Author Archives: leslie

Technique Tuesday: Deep Darks in a Painting

I want to tell you about mixing darks. For years I lived under the impression that a “real artist” doesn’t use black paint, even though it’s a part of many colors, like one of my favorites Payne’s Gray. In school mixing black with anything was definitely frowned upon. Instead we were expected to mix colors together to create deep dark shades. One of my professors taught me a dark that I really like and still use. It’s useful with a variety of colors because it can be mixed warm or cool.

It uses the following 3 colors:

  • Pthalo Blue
  • Alizarin Crimson
  • Pthalo Green

 

For the standard deep dark color, mix all 3 in equal proportions. If you’d like it warmer add more aliz crim.

This recipe can be changed up by mixing in various proportions:

  • alizarin crimson
  • Pthalo Blue
  • Cadmium Yellow Med or Cad Orange

 

Again start with equal amounts of each and adjust the colors to get the shade you want and need.

The various art professors who had issues with black said it “muddied” your colors. To a point that’s true, if you add a TON of black to a mix of colors it can turn to mud and not be clear. That being said, adding a  touch of black to a color will dull it and darken it.

One professor that I had suggested that we use it as a base color for shadows. Where another suggested that we use thalo blue for shadows and another suggested that we use thalo green for shadows.

I’ve found that the truth lies somewhere within the maze of contradictory and fuzzy advice these knowledgeable ladies and gents shared with me oh so many years ago. The core of this whole discussion is that you need to stare at a shadow and decide for yourself what color does it lean towards? Red Blue Green? Depending on what you see you should lean that way.

For me, my shadows lean toward the blue purple side of the spectrum so I start with a touch of pthalo blue and a tough of alizarin crimson hue or quid magenta.

Even though I feel okay using black now, I still tend to make my darks from blends of colors. In the image below that dark dark color is the second blend I wrote about AND I had it lean toward blue.

IMG_3167

Technique-I-can’t-wait-until Tuesday: Mini Polaroids with the Pogo

I was over here reading Crafty Moira’s site and I stumbled upon her tutorials, this one caught my eye– pogo printer yes, making it look like an old school mini Polaroid, why yes thank you very much.

After checking it out, I realized it would be cool to have the pogo print the square image and then simply trim off the excess. (read, I'm too lazy to go get my white cardstock.) After some trial and error I figured some stuff out.

First. Don’t work the actual 2×3 inches of the print, you’ll get a grainy print. You need to work larger than the print size so the pogo can compress it down, or something like that. I chose to work in GIMP (a free photoshop clone that kicks butt) with a “canvas” size of 4×6 inches, which is the same aspect ratio as the pogo print, which is 2×3 inches.

Then I opened a photo, I cropped it square and then cut and pasted it to my 4×6 blank “canvas.” It was over sized, I then selected “resize layer” and resized the image to 3.375 inches square. This will give you a 1/8th of an inch border around the sides of your image, and about 1 inch at the bottom. After this you have to flatten the image and then save it as a jpeg. Now send it to your pogo.

When it prints you’ll notice several things. First the pogo has a hard time with square edges, the top edge of my images are all just a hair off square. I don't mind this, but if you do you may wish to go with Moira's original instructions. The second thing you’ll notice is that the bottom part of the image is really long. You’ll need to trim the bottom so that it is ½ an inch high or so that the whole thing is 2 3/8ths tall. Trim with a ruler and an exacto and voila! You have a mini Polaroid, from a Polaroid Pogo. Sawweet.

In Journal Revolution there are instructions on how to make a Polaroid mat from cardstock for a perfect polaroid full sized image. It looks awesome too.

Some tips for printing you want the image to be at 300dpi, if you let the program autoselect 75 or 150 dpi the resulting print will be pretty grainy. I’m pretty sure it has to do with how the pogo processes the images to its format. In any case the higher the DPI the better the pogo print will be. Also be sure that you save it as a jpeg, if you don’t the pogo will not print it at all, its little lights will blink at you, you might get frustrated because you don't understand it's blinking light, unplug it and then turn it on and off*.

So as I was doing this I realized that I could really add any color to the back ground. I remember Polaroid did some neutral gray and black bordered polaroids at one point, but what’s to stop me from making the background any color I want? Or what if I wanted to add some text to that little area below the photo? Or what if I tweak the image in GIMP to create a pinhole effect?

There are so many alternatives to this that it’s crazy.

