Barriers

I’ve said that I’m anti-copyright, let me explain further why.

I see copyright as an invisible barrier between myself and the viewer of my art and writing. I think art and writing need fewer barriers. I like to think that my writing and art have a relationship with the viewer and when you start a relationship off with a bunch of legal disclaimers, it’s off to the wrong start.

That being said I don’t want people to use my art for just any purpose, I want to have control over who uses it, after all I wouldn’t want to see a a group I dislike using my work. But I really want to see you be able to share if you like something. All I ask is a link back. It's why the blog and my art is licensed under Creative Commons, link is to the left of the screen to provide more information. This allows people to share my work as long as they are not for profit and they provide attribution.

Copyright is designed to protect big companies (the man) and intellectuals from the average person using their stuff. Sadly, it doesn’t do as good a job protecting the average person from big companies snagging their stuff, after all check out the blog You Thought We Wouldn’t Notice. It's a whole site about bigger companies lifting the designs of smaller designers and artists. In some cases the design is a line for line lift, in others it's changed just enough to avoid legal issues*.

I used to be ALL ABOUT THE COPYRIGHT. Remember the woman who bought my journals, only to swipe my design so she could teach it? Or my penslips and the myriad of crafters who thought it would be OK if they made them and sold them? (I now encourage people to take my design and make and sell them, open source crafting.) Or the term I should have trademarked, Jotters?

My initial reaction was that I was pissed off that people would have the gall to take someone else’s design and remake it, stitch for stitch and then sell it, thinking it wouldn’t be noticed. Then I realized, this is the price of doing business, online and offline. (Please note, I’m not saying this is right. It’s still very very wrong.) Crafters and artists have been fighting this fight since, well, probably the dawn of time. I’ve read about people going to craft fairs and snapping pictures of items and then grilling the crafter about how the item was made.

The whole thing is just rude.

I feel like copyright is for “the man” with deep pockets. It doesn’t cost a lot to copyright your work, but as I said previously if I registered for copyright on everything I produce or posted online, I’d soon be broke. Really, what would I have? Other than a bunch of art with a barrier between it and the viewer? Money shouldn’t preclude protection from being ripped off.

I know now that when I post something that I’ve made online that I stand about a 50% chance of having it ripped off by a crafter somewhere.

It’s why I’ve taken the tack of throwing on here all my process shots. If I make something, well, screw the people who want to steal the design and then sell it. No, I’d rather see my readers make it themselves. If you aren’t going to buy an original from me, well make your own.

A friend pointed out to me that the best protection to being ripped off is to be so uniquely you that when you are ripped off it is blatantly apparent.

I am also not a proponent of the idea that everything on the internet is free. There should be respect.

*This is a whole other issue, when designers/artists/authors who understand copyright enough to manipulate what they use just enough that they aren't infringing on the other person's copyright and they can then avoid legal consequences. They can then hide behind the phrase, "ideas can't be copywritten."

The Gift that Keeps on Giving; Cult of Stuff!

The cult of stuff has been great. I've felt more free since I identified the worm of stuff inside my head. The need to buy more and do less with it, collecting supplies like they are Hummel figurines. (Don't know Hummel? I bet your grandmother had one or 2.)

Since casting aside the yoke of stuff I've noticed I'm more inspired to create. I went painting again this weekend. This time Jane couldn't go so I headed to Salem Willows on my own to grab a rocky patch and do a little painting. The pochade on the tripod was a raging success. The adjustable legs let me set up where ever I wanted. The thing I was mostly worried about- stability of the quick release head, I'm pleased to report, it did just fine. There wasn't any wind to speak of so the stability of the lid and bungee cord wasn't tested, but I suspect it will do just fine.

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Moira, of Crafty Moira has a post up called "Buy Nothing Summer." It's great and she quotes the Cult of Stuff in it. Go Go cult of stuff!

Not so Wordy Weekender: The Humble Doodle

I find that the doodle, also known as sketchnoting, helps me to focus and comprehend large quantities of information. I have sketchnoted all my life. There are a lot of myths out there about sketchnoting aka doodling. Here are some links and videos about sketchnoting:


 


 
 

 


 

Links:
Sketchnote Army
SketchNote Power Point
RohDesign

I have a lot to say about this but I think that the experts and research is more substantial than what I have to say.

Do as I Say, but not as I Do.

Please be aware as you read this post that I'm not "claiming copyright" to the IDEA behind cult of stuff, the idea that we've got too much stuff and that we fall victim to marketing. What I'm claiming is that someone was inspired by my post, wrote their own after reading mine and seeing that it was quite popular (over 600 hits in 24 hours), and then posted their post. What is the usual course of events with blogs is that the blog post that inspired the post gets a linkback, it's blogging courtesy. What I'm complaining about is a severe lack of blogging manners.

You’ll notice this blog is covered under the creative commons license. There’s a button somewhere on here that states which license it’s covered under. I do this so that people can repost parts of my blog (with attribution) and my images (also with attribution) so long as their blog or group is not for profit. I do this because I see copyright as divisive (more on this in another post). As it’s currently set up copyright is designed to protect big companies (will further be referred to as “the man”) and not the little guy, aka me, as a blogger or an artist. Legally sure it does but it costs money to copyright something and if I were to copyright (register) everything I produced I’d soon be broke.

