Author Archives: leslie

Willingness

I’ve been thinking a little more on the whole haters gonna hate concept. I think it is borne of fear and a been there done that attitude. After all we’ve spent much of our lives being told that if it has been done before there is no reason to revisit it.

What if we all took that attitude?

Nothing would be tried again and we’d stagnate.

Just because something didn’t work for one artist doesn’t mean it won’t work for another. Time and place can make all the difference in success.

My chipin was 106% funded in 48 hours. That’s some wild support. Would that have happened for everyone? I don’t know. I’m sure that my results can be replicated by anyone with drive and ambition.

You must be willing to succeed.

You must also be willing to fail.

The difference in the two poles is what you do to make them happen.

Willingness

Portrait Process

A friend recently contacted me about creating a couple of trading card portraits as a gift for his daughter. After a little discussion and finding out who he wanted me to draw, I accepted the challenge. The real challenge for this commission was to have a realistic image that still retained my style. Keeping my style was the hard part. I tend to shy away from photo-realism because I can't put my mark on the image and it falls flat for me.

It was also important to get a good idea of where the light and shadow fell on the faces and the general shape of the face itself. I started off with a few simple sketches done with the sharpie brush markers.

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With realistic faces the important part is to get the eyes right. So I studied them. I did detailed sketches of the eyes, making notes of where I was off. Being self critical was very important in this stage. One I started to work on the card sizes errors would lead to doing the job over again.

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I started the cards with a light HB pencil sketch made with a mechanical pencil. This gives me a guide of where I want my ink to go. This lets me move an eye to the right or left if needed and move the nose closer to the eyes and to shrink the mouth.

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I then blocked in my first layer of ink with a 0.18 Uniball Signo Bit. it's light-fast and waterproof ink is a perfect first layer. I allowed this ink to dry for a full 3 hours before I used a kneaded eraser to remove in the pencil line. While I find the Signo ink to dry quickly I was taking no chance of ruining the pieces.

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After the pencil was removed I went into the image with a 0.28 Uniball Signo DX black ink pen. Again, it's light-fast and waterproof ink is a nice deep black shade that let me build up my layers of ink precisely and easily.

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At this point the image is almost completely finished. I used the 0.38 Uniball Signo DX to add the darkest areas.

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Before adding the watercolor I sat on the finished image for 24 hours. I wanted to be happy with every aspect of the image before I finished it with watercolor. Since these are a pair if images to be gifted to the same person I wanted to be sure they matched. Doing a little research into my subjects showed they were both architects who used a lot of steel and concrete in their work. I mixed a large puddle of Holbein watercolors, far more than I'd ever need to finish these images, in a shade of blue grey midway between slate and concrete. The color complements the images well. After allowing the images to dry completely I cut them from the parent sheet.

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The final step will be to place each card into a trading card sleeve and carefully construct a presentation sleeve out of cardboard.

If you are interested in having me create a custom trading card sized portrait for you, please see this page or consider buying into my chipin campaign here. I'd be happy to work with you to create a treasured momento.

Ruts

People get entrenched in the art establishment, afraid to take a chance on something new or different from what they already do. Instead they want to tear down anyone who thinks differently or works outside the box.
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I’ve been told already that my personal experiment is worthless, been done before, and has little value.

Sigh.

It’s hard to brush all this off and tell myself that these people don’t get it and are stuck in the mud of their own thinking. Or this.  Seth Godin calls this lizard brain thinking. I prefer to call it tethered thinking. It’s where a person is so attached to a particular idea or system of doing things that they are unable to see outside of the circle of their tether. Around and around in a circle they go never reaching out further than the length of their tether. At the perimeter of the circle is a rut so deep that even should they get off their tether surpassing the rut would be difficult.

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No one ever said shaking up the system was going to be easy or comfortable.

The tether and rut are what we’re up against.

I’m asking for your help to push me over my own personal rut.

You can do it here.

Help Me Make Time for My Art

My Chipin campaign has reached it's goal, 100% funded in about 48 hours. I've got 13 more days to go on the campaign itself. Here's my plan, i'm going to leave it active. If I earn another $100 I'll be able to take a 2nd day and spend it doing nothing but art. Add that to the already long weekend and I've got a 4 day stretch of nothing but art all the time. The rewards for anythign over the initial goal will be the same.

