Category Archives: Art Habit

When Other Artists Inspire

I’ve been watching Drewscape_Art on youtube for a few years. I started watching him because he was making some sweet pens by hand. He doesn’t do that anymore but his illustration career took off. His art style is really cool and deceptively simple. Think Ivan Brunetti or my hero, Linda Barry. He also does great things with color. He combines his hand drawn art with interesting effects in Procreate. When I watch his videoes where he uses Procreate I have some serious iPad FOMO. Which frankly, is saying something since I’m an Android and Windoze person 100%, but a small part of me wants to use Procreate.

Anyway, Andrew posts a lot of videos about creativity and making comix. I think a lot of what he posts directly relates to art journaling. One of his recent videos was about a warm up exercise where you draw random comix panels on a page and then fill it with random blobs and scribbles of midtone ink wash. You then use these shapes to pull images out of. You look and decide what you see, then add in more lines and details until you have a page. you can add words if you’d like. In this particular video he cuts words out of a piece of junk mail. Nifty.

I have to admit I’ve been hooked on this since I watched the video. I had to immediately try this out for myself and oh man has it been bringing me some creative joy. It’s a lot of fun.

First the random panels are pretty random and then you fill them with loose watery ink or watercolor or other media. It’s very freeing to do. Then you let your mind be child-like and creative and play as you see things in the shapes. Then you add in details and maybe more color.

as you can see from the two images above, the materials you use really has an impact on the looseness of the page. IN this case I used paint sticks and they have a rough quality. they are hard to control and eliminate the possibility of details. When using them you have to wait to add in the detail. It’s an exercise in patience.

This page was made with my 2 ink wash brushes. One has a light mid tone and the other a much darker mid-tone. I brushed on the light mid-tone and then dabbed in the darker mid-tone. No plan, just sticking to streaks and circles.

This ended up being a page I photocopied and shared withthe kids I worked with. I had them use it for the basis of their own spread. Asking them to look to see what they saw in the blobs and streaks. they then used sharpies to create their images. I’ve done this exercise with a couple of different groups of kids and the results are wild and different every time. And it’s the same for me. See my 2 sessions with photo copies of this page.

Two very different pages that began the same. Nifty.

This page started out with panels and ink wash flicked across a wet page. Each panel was wet with a brush then ink flicked across the page to create the loose cloud like areas. I then blobbed on some pink watercolor and let that flow as well. as I brought out the details I wanted to add in the idea of people being sucked into the mouth, so I stared by drawing stick figures then realized I could just do dots. So I flicked more ink wash across the page. While the paper is dry the ink wash doesn’t spread out, it stays in a loose dot.

I have recorded a lot of this process in a few videos that will come out across the month of November. I haven’t captured all of them but I’ve been making more and more of these pages.

They bring me so much joy but each page tells a story of my life in that day, just like any other art journal page.

I’ve scanned and cleaned up an image of the page that I have used with my groups of kids, if you want to try this in your own art journal feel free to download the PDF and print it to make your own Drewscape_art comix inspired page.

Get a downloadable version suitable for printing here: https://ko-fi.com/s/8389c4d952

Available as a high quality PNG and PDF.

7AM Construction

My street is currently being torn up so that gas lines can be replaced. The guys arrive at 7 AM. hey start moving stuff around the street at 7:15 AM. Digging, jack hammering, and large vehicles start up at 8am.

Work goes until 4pm.

I often start recording an art video at 8am.

Thank goodness for noise cancellation on my mic and my camera.

Yet there are days when they don’t dig, grind, or jack hammer at all.

Occasionally they need access to my basement to check on the gas meter.

Change is disruptive.

Any change is disruptive.

Not all change is good.
Not all disruption is good.

But it can be good.

Disruption and change can lead to growth.

When I think of things that have led to the biggest moments of growth within my art it’s always occurred with change and disruption that has been incredibly uncomfortable. I’ve learned that the more uncomfortable the disruption and change has been has directly correlated with how massive the growth has been.

I’m currently relearning an old skill and it’s involving being organized again. I’ve had to put together a calendar, take photos of specific things, and create a plan for something that may not happen. I’m learning to allow myself some breathing room if it doesn’t happen.

And that is scary.

But knowing that on the other side of all this work (change and growth are WORK) I’ll have skills I take with me everywhere I go is a big part of what drives me forward.

