Author Archives: leslie

Review: Derwent Inktense Pencils

In
finally got my hands on some Inktense. I’ve heard nothing but great
things about them. Maybe because all I’d heard was great, I was left a
little underwhelmed.

First
the colors are not named after typical artist colors, so we’ve got
grass green and apple red instead of sap green or  alizarin crimson.
This causes me to look around more than I want to for a color I want. It
can also lead to some unfortunate color ,mixes. If I were to buy a tin
of these I’d have to do a test to see how each of the colors would mix
with one another, just so I would know what would make mud and what
would not. The colors are also very bright, jewel toned in hue.
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The
good thing about these is that once you wet them, the color is set in
place. No matter of water or scrubbing will move them or blend them.
They layer really really well. I found it took way more effort to wet
the dry marks and move the wet color around than with other watercolor
pencils. In the end I tried a nylon bristled brush and was more vigorous
in my effort. Even with that effort I found the marks made as I drew
with the pencils stayed. if I were to use Inktense on a regular basis
I’d make sure to create a texture or pattern.
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I
probably won’t buy a tin of these pencils, maybe a few singles  of
specific colors. I can't think of a time when I’d use  them on a regular
basis where regular watercolors won’t do the trick. The price point on these is about $1.75 per pencil. They are also available in blocks form. Which I might like more than the pencils.
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Just
as an aside I’ve read on multiple forums and blogs that the inktense
are not lightfast, so something to consider if you are creating art for
the wall.

Vibrant Watercolors

PJ
made a comment about the luminous/vibrant color of my watercolors. I
thought I’d address that and consider a watercolor class in the future.

Watercolors are my go to tool for color in my art journal. I use them in a few specific manners to get bright vibrant shades.

First
let’s talk about the brands I use. I adore holbein, windsor and newton, cotman, and Dr PH Martins. I also enjoy using Sargent’s Watercolor
Magic liquid colors. As long as I’m working in my art journal I’m not
concerned with the colors being lightfast.

Secondly,
let’s talk about clean brushes. It’s important that you clear out any
color from your brush to get clean colors. Any spot of an opposite color
to the color you want will dull and muddy the color you are using. I
wash my brushes on a regular basis using plenty of soap. I like to use
generic shampoo as it generates a nice lather and works its way deep
into the bristles. I keep a couple of containers of rinse water on my
desk while I work, one generally is the dirty water container and does
the bulk of my rinse while a second is used to rinse the brush further.

Then
I prepare my colors. If I’m using dried or block colors I moisten them
in advance of use. I use either a spray bottle or a squeeze bottle to
add drops of water to the cake of color and I let it sit to soften the
color. As I work I add more water to lighten the color. If i’m using
tubed color I squeeze out a small amount and add water to it to create a
liquid. With liquid color I add a few drops to a palette and add water
as needed. Often times with tubed colors I’ll add the watercolor to a
cup with a lid and add plenty of water. This gives me a large amount of
liquid color that I can work with. Touching a wet brush to a dry cake of
color will only give a weak shade.

In
all cases I make sure my brush is clean before I pick up any paint or
dip into a cup. A small amount of blue or purple in the yellow will turn
it green or brownish, and take away from it’s bright color. If I’m
attempting to mix a bright secondary color I try small amounts of the
colors to create it. So if I’m looking for purple I add small amounts of
blue and red together away from their cups and being sure to clean my
brush.

One
of the hardest things for me to learn with watercolor is to USE the
paint and to not skimp. So if I’m covering a large amount of paper with a
single color I need to use more paint than I think I need. Also
watercolors ALWAYS dry lighter than when applied. When the paper is wet
my colors need to be darker than I want the end result to be. If the
color is just right when wet it won’t be when dry, I try and work a
shade or two darker than what I would like the color when dry. the great
thing about watercolor is that I can alway add another layer if I want
to darken the color.

So here are my tips for vibrant watercolors in a nutshell:

  • Properly wet and prepare your colors before you need them.
  • Clean brushes.
  • Use more paint than you think you need, remember that watercolors dry lighter.

