Category Archives: Inspiration

tell it to the page

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You don't see all of the stuff in my art journals or sketchbooks. Some of it I keep for me.

It's private.

My every thought does not need to be shared.

Some of the stuff in those pages is dark. Some of the stuff in my head is dark. It's not pretty. It'll never be pretty. I'm not talking about it being grungy and dark so it doesn't fit the rampant aesthetic of pretty in art journals. No. That is not what I mean.

Rage isn't pretty.

Hate isn't pretty.

Confusion isn't pretty.

None of that needs to be pretty when I'm thinking it through. It's not for you.

It was never meant for you.

The beauty of an art journal is that you can close the cover.

Meditate on the rage/hate/confusion and move on with your life.

No one needs to know.

That's okay.

After you spew your issues to the world and the drama queens and gossip vultures strip you bare, leaving your bones to bleach in the sun what do you have?

Your art journal and a heavy heart.

Tell it to the page.

Another Cowboy

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Another Cowboy

I thougth I'd show you another cowboy drawing. I started this guy the same as the last- with the Pilot Technica .04, quickly scratching out the basic lines. This image is about 5×7 inches just a little larger than the last few drawings I've loaded up.

Another Cowboy

After that I added the shades of gray, using layers to get darker shades of gray.

Another Cowboy

Finally I added black with the brush pen.

Obviolsly I'm totally digging these brush pens. I've found a figure drawing class and I think i'm going to go and draw with this pen combination. Additionally, I've used the Loew Cornell pens I reviewed here with this technique and it's pretty cool when they bleed into the gray ink. Also the pens are way more comfortable when used for drawing than when writing.

3 Step Sketches

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I've been messing about with a trio of pens- the Pentel Hybrid Technica and 2 Pentel Pocket brush pens(PBP), one with black ink and the other with gray. It's been a great combination. For the image below I looked up images on Flickr's Commons page. I happened upon some images from Florida's Archives of various southern ment from the early 1900's, some of whom were Civil War Veterens. I particularly enjoyed this guy.

I started roughly sketching in his face with the Pentel Hybrid Technica (review to follow.) I looked mainly for the large shapes of light and dark, blocking in the dark areas, leaving lights alone. I looked for the edges of things like his eyes, dark shadows, and hair. I used the pen quickly, spending no more than 5 minutes on this part of the sketch.(If I had been doing this a year ago I'd have spent about 10 to 15 min and gone much more slowly.)

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After I'd blocked in the stuff I felt was important I put down the Technica and switched over to the PBP (pocket brush pen) filled with Omas New Gray ink. I was able to quickly put in the areas of lighter shadow and then build more layers upon that to create more darks. I can't over emphasis the virtues of this ink for sketching- the fact that it starts out as a nice silvery gray and gets darker and darker with additional layers is fantastic. It is not light fast, but is perfectly fine in a sketchbook.

3step sketches

After I was happy with the level of shadows I'd built up with the gray ink I grabbed the PBP with black ink and started to darken the darkest area and add some additional texture with it. The eyes, hair, and shadows were all deepened with this pen.

3step sketches

This pen combination is great, the Technica is great for quick little sketches, it handles being treated roughly quite well. There are some areas where the gray ink will lift the technica ink if I've done really heavy scribbles that overlay one another. It's not noticable in the finished sketch. If you wanted to sketch in pen and ink, these are all the tools you'd need.( I mean, you could add a fountain pen or two, just in case you want another line….)

 

Review: Update Pentel Pocket Brush Pen to Eyedropper

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I wrote about the Pentel Pocket Brush Pen here. I suggested in the post that perhaps the pen could be converted to eye dropper fill rather than use the carts. I find that the pentel carts are pretty pricey, though it is awesome ink. They range from $2 for 2 ($2 per cart whoa!!!) to $ 11 for 6! (Jetpens has about the best price I could find.) Converting this pen to eye dropper amount to a massive savings. I found I went through a cart pretty quickly in regular sketching and using the black to fill in the background.