Here are a few of the images I made, ready to go for anyone's pogo.

Arcadepogo
Arcadepogo
Arcadepogo
Arcadepogo
If you don't have a pogo you could create your blank canvas as 4×5 inches and then scale it to the "correct" Polaroid size of 3.5×4.25 inches. Then you can print it on any printer or load it to a thumb drive and take it to CVS/Walgreens/Walmart/or anyother store with photo printing. (Walgreens has a service where you can load a bunch of photos to a website, place them on an 8×10 sheet of photo paper, and then print the whole thing for a couple of dollars. All you have to do is pick them up at the store in a few hours, they will ship to you for a few dollars.)

Continue reading

Barriers

I’ve said that I’m anti-copyright, let me explain further why.

I see copyright as an invisible barrier between myself and the viewer of my art and writing. I think art and writing need fewer barriers. I like to think that my writing and art have a relationship with the viewer and when you start a relationship off with a bunch of legal disclaimers, it’s off to the wrong start.

That being said I don’t want people to use my art for just any purpose, I want to have control over who uses it, after all I wouldn’t want to see a a group I dislike using my work. But I really want to see you be able to share if you like something. All I ask is a link back. It's why the blog and my art is licensed under Creative Commons, link is to the left of the screen to provide more information. This allows people to share my work as long as they are not for profit and they provide attribution.

Copyright is designed to protect big companies (the man) and intellectuals from the average person using their stuff. Sadly, it doesn’t do as good a job protecting the average person from big companies snagging their stuff, after all check out the blog You Thought We Wouldn’t Notice. It's a whole site about bigger companies lifting the designs of smaller designers and artists. In some cases the design is a line for line lift, in others it's changed just enough to avoid legal issues*.

I used to be ALL ABOUT THE COPYRIGHT. Remember the woman who bought my journals, only to swipe my design so she could teach it? Or my penslips and the myriad of crafters who thought it would be OK if they made them and sold them? (I now encourage people to take my design and make and sell them, open source crafting.) Or the term I should have trademarked, Jotters?

My initial reaction was that I was pissed off that people would have the gall to take someone else’s design and remake it, stitch for stitch and then sell it, thinking it wouldn’t be noticed. Then I realized, this is the price of doing business, online and offline. (Please note, I’m not saying this is right. It’s still very very wrong.) Crafters and artists have been fighting this fight since, well, probably the dawn of time. I’ve read about people going to craft fairs and snapping pictures of items and then grilling the crafter about how the item was made.

The whole thing is just rude.

I feel like copyright is for “the man” with deep pockets. It doesn’t cost a lot to copyright your work, but as I said previously if I registered for copyright on everything I produce or posted online, I’d soon be broke. Really, what would I have? Other than a bunch of art with a barrier between it and the viewer? Money shouldn’t preclude protection from being ripped off.

I know now that when I post something that I’ve made online that I stand about a 50% chance of having it ripped off by a crafter somewhere.

It’s why I’ve taken the tack of throwing on here all my process shots. If I make something, well, screw the people who want to steal the design and then sell it. No, I’d rather see my readers make it themselves. If you aren’t going to buy an original from me, well make your own.

A friend pointed out to me that the best protection to being ripped off is to be so uniquely you that when you are ripped off it is blatantly apparent.

I am also not a proponent of the idea that everything on the internet is free. There should be respect.

*This is a whole other issue, when designers/artists/authors who understand copyright enough to manipulate what they use just enough that they aren't infringing on the other person's copyright and they can then avoid legal consequences. They can then hide behind the phrase, "ideas can't be copywritten."

The Gift that Keeps on Giving; Cult of Stuff!

The cult of stuff has been great. I've felt more free since I identified the worm of stuff inside my head. The need to buy more and do less with it, collecting supplies like they are Hummel figurines. (Don't know Hummel? I bet your grandmother had one or 2.)

Since casting aside the yoke of stuff I've noticed I'm more inspired to create. I went painting again this weekend. This time Jane couldn't go so I headed to Salem Willows on my own to grab a rocky patch and do a little painting. The pochade on the tripod was a raging success. The adjustable legs let me set up where ever I wanted. The thing I was mostly worried about- stability of the quick release head, I'm pleased to report, it did just fine. There wasn't any wind to speak of so the stability of the lid and bungee cord wasn't tested, but I suspect it will do just fine.