Figuring Stuff Out

It’s
almost 1am and we’re in the midst of a blizzard, or so the weather
reports tell me. Well, that’s being a tad dismissive, we’ve got another
12 hours of snow to go, but so far I’m not seeing mountains and
mountains of snow. The wind is howling, snow is drifting and even my
dogs don’t want to go outside. Right now I’m regretting that 6pm cup of
coffee.
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I’ve
spent the day sipping hot hot tea in an effort to unclog my sinuses
which finally appear to be on the mend. i’m not sure if it’s the hot tea
or the buffalo chicken fingers I ordered from the local pizza place
that I should credit. Maybe it’s time, who knows. I’m starting to feel
physically better. My sleep cycle is all kinds of messed up. I’m awake
when I should be asleep and sleeping when I should be awake. Of course,
that 6pm cup of coffee that tasted oh so good as the snow
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I
spent some time reflecting on my art journals today while listening to
some good music. I flipped through the last year’s worth of my art
journals. I’ve got some good stuff recorded. I’m missing some notes I
took on business cards that held a lot of good class ideas. But overall,
I liked what I saw. I made a lot of progress artistically. My ability
to capture a lifelike and emotional portrait increased 10 fold. i’m
proud of the work I’ve done. I’m excited for the art show I’ll have in
August. This year holds a lot of potential for me.
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The
thing is, it’s all up in the air right now. I’m not sure how things are
going to land but I’m sure it’ll be in the way it should be for me.

The
last few days have been interesting in that it’s revealed some artistic
and art journaling truths to me that I had previously not know or had
ignored. These will be shared here over time.
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It’s a Process

I’ve
been sick, in more ways than one. I’ve had a sinus infection. It’s
knocked me on my ass. I’ve also been dealing with disappointment. Abject
utter disappointment. Disappointment so deep it hurts. I let myself
wallow in it and be consumed with the feeling. The feeling making my
sinus infection seem a hundred times worse than perhaps it was. Or maybe
it was just that bad* that it could make me feel so helpless.

The
cause of the disappointment is not important other than to me. I’ve
spent the last few days in a fever induced haze of misery, scribbling in
my art journal and watching TV on my laptop and sleeping.
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My
scrawling and scribbling in my art journal don’t reveal much to me. It
chronicles my self-centered misery, my sadness and my sneezes.**
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Except
one page, a meditative page I did in a sort of mandala style. It’s also
self centered, in that there is an image of me in the middle of the
page. Radiating out from the center of the image (at the sinuses
interestingly enough) are layers of circles filled with various
patterns, alternating colors, lines, rays, circles, sheep, and gears.
All of this done on a hot colored background in cool colors.
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Though
I had not planned the imagery it matches the evolution of my thoughts
over the last few days, from useless rage and helplessness to being able
to think clearly on the problem at hand and coming up with a plan that
may work. It’s not done yet, but I like where it’s going
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Continue reading

Review: Derwent AquaTone Woodless Watercolor pencil

Jane
and I had an art day. I went over to her place with some of my materials
and she dragged out her materials and we tested them all out. One of
those materials was the AquaTone woodless watercolor pencils.
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They
had a nice smooth texture as I used them on dry paper, laying down a
nice even amount of color. When I used a wet brush on them they
completely dissolved with a little scrubbing action. The colors moved
around the page well. Used on wet paper the pencil lay down a generous
amount of pigment and are still moveable with a wet brush.  
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The
colors are mostly named after traditional artist colors- burnt umber,
scarlett lake, etc… The colors blend well. Cost is a touch higher than
other watercolor pencils, around $22 for a 12 piece tin. The size of
the pencil is quite generous, they are slightly longer than most colored
pencils and the same diameter without the wood casing. I think the size
and lack of wood makes up for the price.