 

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I loaded it up with some Omas New Gray. Which is a nice pale silvery gray that layers well, perfect for sketching. It is not a lightfast gray so it should stay in the journal and not on the wall. I’ve posted here about turning a pen like this into an eyedropper and this pen is no different. I used a blunt syringe to fill the barrel with juuust under 3ml of ink. That’s 3 carts of ink, in one fill. While I used a dye based ink I could fill it with a pigment based ink as it’s designed for that, which mean it’s even more awesome.

After letting the ink get to the brush I noticed that the ink flow is a little faster than with the Pentel ink. This could be because the Pentel ink has pigment or is thicker than the dye based ink. The Omas Gray ink has good flow even in a fountain pen. I’ll be trying out more inks once I run through this one. The other good thing is that I can fill my black pen up with Noodler’s Heart of Darkness once I run out of carts of black. (Scored 2 more with this pen.)

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The best thing about turning this pen eye dropper? It’s simple. All you need is a little silicone grease from the plumbing section of home depot and an eye dropper or a blunt syringe. Money saved? Each fill will save you about $3 over using cartridges.

 

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Review: Pentel Arts Pocket Brush Pen

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I have been coveting a pocket brush pen for awhile. I have a brush pen but it has a incredibly long handle and is a pain because of that. I was comp shopping Michael’s when I came upon this pen. Imagine my horror when I got to the counter and found I’d left my 40% off coupon at home… I put the pen back and came back later. With my 40% off coupon I snagged this pen for a measly $10.83, which is less than I could find it online.

 

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It’s sold on a blister pack like most other markers and pens are at Michael’s. Once out of the packaging its a nice looking shiny black pen. It’s comparable in size to most pens on the market. It’s very light weight even with the cartridge plugged into the pen. After wielding a TWSBI 540 for an extended writing session earlier in the day, this is like writing with a cloud. The pen is all black except for a Kanji character on the cap near the clip and the pentel name on the opposite side of the cap.

 

 

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After installing the cartridge the ink descends into the brush rather quickly, the brush was fully loaded with 60 seconds of installing the cart. The tip is soft, flexible but springs to a point immediately after pressing it down fully. It is capable of giving a hair thin line or a swath of ink 5mm wide. The ink flow is generous and kept up with some very quick line work. The line variation is quite nice and relatively easy to control.

 

 

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The ink in the cartridges is reported to be in water resistant. Something that I found interesting is that the back proclaims that the “fittings” are leak proof. This tells me that with some silicone grease this pen could EASILY be converted to eye dropper fill. For me, this is a VERY VERY interesting thing. In my testing I found that the ink is water resistant once dry on paper and when wet gives a very nice wash effect with a nice even gray tone. In effect you could take just this and a water brush sketching and you could do the sketch, allow it to dry, add more ink, add water and get a nice gray tone for your shadows. The ink is not water resistant on acrylic paint until it is FULLY dry. It writes without issue on acrylic, no skipping or beading up. It does take quite some time to dry on acrylic paint- to get to the fully dry point it needs a few minutes.

 

 

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This pen is a very good price when 40% off but at full price at Michael’s I’m not sure. I’d rather put together a $25 order with Jetpens.

I'll probably do an update to this review once I run through the 2 carts that came with the pen and convert it to eyedropper style. (See update on eyedropper fill here.)

Reg $16.99 at Michael’s $14 at JetPens

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It Eats You Up

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One of the many things I’ve learned over time is that giving into anger for long periods of time isn’t helpful. It’s one thing to allow anger to burn through you, own it, and then allow yourself to work through the hurt that it is masking.

Last year taught me that my rage was fast burning but that the hurt that my slow burning anger was masking was the root of what needed to be dealt with.

Injustice should be rooted out and the snake oil sales people will pay for their actions, let karma be the bitch.

It Eats You Up

Promote What You Love

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Leslie 017

The "Promote what you love instead of bashing what you hate," images are rolling around twitter and facebook these days. While I agree, and I've seen first hand how powerful promoting something you love can be, both for you and the person; I think it's foolhardy to ignore what you hate entirely.