Always Someone There to Remind Me

When I was a pre-teen my Dad bought a beat up Ford Ranger. It had a tape deck that the previous owner claimed had a tape stuck in it. That tape was a copy of Naked Eyes Burning Bridges. I managed to get it out of the tape deck and then proceeded to listen to it on repeat.

Pre-teen me loved Brit synth pop. I think I wore that tape out.

Also I wanted that truck.

The title I used for this post is a riff on one of the songs on that tape- the actual song was “Always Some THING There to Remind Me” and apparently it has been recorded by quite a few artists.

Anyway, after that intro…

I was reminded today of how there is always someone there to remind me about what they think about me, my art, and how they think I should also feel about all that. And generally they don’t rate me or my opinions very highly.  There is always some fool out there ready to tear me down. 

And frankly it’s really hard to weather that storm.

Their garbage opinion always seems to rain down when I’m at my my fragile. When the scaffolding of my self esteem is constructed but don’t have the support braces installed yet.

These people, they are jealous of success. When they sniff out success they want to take a dump on it. When they see my joy they want to dump on it. This pic has a fun little glitch in it. The wheels do not look like that IRL! I wish I knew how to make it happen again!

These are the worst kinds of people. They just dump on everything and everything. They don’t really care who they dump on, they simply want to tear down people in a misguided attempt to build themselves up.

I use a generic THEY here because we all have a dumper in our lives. I’ve referred to these people as Dream Dumpers before. These are the people when you tell them about your favorite new cheese/ TV show/ art material/ movie/ hobby/ etc… they just dump on it.

Their capacity for finding the worst in everything is mirrored by how awful they feel about pretty much everything- they hate their boss and their job, as well as just about everything else in the world. But mostly they hate themselves.

I write this not to find empathy, though I do have empathy for people who hate everything. I write this because it helps me to think about the hate that these folx spew outward, they also spew it inward.

Imagine how horrible I/you feel about what these folx say to you either in person or in a social media comment. Then imagine them saying it back to themselves over and over and over again.

How awful.

Garbage in. Garbage out.

It gives me some perspective. But also it helps me to see that the Dream Dumper, their perspective is skewed. They can’t see the joy because all they have is hate. They dump on good happy things out of jealousy, even if they don'[t know they feel jealous, how can they actually know how they feel when everything is shrouded in hate?

Dream dumpers suck the joy out of pretty much everything.

Re-post from my Ko-Fi page, get  my posts much earlier there.

Gear or Supply Guys

A type of dream dumper that I especially loathe is the Gear Guy. (It goes without saying that the Gear Guy is a gendered joke and the GUY can of course be a GAL or just person.) 

The Gear Guy is that person who asks you what you are using and then smirks and tells you they have the newest model of your beaten up used piece of equipment.

It’s a wallet wag.

I see this so often when it comes to cameras, watercolor brushes, and bicycles.

I use my action camera for everything. Because it eliminates shake it’s great for taking pictures. I can also adjust the settings and get a nice shot. I have added a step up ring to it it so that I can use close up lenses and filters! Cool. Nifty hack!

Most of all, I know how to use the action cam, and I have it with me all the time.

I also always have a toy camera in my bag. I won’t write here about my undying love of toy cameras, but I looooove them.

Anyway, I was out with some people I know and I pulled my old trusty modified Osmo Action 3 out, slapped on a 2x close up filter and took some pictures. A Gear Guy came over and asked me about the cam. I explained the ring and filter situation. He smirked and held up his Canon with a $1600 lens.

Me being me, I lifted up my camera and snapped his picture. I laughed as I walked away.

His attempt to make me feel small didn’t work because I disarmed it with humor.

But it still grinds my gears.

Having the money to buy a thousand dollar camera body and slapping a $1600 lens on it doesn’t make him the better photographer. (I am a shitty photographer and I know it.) It means he has more money and more tools to prop him up.

Expensive tools aren’t a magic wand to make better art.

Cheaper tools used well can make great art. Yes cheap tools can be frustrating to make with, but if you are careful and buy well, you can find good cheap tools. Even if you aren’t, I’d rather see someone find an amazing cheap tool and brag about their deal than listen to some Gear Guy brag about his $150 water color brush he flew to Japan to buy.

This is why I suggest cheap journals/sketchbooks. Fill them up, burn through them with all the messes and then buy another one. Feel no guilt for using cheap sketchbooks as your journals.

