A Busy Week and Some Drawings

So the state of my week has been… a total pain in my rear. First our VW breaks down in only the way a VW can- expensive and then the muffler on my Versa decided to jump off. This is right after I order both my new video camera AND a new laptop with some of my stock option money from my DayJob, I gave myself a budget! I shopped around and found the best deal on both the laptop, quad core ASUS for just under $450 and a refurbished Canon VIxia HF R200. All told I spent less than half on them than a fancy new DSLR would have cost, mostly because I have been researching these 2 items for months and months. I did have some buyers remorse when the VW broke down. Luckily the rest of my stock option money came through to help with that bill. Then the muffler… Sometimes you just can’t win. Such is life though. I’m happy that I have a great DayJob with benefits like stock options to help me through these tough times.

Anyway, on the positive side of things the new laptop kicks some serious ass. I can process longer videos faster and with color correction and speeding things up. Crunching a 35 minute video of me drawing down to 2 minutes now takes about 20 minutes whereas with my old laptop it took several hours and I couldn’t add any effect or correct for brightness and contrast.

The new camera, well, it also kicks ass. I am able to shoot bright focused videos with only my 2 halogen bulbs lighting my work area, which means i’m not getting blinded. No matter how many lights I had on my old camera just couldn’t shoot anything bright and it would go out of focus a lot. The old camera does okay outside but just didn’t do anything nice inside. So I’m really excited about that. the last camera I bought with a small amount of research this camera I took months to decide on.

Here are some videos shot with the new camera and processed on the old laptop:

 

 

Review: Platinum Carbon Black

I picked up a bottle of Platinum Carbon Black ink from a new vendor, Gumwater, more on them at the end of the review. When the ink arrived on my doorstep I immediately cleaned out my fine nibbed TWSBI 540 fountain pen and loaded it up. I found the ink to be black, very very black. It’s relatively well behaved on all my sketchbook papers with some minor soak and show through on my Field Notes, but that is to be expected with Field Notes. I didn’t notice feathering on any of paper that I’ve tested it on so far.
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I did notice some lift when I was putting a watercolor wash over the top of it. I suspect this is because it hadn’t dried fully. What little did lift was a neutral gray color and thus didn’t turn the color of the watercolor off.
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The ink lubricated the pen well. I never felt like I was writing on sandpaper but I didn’t feel like I was writing on glass either. That might change if I was loading it into a different pen.
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If I were to rate the darkness of the black inks I have in my possession I’d rate them as follows:

  1. Platinum Carbon Black
  2. Noodler’s Black
  3. Noodler’s Heart of Darkness
  4. Pelikan Fount India
  5. Chelpark Permanent Black
  6. Pelikan Black in International Long Cartridges

P6174362Platinum Carbon Black is a carbon basesd ink, which means it's pigmented with microscopic particle of carbon, which gives it the deep black color. Pigmented inks are a little more high maintenance in fountain pens. If you put a pigmented ink in your pen you'll need to clean the pen a little more often and watch to be sure it's not getting mucked up. Honestly though, I've been using Pelikan's Fount India regularly for 6 months now and I can say I've noticed no long term ill effects from using a pigmented ink in my pens, and I don't clean my pens regularly, nor do I use them everyday. I take all dire fountain pen warnings with a grain of salt.

The price of Platinum Carbon is, well, not cheap. I pulled the trigger on it because Gumwater was having a sale on it in their “Daily Drop.” Their daily drop puts one item in their inventory on deep discount for a day. The ink itself was $16.50 for 60ml, minus my Fountain Pen Network discount of 5% for a total of $15.68. Which if you look at a few places on the ‘net you’ll find that is anywhere from 1/2 to 2/3 the regular price of Carbon Black. Shipping was reasonable as well $4.41 for priority mail shipping. So I got a very expensive ink for $20. If you order over $50 Gumwater does shipping for free. If I’d known I was going to like the ink as much as I do I’d have ordered 3 bottles to get it over the $50 mark.