P7020812
Moira, of Crafty Moira has a post up called "Buy Nothing Summer." It's great and she quotes the Cult of Stuff in it. Go Go cult of stuff!

Not so Wordy Weekender: The Humble Doodle

I find that the doodle, also known as sketchnoting, helps me to focus and comprehend large quantities of information. I have sketchnoted all my life. There are a lot of myths out there about sketchnoting aka doodling. Here are some links and videos about sketchnoting:


 


 
 

 


 

Links:
Sketchnote Army
SketchNote Power Point
RohDesign

I have a lot to say about this but I think that the experts and research is more substantial than what I have to say.

Do as I Say, but not as I Do.

Please be aware as you read this post that I'm not "claiming copyright" to the IDEA behind cult of stuff, the idea that we've got too much stuff and that we fall victim to marketing. What I'm claiming is that someone was inspired by my post, wrote their own after reading mine and seeing that it was quite popular (over 600 hits in 24 hours), and then posted their post. What is the usual course of events with blogs is that the blog post that inspired the post gets a linkback, it's blogging courtesy. What I'm complaining about is a severe lack of blogging manners.

You’ll notice this blog is covered under the creative commons license. There’s a button somewhere on here that states which license it’s covered under. I do this so that people can repost parts of my blog (with attribution) and my images (also with attribution) so long as their blog or group is not for profit. I do this because I see copyright as divisive (more on this in another post). As it’s currently set up copyright is designed to protect big companies (will further be referred to as “the man”) and not the little guy, aka me, as a blogger or an artist. Legally sure it does but it costs money to copyright something and if I were to copyright (register) everything I produced I’d soon be broke.

That being said, I don’t think people should copy other people’s art work, teach classes that other people came up with, buy journals from bookbinders only to steal the design, nor do I think that someone should take someone else’s ranting tirade and rewrite it so that it’s more palatable for their audience and then post it on their blog. You see all of that is wrong, and when people do such things they are morally corrupt people who care more about their bottom line than they do about their fellow human beings.

Just as a for instance. I had an email conversation that sparked one of my cult of stuff posts. I wrote to the person with whom I had the conversation with to be sure that she was okay that I riffed on our conversation. After I got the okay I posted the rant. If I write a response to a post, or a post inspired by another blogger I write “hey this post was inspired by so-and-so over here, read it!” That’s blogger courtesy. I’ve been blogging for a LONG time, since 2000. So this is something you learn when you’ve been blogging for a long time and perhaps it’s something you don’t get if you come out of the old school publishing industry. One might think that it’s something you’d pick up after a year or more of blogging.

My point being if you like one of my blog posts, feel free to repost it with a link back. If you can’t link back don’t repost. It’s simple. IF you like a blog post but don’t think it’s quite right for your audience, contact me I’m willing to do a rewrite. IF you think you can write a better post, feel free, but the courteous thing to do is provide a link back to the author who inspired you. If you can’t or won’t do that, well you are probably of questionable morale judgment and I don’t want my blog and writing associated with you.

On another note don’t talk about respect, copyright and copywrong if you aren’t going to follow by your very own rules, it’s hypocritical.

Some assorted pictures supporting my theory of blog-lifting:

Fullscreen capture 712011 102622 PM.bmp
Fullscreen capture 712011 102622 PM.bmp
Fullscreen capture 712011 102622 PM.bmp
Fullscreen capture 712011 102622 PM.bmp

So Yeah

Instead of writing a review last night I chose to paint.

So, uh yeah. Paint. Pochade. Addicted.

I'll get  agood pick of the piece tonight, probably, if I'm not too busy painting.

I Need a Back up Plan

Oh mother nature! Sometimes she’s the bane of my existence. I have this meeting at the regional office in Cambridge, MA. I had planned to go in extra early, as I usually do before meetings, to beat traffic. This time I had planned to wander about with either my pochade box or with my camera. I’d get a little art time into what would otherwise be wasted time sitting in my car.

Sadly it sounds like mother nature has other plans in store for me, like sitting in my car, because we’re supposed to get showers. I’m packing my stuff just in case but I’m bummed about the prospect of rain.

BUT on a good note the weather for this weekend is supposed to be great, so I plan to make another visit to a scenic location and paint with my pochade, this time on the tripod!

Painting!

P6250679
Painting at the beach among the rocks. Jane took this pic of me while she waited for layers on her watercolor to dry. I really love our art adventures!