Also everyone who has bought in is truly awesome.

Last month I worked on the 34 ATC as Thanks project and it gave me a goal to work toward. It was pretty exhilarating to work toward the goal of finishing 34 cards over a short period of time. My goal was to finish them as fast as I could. And I did. I realize that I work really well towards a self imposed goal, even if it weren’t on paper and just floating around my noggin. It made me wonder what would happen if I worked toward a goal that was set in stone.
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Review: Sharpie Brush Markers

I purchased a few Sharpie brush tip markers to play around with after trying the prismacolor brush markers a few weeks back at the Sketchbook Project. For $1.50 each they were a great way to get my Jetpens order over the $25 mark for free shipping. YAY!

Out of the envelope they look a lot like any other Sharpie, a little chunkier and with some grooves on the cap. The end is hollowed out and there is a ring around the end of the marker. This lets the cap click onto the marker when you post it. Smart. Without posting the marker I found it a tad short to use. Posted it was just right. The markers are light weight.
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The marker tip is short, relatively stiff, yet pretty responsive at the tip. It’s not as springy as a Prismacolor or Copic brush tip but it does the job. I did a few quick sketches with the markers in my Stillman and Birn Beta sketchbook. The paper is a slight cold press finish. The Copic and Prismacolor handle this paper without complaint, the Sharpie is already looking fuzzy. I will admit to being less gentle with my brush tip markers, but in my opinion that’s exactly what these cry out for. Instead of drawing with brush tip markers I try to paint with them.
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So that brings me to my next round of inspection, layering. Copic and Prismacolor markers are designed to layer over one another to build up color, so it’s much like working with watercolors. Sharpies tend to stand on their own. Each layer of color turns the tone darker and darker, without subtle shading. Sharpie brush markers are best for bold expressive shouts of color. Finding a Sharpie brush marker in yellow proved to be an impossible task, unless one buys the set of 12. *sigh* So I bought a Copic sketch in yellow.
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These will write on just about anything, just  like a regular Sharpie. They do seem a tad juicier than regular Sharpies, so might be a good choice for acrylic paint. Just be aware that if you write over gesso with these you’re pretty much going to scrub that brush tip. I found these really fun for fast observations and sketches. The 2 sketches I’ve shown here took all of 10 minutes each. These brush tips really allowed me to lay down a lot of color fast. You’ll notice there isn’t a lot of subtlety though. Sharpies lay down bright bold lines and lots of ink.
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These are a great choice for someone who doesn’t want to invest in Copics or Prismacolors but wants that brush tip marker experience, they just need to be away it’s not going to be quite as good. Keep in mind they are probably not lightfast and are certainly not archival. Get them online at Jetpens.

Fence

I've written about this fence before. I adore it. If I had money I'd buy the empty, yet cared for, house that it surrounds, just for the fence. It's really something. Old school wrought iron. Heat, hands and hammers touched this and coaxed it into shape. This is from when craftmanship meant something.

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Free Shipping in my Etsy Shop

I'm going to go and visit family for  along weekend and to see the Machias Blueberry Festival. It would be awesome to be able to buy a few things from some of the local artists when I'm up there.

So to get a little extra spending money I'm putting out a coupon code for free domestic shipping. The code is vacationcash all lowercase and no quotes around it.

This is good for anything in my etsy shop. If you've been holding off on getting an original piece, this effectively takes $5 off the price.

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Perfection vs Process

Last night I sat down with my Americano at the regular Fiddle Jam session and everything I tried to draw was horrible. Faces were off, I couldn't get the perspective on the fiddle, the lights were low. It was frustrating. I kept drawing. I felt myself getting more and more aggravated. Usually the week's aggravation melts away as I sketch on Friday nights.
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For whatever reason I just couldn’t hit my stride.
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A customer moved and I had a great view of someone. Instead of focusing on perfection I just tried to capture him, fast. Suddenly I had it.
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Process smacked me in the face last night. In my quest and frustration attempting to capture one particular face well, I forgot process and labored toward perfection. When I moved back toward process I found my stride.

Since I spent nearly the 2 full hours of Fiddle Jam frustrating myself, I came home and found a photo to sketch. I was pretty happy with the results of my final sketch of the night. This is a reminder to embrace process not product. (Find the original photo here.)

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