The ink was packaged very well. The small ink bottle was nestled in it’s own box and swaddled in bubble wrap then put inside a small sturdy box. The box arrived in good shape and quickly. I ordered on June 6th and received it on June 11th.* It was fast shipping. Overall I was pretty happy with Gumwater’s service. Their prices are reasonable, they packaged the items well and they arrived to me fast. One thing that I didn’t like was that every interaction with them was peppered with bible quotes. I’m not against religion but I’m against it being shoved in my face at every turn. I find religion to be a very personal thing so to have it on an invoice and packing slip feels a little strange to me. I mean why risk offending a customer with a differing religion?

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Review: Ink Lightfastness

This winter I decided to test the lightfastness of many of my inks and a few pencils. I thought I’d lost the test sheet but it turns out I had stuck it to a different window when I had checked it. The results are interesting.
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Not lightfast, showing large color shifting or significant fading:

  • Chelpark Turquoise
  • Camlin Royal blue
  • Pilot G2 blue
  • Sharpie Ultra Fine Point Blue

Color shifting but line seems the same:

  • Loew Cornell Fine Point Marker
  • Sharpie Ultra Fine Point Black
  • Flying Colors Focus 0.5mm
  • Corner Office Black

No change:

  • Pentel Hybrid Technica
  • Pentel Pocket Brush Pen (pentel ink)
  • Permapague black fine point
  • Faber Castell Pitt Pen Sepia
  • Staples Gel mini- black
  • Sharpie China Marker
  • Derwent Graphitone
  • Derwent Pastel Pencil
  • Pelikan Fount India

The handbook paper which is acid free and a bright white color is now slightly  yellowed.

Random

I’ve sent you to this page on my site because you have sent me a random email with some sort of marketing or blog post pitch that shows me that you have not bothered to look at my site. So, here is a picture of a teenager wearing an octopus costume that is just about as random as the pitch you’ve sent me. Cheers!

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While you’re at it please take a look at the rest of my site to get an idea of what I write about here. If you understand what the site is about and you give me a realistic pitch I might consider a guest post.

Review: STAD One Touch Pencil Extender

I picked up a STAD pencil extender from Jetpens last week and as my usual review style, I put it through it’s paces before I wrote a review.
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I’ll admit my first impression was not good. Looking at the package I was expecting some weight and this extender while chunky is very light weight. I tried stuffing a vintage FaberCatell Design 3800 4B into its grasp and the little white plastic cap didn’t like it, or the extender didn’t like it, whatever it was the pencil is now in hiding and I can’t find it. (Turns out it was just hiding lower in the pencil cup…) Every pencil I stuck in it’s jaws seemed…. Loose.
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I took a look at the back of the package. There were some diagrams on the back with all the writing in Japanese… Picture #3 shows some fingers touching the jaw. I thought maybe in that image the fingers are squishing the jaws to the pencil, so I tried it. Oh baby, what a difference. The extender went from loose to thighs of steel. It grips all my regular sized pencils, from my Palominos to Vintage FaberCastell Design 3800s to PrismaColor Col-erase with an eraser.
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When you are done drawing or writing you can flip the pencil point into the extender and protect the point from breaking and you from being stabbed. WIN! This holder, like others, allows you to use your pencil down to the last tiny nubbin. The smooth grooved barrel is comfortable to hold and use. It's diameter makes it seem as if you are writing with a nice mechanical pencil or pen. Fancy.
P6014326(Protip: When you get down to the end of your pencil, use a sharpie to write the hardness on the top of the pencil so you always know what pencil nubbin you’re using.)

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Intro to Cafe Sketching and Journaling

I get asked pretty often what sort of tools one should take with them to the cafe/coffee shop for journaling and sketching purposes. Here’s my list: (I have linked to any vendor I know and trust for the various products. If I do not have a vendor directly linked you can assume I picked it up from someplace I cannot remember or Artist and Craftsman in Saugus, MA.)

First get a bag or roll to store your stuff in. I have a repurposed 1980’s (totally vintage) cassette tape softie case- some sort of flammable foam encased in a heavy canvas. If I were to buy a new case (and I’m considering it) I’d get one of these bad boys from JetPens. If you are using nicer (ie expensive) fountain pens you’ll want a wrap inside that case to further protect them from scratches. I bartered a drawing for my current case, but again, Jetpens carries a nice selection of pen and pencil rolls.