An expensive journal won’t make your art journal better. Only time and effort will pay off. Spend time to find your favorite art journal. Most of the time the journal expense will be somewhere in the middle of the cost range.

Re-post from my Ko-Fi page, get  my posts much earlier there.

What Do I NEED to Create?

Back in the day I used to soak up videos and blog posts about art making gear. Everyone’s equipment fascinated me. Part of this was curiosity about processes but also wanting to know HOW to use that equipment.

And when I write equipment I mean everything from paint to brushes to paper to cameras and software used to edit the very video I watched.Yes, I picked up an eScooter. Yes it’s probably too dangerous. But holy hell is it FUN!

I have a theory that most of us who get caught up in GAS (Gear Acquisition Syndrome) are like me- just want to know all the things about the things we use to create. I want to know your processes so I can develop my processes.

As I work on my latest videos and possible zines, I have been asking myself how do I create and write a tutorial that doesn’t feed into the GAS making machine?

I have been asking myself the question: “What do I need to create?”

I ask this as I reach for materials.

I have access to every material I could possibly want and then some. If I don’t have it in my home studio I have it at work. If I don’t currently own it or have access to it I can order it and have it here in a few days.

GAS and SABLE (Stash Acquisition Beyond Life Expectancy) are two reasons I started to tell myself and say in my videos and posts, “Use what you have.” “Buy singles when possible.”

But really when you dial it down to basics what do we need to create? I think this is going to vary for everyone.

I need a sketchbook of some sort and either a pencil or a pen.

That’s it.

It’s simple.

I also think I make some of my best art when I strip it down to simplicity, and allow myself to fully embrace that material. Then when I open up and add in color and wash and more, it feels decadent and alive.

Every art piece is a way to learn more about myself and my interaction with the world around me. Even when it’s “just” in my journal, it is important.

Anyway, the scripts (we can loosely call what I’m writing scripts) for my tutorials encourage people to strip back their practice to the most simple they feel comfortable. Pen. pencil. Simple. Add color to the mix later. Explore black and white then add color.

Simple.

The difficult thing is that simple is never easy.

 

Re-post from my Ko-Fi page, get  my posts much earlier there.

Figuring Out This Balance Thing

It’s been a hot minute between posts here. It seems i Have trouble balancing my life.

Every summer it is the same thing, it gets warm and I have fewer work days with kids and time off, so I ride my bike. Which, excuse the drama, has saved my life in the same way journaling has in the past.

I know I’ve written a bit here about my health struggles with Type 2 Diabetes, but riding my bike has allowed me to get down to one med for my blood pressure and one med for the diabetes. Wild. My blood sugars are generally pretty even and my blood pressure has been good enough that my doctor said I don’t need to come in and see her until next year, unless I have an emergency.

All summer long all I really wanted to do was ride my bike. I had a great time doing it. I’ll hit 1100 miles ridden this week. 1000 of those miles on a modified Walmart bike. The rest were on a vintage Kona mountain bike.

Anyway, if you want to hear and see more about my health journey you can check out my health and wellness channel, Less is More Healthy on youtube.

I was recently able to pick up the Osmo Action 5 action camera. This is great for the health channel and the art channel. First off, when I’m recording me drawing with a POV camera, the Action 5 is better than the old Action 3. But this also means that I can put the Action 3 into my overhead camera mount and leave it there. 

This means a lot of things. First off It eliminates a lot of set up and take down that has stopped me from recording my art making in the past. Even though I set up a nearly permanent mount on the overhead rig where I can just clip the Action 3 in and out of. No one said that decision paralysis makes any sense. Now the 3 will just live on the mount most of the time, ready for me to hit record. This also means that I can record audio AS I WORK. My old Cannon doesn’t have an audio in port and the mics on the budget cams is trash.

While I love a voice over, sometimes it’s more intuitive to record as I work.

This also means that if I can get my shit together I can do some livestreams. I used to LOVE doing livestreams. Except for the trolls, but hopefully I’ve got those dudes all blocked.

I did some drawing this summer but not a lot. I drew some boats when I rode out to Manchester-by-the-Sea * and I drew trash while I waited for the train. 

People aren’t impressed with my drawing trash. Which has brought up a lot of thoughts around the purpose of an art journal/visual journal and deciding NOT to draw pretty things. I may have to do another series where I draw used tea bags again.**

At work I fired up our Vandercook press and it was everything I’ve been missing in art making. So I’ve decided that all my groups will be making posters and using the press this year at some point. I can’t wait. This also means I get to use the press more. I REALLY can’t wait.

