better person, and definitely more relaxed and centered- all for the cost of a few sketchbook, pens and time.

 

For me it’s very much worth the time that I spend drawing. I’m happier, possibly a better person and definitely more relaxed and centered, all for the cost of a few sketchbook and pens.

Review: Stillman and Birn Gamma Series

I came home a week ago and found on my doorstep a package. I was pretty surprised to have gotten a package since I had no recollection of ordering anything. Instead I’d been sent a box of Stillman and Birn sketchbooks for my use. I considered secretly hoarding these away and not telling anyone anything about them, I reconsidered and decided to make my gain yours as well by reviewing each and every sketchbook. I know, tough job, but someone needs to do it. (Please imagine me acting faint with my hand to my forehead for added drama.)

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I’m reviewing the case bound Gamma series and I’m not going to mince words here, these are the best sketchbooks I’ve ever used. The paper is a heavy 100lb and ivory in color with a slight texture. The sleeve states it can take “light washes” of watercolor and is good for a variety of materials. I found all that to be true, plus it handled heavy applications of watercolor like a champ.
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The covers of the case bound gamma are super tough and very sturdy. They hold up well to sketching in the hand while standing. Though it’s humid here they remain flat. The binding is perfect. I can find no flaws with it. The thread matches the paper color so blends in well and is not noticeable. The stitching is the same sort of binding that Moleskine sketchbooks use, smythe sewing. This also with some work allows this sketchbook to sit VERY flat. It does take some work to get it to open perfectly flat. That work is as simple as opening the sketch book up over and over again and touching the 2 covers to one another. Easy.
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What I really like is how good everything looks on the paper. The warm color really shows off earthy colors and tones down bright colors. Watercolor layers on this paper wonderfully. It also lifts well. Nothing soaks through

It’s really nice to work in a sketchbook where I’m not constantly battling the paper with either my ink or watercolor. It’s nice to lay down a wash and KNOW how it will respond to either more color or to water being used to lift that color. I know that if I add more lines to the page how that ink will respond. While I adore my cheapo canson blue book for hashing out ideas and mind mapping, using paper I don’t have to fight with is the whole reason i got into bookbinding so many years ago. If Stillman and Birn had been around in 1998 I never would have started making books.

You can get them at EuropeanPaper.com Not sponsored just a happy winner of a sketchbook from them.

Carnival of Pen, Pencil and Paper

Welcome to the July 3, 2012 edition of carnival of pen, pencil and paper.

art supplies

ComfortableShoes presents Review: Platinum Carbon Black posted at Comfortable Shoes Studio.

Peninkcillin presents Noodler's Fox Red ink review posted at Peninkcillin – A cure for pen and ink addiction is needed.

Sandra Strait presents Life Imitates Doodles: Comparison of the Stillman & Birn Sketchbook Series posted at Life Imitates Doodles

Sandra Strait presents Review & Bleedthrumanades in the Stillman & Birn Epsilon Sketchbook posted at Life Imitates Doodles

Azizah Asgarali presents Review: Pentel Pocket Brush Pen for Calligraphy posted at Gourmet Pens.

pencils

Good Pens presents Knock, Knock? posted at Good Pens.

ComfortableShoes presents Review: STAD One Touch Pencil Extender posted at Comfortable Shoes Studio.

pens

East…West…Everywhere presents East…West…Everywhere: Fountain Pen Review: Sailor HighAce Neo posted at East…West…Everywhere.

An Inkophile's Blog presents The Kaweco Classic Sport, A Modern Pocket Pen posted at An Inkophile's Blog.

The Pen Addict presents The Pen Addict – Blog – Hacking a Pilot Hi-Tec-C Refill into a Retro 51 posted at The Pen Addict.

The Inked Nib presents The Inked Nib • Review: Lamy Nexx posted at The Inked Nib.

Peter Warrior presents Pilot B2P Ballpoint Pen Fine 0.7mm Review posted at Tiger Pens Blog.

Maybelline presents On Fountain Pens: Stabilo: Pen 68, point 88 and pointVisco pens posted at On Fountain Pens.

Cheryl from Writer's Bloc presents The Platinum Plaisir vs The Platinum Preppy Fountain Pen posted at Writer's Bloc Blog.

Azizah Asgarali presents Review: Pilot Parallel Calligraphy Pens: 1.5 mm, 2.4 mm, 3.8 mm posted at Gourmet Pens.

Azizah Asgarali presents Review: Render K Aluminum Custom Machined Pen posted at Gourmet Pens.

notebooks

Tim Leffel presents A Travel Writing 2.0 Conversation with Lavinia Spalding posted at Travel Writing 2.0

Okami0731 presents RAD AND HUNGRY – STMT X Denmark posted at Whatever.

EuropeanPaperCompany presents Guest Post: Sketching + Watercolor in the Stillman & Birn Alpha Art Journal posted at The European Paper Company.

lifeimitatesdoodles presents Comparison of the Stillman & Birn Sketchbook Series « lifeimitatesdoodles posted at lifeimitatesdoodles.

recordingthoughts presents The Leuchtturm 1917 Master Dots 4 Months Later posted at recordingthoughts.

miscellaneous

Travisthetrout presents to do lists (and drawing tick boxes) #filofax #icad posted at Notes in a Book.

Jonathan Milligan presents The Benefits of “Morning Pages” and Your Productivity posted at Simple Life Habits

Sandra Strait presents Life Imitates Doodles: New steampunk tangle pattern & Children's book posted at Life Imitates Doodles

Estivalia presents The Girl and the Goldfish posted at 365 Drawings Project"

That concludes this edition. Submit your blog article to the next edition of carnival of pen, pencil and paper using our carnival submission form. Past posts and future hosts can be found on our blog carnival index page.

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