As for tools I carry the following and interchange a few things as I see fit:
2 fountain pens, one with a fine nib and one with a medium or bold nib. Right now I’m carrying a TWSBI 540 and a 530. I have them filled with black ink. I alternate these 2 pens with other pens from my collection, most often seen in my kit are a pair of Platinum Preppies, also in fine and medium, also always filled with black ink. (Occasionally I’ll make a choice to fill one with another lighter color- usually a brown or sepia color.) If I'm going ultra lightwight I take just a Kaweco Sport Medium nibbed fountain pen that stows in my pocket.

As for black ink I’d suggest the following: Pelikan Fount India, Platinum Carbon Black or Noodler’s Black. They all show relatively little lift when washed over and are a nice deep black in most pens and look great. Fill the pens before you go.

For other pens I suggest the Uniball Signo line. I’ve got a strong love going for the ultra fine lines made by the Uni Signo Bit 0.18 and the Uni Signo DX in 0.28 and 0.38. I also really like their fine point Jetstream and other pens. Their ink stays put, is fade resistant, waterproof and a nice deep black. You can also get refills for their pens, so they are a little more green than other disposable pens. Another addition that I like quite a lot is the Uniball Signo white pen in broad. I like to use it as a white out ink and to add back in highlights.

For pencils I’m going to harp on the Uniball line again, both the Kuru Toga and the Shift Pipe Lock are awesome pencils. I like a .5 for general sketching and a .7 for sketching with shading. I use either B or 2B lead in mine. I don’t know why you can’t get anything better than HB in the average US office store like Staples, but there are a lot more leads available than just HB. If I’m not in the mood for a mechanical pencil I’ll carry a few pencils with me, specifically an HB, 2B and a 4B. I’ll also carry a pencil sharpener and a click knife.

Brush pens or waterbrushes. I’m a HUGE fan of the Pentel Pocket Brush Pen or PPBP. It’s not overly expensive, readily available, easily converted to eyedropper and looks pretty smart. Once converted to eyedropper you can fill them with any color of ink you want. I have one filled with Pelikan Fount India and another with J. Herbin Gris Nuage.

The journal or sketchbook portion of this is very individual. I like to carry something inexpensive. Lately I’ve been carrying a Canson XL Series Blue Books in pocket size. You can read my full review of this lovely little journal in Put it on Paper. I’ve filled 3 since March of this year. They are pretty much perfect for my current style of sketching and journaling. I also carry my MTNKO. One day I’ll buy the real thing but for now it’s the MTNKO. In it I have crammed a bunch of refills: 2 blank and 1 grid Field Notes, 2 blank handmade notebooks, and one Bandit Apple Carnet. Yeah, I’m using them all. The Gridded Field Notes is all about plans for this blog, Ideas I’m having for classes, thoughts on current classes, YT video ideas and the like. One of the blank Field Notes is for the Experiment the other is for mapping out specific ideas for my YT videos. One of the blank handmade notebooks is for random ideas and to do lists- things like the grocery list, things I need to do around the house, Home Depot shopping lists etc.. The other handmade is for sketching as is the Banditapple Carnet.

I stuff all this into a bag and head for the cafe/coffee shop. I ORDER SOMETHING and I sit in a location where I have a nice view and I start sketching away. If I’m there for over an hour I ORDER SOMETHING ELSE.* After a few instances of going to the same coffee shop you will become a regular, if they have a good barista/bartender they might get to know you, your name and even your drink. They won’t care much about your drawing, or they will take a passing interest.

Next post will be about various bags for using when out sketching. I have many…

I used to be really nervous about drawing and writing in public but the reality is… No one seems to care. Occasionally a kid or fellow artist comes along and wants to chat but 97%** of the time no one talks to me or even looks at my work. The waitress will see what i’m working on but generally it me and my sketches and journaling.

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Watercolor Basic Tools

I was recently asked to do a brief “intro to watercolors post.” So here it is.

Watercolors have a variety of ways of being used, from larges washes and free wet into wet application to tightly rendered pencil drawings filled in with layers of colors. I work somewhere in between. I enjoy making a mess and creating carefully rendered illustrations of things I see. Here are some basic tools I’d sugesst with a budget in mind:

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First the colors themselves. I’d suggest starting off with a Windsor and Newton Cotman Sketcher's Pocket Box Set. It has 12 colors all of which are usable in a variety of settings. The box itself is sturdy and completely usable. The brush it comes with is, well, crap. This is the best of the small pocket sketch sets by W&N. It generally runs about $20. They are carried in most places like AC Moore and Michael’s.