I really enjoyed using these pencils, the nice texture and size make them a winner in my book.
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PostSecret at Endicott College

If
you’ve followed me on twitter or facebook for any amount of time you
know I’m a huge PostSecret.com fan. I’ve been watching the site for
years now. I’ve watched it grow from something small to being a huge
hit. If you aren’t familiar with the site, Frank invites you to send a
postcard containing your secret to him completely anonymously. I’ve seen
a great many secrets that resonate with me, and perhaps that’s why I
continue to go to the site every Monday to see the Sunday secrets. Maybe
it’s because I’ve got a few secrets of my own, or maybe I find it to be
a deeply interesting idea. Whatever it is, you should check out the
site, and maybe send your secret into Frank.

I've been waiting for years to see Frank speak somewhere near me. I've missed him a couple of time in Boston and once in another city nearby. When I saw he was going to be at a college in my city, I jumped on the opportunity. I dragged C along for the ride.

If you get a
chance go see Frank speak, I strongly urge you to go. It’s worth your time to hear his beautiful
words, the words of the people there and the images he shares. Take
someone you love, it could change their life, or yours.

(I was only allowed to take pics for the first 5 minutes of the event, after that no photos were allowed.)
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random

I keep writing about the JF365 Challenge over on AJ ning. I keep writing about it because it's a pretty awesome exercise in keeping an art journal and it's not an easy series of prompts. The techniques are different enough that I'm getting a good artistic workout. I highly recomend the book.

Here are a few teasers:
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Practice

I've been practicing my calligraphy. I think I've told you the story of how when I was a kid I learned how to write by taking calligraphy class from my 2nd grade teacher. I had a really hard time learning cursive and was forced to spend lots and lots of time working on my penmanship, to little avail. My new, young, 2nd grade teacher, had read an article and some research on teaching kids to write via calligraphy and I became her personal experiment.

So, once a week I stayed after school and was taught some basic calligraphy. I ended up being pretty decent at it but my penmanship never got too great. In fact my handwriting is still referred to as chicken scratch and less kindly as roach droppings.

Sadly I gave up calligraphy in 8th or 8th grade since most of my peers saw it as dorky. Since I was already a geek I couldn't risk delving too far into dork territory. I regret that I gave up my enjoyment of calligraphy and worst yet that I've not had an additional 20 years of practice. I can only imagine what my black letter and gothic would look like if I'd only kept at it.

This post is less about that than the fact I took a dive in the parking lot of my DayJob and landed rather stiffly on my hand and elbow. The right side, of course, and now my wrist is slightly swollen, stiff and sore. Ice and an ace bandage are helping a lot. But writing is not comfortable and calligraphy is out of the question for awhile anyway. This is pretty frustrating for me since I've been making decent progress on my gothic writing.

The one good thing about this is that I'm forced to use less pressure when writing. The only good thing.

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Review: KUM Oval Pencil Shapener- 2 Hole

This
is a compact brightly colored jelly bean shaped sharpener with a
shaving receptacle. There are 2 holes- one for oversized pencils and one
for regular sized pencils. The point delivered by the smaller of the 2
holes is relatively long, while the large hole delivers a short stubby
point. the receptacle for shavings doesn’t hold a lot, but saves you
from having to visit the trash every time you sharpen a pencil. Instead
you’ll empty it every 3 or 4 times.
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I
enjoy it’s cheerful bright color and the fact that I can find it’s
bright orange jelly bean shape on my messy art desk, or in the pocket of
my bag. The holes have a convenient little cover that slides in and
out. The cover prevents dust and spills from occurring in transport. A
nifty idea and one that works remarkably well.
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Should
the blades on the sharpener get dull you can buy new blades, pull the
sharpener out and replace them. The 2 hole oval sharpener body will
accept a replacement sharpener.
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I’m
pretty happy with this little sharpener. I purchased it specifically
for sharpening my colored pencils but I like the point it leaves on
other pencils. The cost for this sharpener was $3.58. HIgh when compared
to other less well made sharpeners. I’m a firm believer that you get
what you pay for in sharpeners. The blades on my KUM sharpeners last for
hundreds of pencils where I’ve had cheap sharpeners die after one or 2
pencils. I also like the fact that I can replace the blades as they
dull.

I expect this sharpener to last a good long time.