I’m also going to do a section on keeping a visual art journal.

Which brings me to my hopes for this Ko-Fi page and Comfortable Shoes Studio the YT Channel and blog. I’ve been working on a couple of classes which will include some hand drawn printables, possibly bundled into a zine, and a video series to support it. I’ve been writing my ass off and gathering ideas for this project. Yesterday I made myself a template to create the blank pages with non-photo blue pencil and I’m deciding how I want them to look.

I’m blocking up a little bit, because I want them to look like my work notebook/sketchbook pages and my Every Thing Every Where journal pages. I’m totally over thinking it.

My goal for this week is to loosen up and commit to making one of the pages of the handouts and zine.

*MbtS is almost as bougie as it sounds. It’s not as bougie as Magnolia, which has a corporation dedicated to keeping it’s private beaches private and keeping out of towners off the beach.

**Tea bags are a useful drawing model. First off if you make tea you will have them. Secondly you can easily pose them and they stay in place. Finally The forms involved are great- loads of shapes and lines to play with drawing. Yeah I just talked myself into it. I’m going to draw some trash.

 

Re-post from my Ko-Fi page, get  my posts much earlier there.

Love and Hate Collage

If you’ve been following this blog for any period of time, you’ll know about my love and hate of collage. I love a lot about collage but I’ll also tell you how much I hate collage. One of my favorite artists from Dada worked primarily in collage (Hannah Hoch.) I don’t know that I’ve ever discussed this on the blog before, but the first piece that I ever got into a show was a small intimate… collage. The collage was met with success and reviewed extremely well.

That year the collage was selected for the show I had also worked in larger scale and smaller scale Matisse and Eric Carle style collages- but instead of the time honored gouache I made my collage sheets out of… Crayon.

I will eventually write a post about how crayons are magic.

Anyway those crayon pieces, now quite sadly lost and a few gifted to friends and former partners, were as magic as the crayons. A few of the larger scale pieces were responses to popular (and less popular) music of the era. And because I am a walking stereotype, more than a few were responses to Ani Difranco. I have no doubt that those collages haave also fallen apart. Wax is notoriously resistant to glue. All it would take would be a few atmospheric changes for the pieces to peel away from one another.

I think the magic crayon collages also showed the power of the arts for healing and processing. I was using the process of making big sheets of my own collage papers- scribbling and making the pages evenly colored, then responding to my own life and music. It’s a great process.

Anyway. I resented the hell out of that piece that was in the show. It was my first foray into collage- torn up magazine pages to create a sea of blue and then carefully clipped images from a magazine to create a surrealist image of confusion. It was good but it wasn’t practiced or even evolved. I hated that my first try (sort of I did dozens of these little collages) was selected, when what I wanted was my more practiced and mature art selected.

I had already turned from what I thought of as immature magazine collages and toward a more refined and matured collage style, and instead of being recognized for my hard work, my first foray was being applauded.

I had selected my own pieces to apply to the show, we were allowed only so many, and I had put in my maximum allowed, and only that one* was selected. I also didn’t have the cash to frame the larger pieces. Even 25 years ago my money was tight and buying large poster sized frames for large work was beyond my budget. They didn’t allow for you to submit unframed work and then frame them IF they got in. Small frames I could build, large frames I could not.

Collage is a long held love of mine, but the sort of collage where you make all your own papers and materials. But then remixing magazine images is also a long held love of mine. But I resent one, but long for the other to gain acclaim.

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State of the Art: Transition

Transition is never easy. And wow, am I doing a lot of it these days. 

In the time between my old job closing, then the temp job, and finally the new job, I started the trash printmaking projects. In part because I NEEDED art in some way, and also as a distraction from the stress of transition. In the two months of that position I churned out some fantastic drypoint and collagraphic plates. All using a craft press! Great stuff.

In the end I got the job that I wanted. I won’t go into details of the position, but I met a friend and told her about it and she said, “That’s the stuff you were born to do.”

I think she’s right.

As I transition into this new job, in a new city, and back to riding the train, I’m finding that my art process is changing too. I’m back to working in my sketchbook and I’m carrying a pocket notebook again. Little ideas are doodled out and ideas jotted down. But I’m having a difficult time finding time to be online.

I’m working on my schedule to ensure that I continue to make art in my off time, but hey, here’s an awesome thing- the job includes making art as part of my daily work.