If you are the crafty type I’d suggest making a recycled mint tin watercolor tin and picking up a student set of tubed watercolors. This will be more expensive but half the fun is making the tin and sourcing materials for it. Van Gogh student watercolors are inexpensive and work very well.

I like to buy most of my watercolors locally. I really like to walk into a place and look at the displays. This also lets me use my discount coupons best. I keep a running list in my planner of colors I’m running out of, this lets me walk into a store and walk out without buying more than I intend. This also has let me buy some REALLY expensive Winsor & Newton colors at half price! Although I am prone to buying tubes of every brand’s version of indigo and sepia.

Brushes are important. Using shitty brushes doesn’t  help your experience with painting, it merely serves to frustrate you. I have several sizes that I like: #12 round, #8 round, #6 round, #4 liner, 1/2in flat, 1/2in mop. I find myself reaching for the #12 and #8 round the most followed closely by the 1/2in flat. You want to look for watercolor brushes that are springy and hold a point. How can you tell this in the store? Take a small pot of water with you, swish the brush around until it’s soft and saturated with water and flick the water off the tip. Look at the tip, is it holding a nice sharp point? Yes! You have a winner! No? Put it back and try again. If they will not let you do this, or you feel uncomfortable trying it in stores, buy the brush and try it at home, return it if necessary. Start with one round- maybe a #8 or #6 depending on the size you plan on working. If large, buy larger and if small, smaller.

My favorite budget friendly brand is Princeton with the red handles. I have several of these that I reach for again and again. These are not the cheapest brushes available, but I have used them again and again since college with good success. Cared for properly they will last you many years. I have one I bought in college that I still use, we won’t talk about it’s age. These range in price from $5.99 to $12.99 each. These are available all over the place. These are a great coupon buy.

If you are looking for a still cheaper brush check out the Loew & Cornell Soft Touch line. These are dirt cheap but remarkably nice brushes. I bought them on a whim expecting them to suck and they were shockingly nice. I bought these in #10 round and a 1/2in flat. I find myself reaching for them again and again. Their #10 is the size of a Princeton #8. These are awesome cheap brushes. They run $3.99 for most sizes. The only place I’ve found these is at Joanne’s.

As for waterbrushes I’m a fan of the Koi brand. Which you can get at Jetpens. I have not liked the niji and the pentel I’ve tried.

Many watercolor pieces start out with a sketch. I like mechanical pencils for starting a watercolor painting. There are a lot of brands available, but I’ve been particularly in love with the Uniball Kuru Toga which you can get at Jetpens. I prefer it with a B lead. You can really use any pencil, but a good one is a joy to use.

As for paper. This is greatly a matter of preference. I’m a fan of cheap paper. I said it, I like cheap paper. I also don’t mind working in a regular sketchbook with watercolors, the cockles, wrinkles and curls don’t bug me at all. I do note that for most people, they hate this. Watercolors make even heavier papers curl. It is a fact of life and with watercolor you are going to have to deal with it or buy really really expensive paper. I strongly believe that buying paper that is too expensive encourages people to be stiff with their art. Buy cheap student grade paper to get used to using watercolors. Buy better paper later when you feel more comfortable with the materials. Fill a sketchbook before moving onto the next one. Test each color on every paper, they will respond differently.

A really nice paper for beginers and students is the Canson XL line. It is 2 sided, one side is smooth and the other is cold pressed. Compared to other watercolor papers it can’t be beat in terms of easy use, size and price. It also folds well incase you want to bind your own watercolor sketchbook. Their bristol pads also do well with watercolor.

A sketch paper that is slightly harder to find is the Clairfontaine Graft it Sketch pad. This sketchpad is simply brilliant with pen and ink, pencil and does great with watercolor. It’s thin but is just wonderful. It’s also pretty inexpensive as far as sketch pads go, $5 for a 6×8 pad. I’ve been making pocket sized notebooks out of these for awhile now and they are just awesome.

Some basic sundry items you should look into getting: a spray bottle for moistening your pallet or one of these, an assortment of rags, some plastic cups to rinse your brush- one for dirty-ish water and one for clean and maybe something to store all your stuff in. Keep your brushes safe somewhere!