That being said, I don’t think people should copy other people’s art work, teach classes that other people came up with, buy journals from bookbinders only to steal the design, nor do I think that someone should take someone else’s ranting tirade and rewrite it so that it’s more palatable for their audience and then post it on their blog. You see all of that is wrong, and when people do such things they are morally corrupt people who care more about their bottom line than they do about their fellow human beings.

Just as a for instance. I had an email conversation that sparked one of my cult of stuff posts. I wrote to the person with whom I had the conversation with to be sure that she was okay that I riffed on our conversation. After I got the okay I posted the rant. If I write a response to a post, or a post inspired by another blogger I write “hey this post was inspired by so-and-so over here, read it!” That’s blogger courtesy. I’ve been blogging for a LONG time, since 2000. So this is something you learn when you’ve been blogging for a long time and perhaps it’s something you don’t get if you come out of the old school publishing industry. One might think that it’s something you’d pick up after a year or more of blogging.

My point being if you like one of my blog posts, feel free to repost it with a link back. If you can’t link back don’t repost. It’s simple. IF you like a blog post but don’t think it’s quite right for your audience, contact me I’m willing to do a rewrite. IF you think you can write a better post, feel free, but the courteous thing to do is provide a link back to the author who inspired you. If you can’t or won’t do that, well you are probably of questionable morale judgment and I don’t want my blog and writing associated with you.

On another note don’t talk about respect, copyright and copywrong if you aren’t going to follow by your very own rules, it’s hypocritical.

Some assorted pictures supporting my theory of blog-lifting:

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So Yeah

Instead of writing a review last night I chose to paint.

So, uh yeah. Paint. Pochade. Addicted.

I'll get  agood pick of the piece tonight, probably, if I'm not too busy painting.

I Need a Back up Plan

Oh mother nature! Sometimes she’s the bane of my existence. I have this meeting at the regional office in Cambridge, MA. I had planned to go in extra early, as I usually do before meetings, to beat traffic. This time I had planned to wander about with either my pochade box or with my camera. I’d get a little art time into what would otherwise be wasted time sitting in my car.

Sadly it sounds like mother nature has other plans in store for me, like sitting in my car, because we’re supposed to get showers. I’m packing my stuff just in case but I’m bummed about the prospect of rain.

BUT on a good note the weather for this weekend is supposed to be great, so I plan to make another visit to a scenic location and paint with my pochade, this time on the tripod!

Painting!

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Painting at the beach among the rocks. Jane took this pic of me while she waited for layers on her watercolor to dry. I really love our art adventures!

The Good Advice

I got a camera to help me take shots of the places I take my pochade box, so that I can better finish the piece when I get home. It’s rare that any one piece is 100% finished outside. I find a lot of the advice given for photography is similar to that I’ve received for painting en plein air.

A brief round up fo advice that applies to both:

#1 Don’t be lazy. (This applies to all art.)

#2 Chase the light.

#3 Look at lots of art/photos, good and bad, you can learn a lot just by looking.

#4 Make lots of art/ Take lots of photos. Throw away the bad. (Paint over)

#5 Be authentic. (don't hit me for using the buzz word)

#6 It’s all been done before except for your vision.

(Also Scott Bourne, a bignamephotodude is into the cult of stuff read this post.)

As an aside I added a tripod mount to my pochade making it even more bad ass than before. Now I don't need to rely on rocks to prop my pochade, now I simply need to lug in a tripod…

Art Adventure: Salem Willows

Every other week Jane and I have an art date and at least for the summer I’m trying to think of it as an art adventure. This week we headed to a local spot, Salem Willows for some walking and painting. The Willows is a place past its prime, like so many places in the North Shore of Massachusetts, the Willows had several prime times in its existence, the first around the turn of the century and again around the 50’s and 60’s when it was a destination with loads of restaurants and games for kids. Now it’s the kind of place you go to chill, unwind and hope you don’t see a dirty old man with a hooker hidden in the far reaches of the parking lot. (You also don’t leave anything of value in your car.)

All that being said the Willows is worth the trip if only for the views alone. The park juts out in to the bay affording a grand view of Beverly, the Beverly-Salem Bridge, the waterfront, Boats, and beaches. The rocky outcroppings are just dramatic enough to offer some scenery for paintings but not so dramatic that you can’t scale them in sneakers.

We headed to Dead Horse Beach. It’s a mystery how it got its name, a Google search brought me back nothing except the quip, “A dead horse washed ashore there.” Which was something I had assumed anyway, but I was hoping to find some sort of tall tale about settlers and 1649 and witch trials.

We wandered the beach, avoiding a large group of children who were in some sort of science class and set up a base of operations. I decided to afford myself a little more time in my image this time than I had originally planned, I still worked quickly but I wanted to get some layers going in the image. I started working with one of those cheap bristle brushes applying color in large swaths. Though it was a dull day we’d get these moments of bright sun, I wanted to capture that fleeting moment, so I used bright colors and toned them down later.

The sky in my first painting was successful I’m not sure about the rest.

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The second image I made I decided to focus on a grouping of rocks, 3 of them at the water’s edge, with me looking sort of down on them. In the image are the 3 rocks water and a small bit of ground.

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As I waited for bits and pieces of my images to dry I wandered about and snapped some pictures of things, like the remnants of various playground things and rusty bits of metal and tiny little crabs. All in all it was a great art adventure.

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