In the time between leaving and starting again, I visited a friend’s studio, a thing we’re planning on doing regularly. We worked on Gelli plates and used stencils and die cuts to make prints. I tapped into my stash of rescued cardstock and printed a lot of pieces. One of the things about gelatin printmaking that I like is the ability to layer so many thin layers of acrylic on top of one another.

I brought my layered textured images home and promptly turned a large amount of them into a new art journal. I’m hoping to get a gelatin printing station set up in my studio. I consistently find it more satisfying than painting. The ability to layer colors and get a shape to pop is interesting to me. The look of all the super thin layers of paint over one another is satisfying. Anyway, I’m thinking of buying some gelatin and making my own plate, but that has to wait for things to settle down. For now, I’m happy to just have a position where art is part of my everyday.

State of the Art: Success and Failures

I think it’s important to share both my success and my failures on my blog, so that readers can see that everything doesn’t turn out as expected all of the time.

I was really excited about this plate. It’s a bit bigger than some of my others and it’s a subject that I enjoy exploring- the Super Chicken building in my neighborhood. When I first moved here is was… Something else. The owner had painted the lower half of the old brick building bright glossy red. To say it was ugly is an understatement. It was garish and a lot. Recently* they did some renovations and painted the lower half a sedate cream and gray color scheme and installed new gray awnings. Classy.

This image is from a photo I took of the building in it’s old garish glory.

I had hopes of using textured cardstock to create the feeling of the rough painted over bricks and then the brick above that, plus the old concrete of the sidewalk and the beaten up street.

The reality is that I didn’t leave enough room between sections of the cardstock to create the lines I needed to make the darker areas. I had too much of the textured card in some areas and not enough in other areas.

I wiped back the front of the building more to create a lighter area, and left the shadowed section darker, but it all comes out as a similar gray. Largely because the areas that should show lines, aren’t because they are too close together. The result is an image with too little dark, too much gray even tone, and not enough light area.

Anyway. It’s a failure as a finished image but I learned a lot- I need a certain distance between collaged on elements and that the texture doesn’t need to be pronounced to be seen in the final print. Also, when I apply glue to torn out areas, the application must be thick enough to coat all the fibers and rise above them. I’m also noticing that any white glue that I apply becomes crackled when I put the acrylic varnish on. Which this is a good effect for some applications, it’s not the best for everything. Here I really wanted a pure white area in the windows. I might need to switch over to shellac or use the waterbased poly I have instead of the craft varnish.

I keep cataloging things I learned from this process. I really dig the texture sheets I made with modeling paste for this image. I’ll definitely be using them again in the future. While I don’t like to work directly into modeling paste to create an image, this was both fun but also looks great. It is an area to explore in the future.

Every art piece disaster is a learning experience.

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State of the Art: Printmaking Play

I’ve been deep in art play mode lately. I apologize for the lack of pen posts and overwhelm of printmaking play posts. I do have a review partially completed for a great pen that I should be posting soon.

Printmaking has been a passion of mine for a long time but lack of a press and interest in other art making has taken up much of my time over the last few years.  I think that the last time I posted here about printmaking was when my friend Jane and I made gelatin plates over ten years ago! (Just writing about them makes me want to make more gelatin plates!)

I’ve been testing out how different materials collagraph- what they look like and how they stand up. I also purchased a pot of Speedball SuperGraphic Black and a tube of their fabric ink in brown.  The SG Black is taking forever to dry, but it’s also been incredibly humid and cold here. The fabric ink started to set up as I rolled it out. But both inks look great- on paper and fabric!

With collagraphs building the plate is just one part of making the image, inking is the second part, but the most important is wiping. In this final last part of the process, like etching, the printmaker controls how much of the ink is left on un etched areas of the plate and how much wiping will occur, also, if any texture is left in that ink. Changing one aspect of the wipe can almost completely change the image!

The fun little mini press aka embossing tool that I purchased allows me to play around not only with lino, wood, and collagraphic prints but etchings too! ‘

Many people make etchings into aseptic packaging- soy milk packages and the like. Any plastic lined multi-layered item will work. I managed to get my hands on an assortment of old advertising items- mini white boards with old calendars, decks with missing cards, and old advertising posters. All of these things have a plastic layer over cardstock and work great for mini etchings.

I did a few tests of prints and use of different materials for etchings and I’m really pleased with how they came out. This of course leads me to more ideas for the process.