The story with the ostrich sticking it's head in the sand is a good one, bad things don't go away if you ignore it. The same for tryingto think only positive thoughts, you can't make bad things or depression go away by thinking it away. We aren't magnets and the world isn't fair and sometimes hard work doesn't pay off. Sometimes life sucks.

BUT I've learned that you can make things work for you if you spend some time and are honest with yourself on how you can take that bad situation and force it to work.

My matra will be "Promote what you love instead of bashing what you hate; but keep a mindful eye out for the bad stuff."

Realistic vs Unrealistic Goals

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I've been planning on doing a little side project from all my other projects, because, you KNOW I need another project! The side project is loosely called "You Said Something, It Was Really Important." (OR, "You Said Something, I've Never Forgotten.")* It consists of photos from my journal, taken all hi-res, made into a PDF and then loaded to MagCloud. From there you'll be able to get a magazine or a download or both. Awesome.

As I was concieving this little project it took a lot less time in my mind, shooting pictures should take X amount of time, creating the PDF should take X amount of time, I can get it done in a night!

Not.

Shooting hundreds of pictures takes hours, not an hour. When you take a picture of a journal you end up having to figure out the BEST way to get the image and it took a few minutes of set up and a couple of tries to get a set up that worked properly for most of my journal page. Also , please note that a large sheet of plexi glass keeps your pages flat and a polarizing filter helps cut the glare and makes colors pop. Once i figured that out I STILL had to wade through the good and the bad in the journals. Some of the stuff is too personal and other still could get me fired from the DayJob if I publish it. I tried to keep a good balance and stayed on the edge- you get to see some stuff that I haven't put online, in hi res, printed glory AND I get to stay employed. It's a win!

In the end I realize I've got more than once zine's worth of stuff or one really FAT zine full of stuff. I'm struggling with how big do I want to make this thing? 50 Pages? 90 pages? 150 pages? Add to that, if I do 150 pages then I'll probably never do another, and I think I want to do another. Also the cost of the thing goes up dramaticaly if I do more than 50 pages. I want to keep it affordable. (BUT, how cool would a 150 page zine be?)

The other part of this is, I really thought, once I shoot the pictures I can flood them into publisher and get my PDF done. Yeah not so easy. There is no easy way to flood 50 images into publisher all at the same size. They all come in at different sizes, need to be resized to the correct size, put in the RIGHT spot, contract and color tweaked so they look correct, background color chosen, etc… Graphic designers of the world I salute you. (Also please tell me that the Adobe suite is easier to use than publisher… Future goal: get a Mac and Adobe.)

So I'm about 33% done and feeling kind of bummed that I won't be able to finish this by the weekend. "You Said Something" won't be ready for another week or so. I'm still debating if I add captions or not. How many words do I add, if I add any at all? Maybe that should all be hand written too… You see where I'm going here? I'm one of those peopel that dives into a project like this head first, no plans and figures it out as I go along,I give myself unrealistic and unattainable goals and then I'm surprised when I bung it up.

So now I know ho wmuch work goes into this, I'll make sure I set more realistic goals in the future.

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Watching some RSAnimate

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Yesterday I met with a friend of mine, he's a terrific artist and we had a nice long chat over great coffee. During our talk we spoke of the TED talk about school killing creativity. When I got home I looked up the talk, it's a good one and linked below. You should watch it.

In some ways I think that our root fear of play and experimentation in our art and journals, where does it go as we age? We were all pretty creative when we were 5 and 6 and even 7. But at some point we all want to draw realistically (this is tied to developmental milestones) and I think get frustrated and quit. If you look at most kids at specific ages they all go through this. Some of us never get past the frustration.

The next video is about the paradox of choice. It's not directly related to art, but I think you'll see why I put it up here. I think we get into a mode of overwhelming choice when we walk into an art and craft store. It's why it's so easy for companies to shove crap down our throat when we don't really need or want it. Step 1: Overwhelm the consumer with too many choices and Step 2: Prey upon that and TELL them they NEED specific parts to create a project. Never-mind that you could unlock their creativity by teaching skills rather than spoon-feeding a specific project. But then unlocking creativity isn't as good for the bottom line as selling a specific project that requires the person buy items off a list. (Think #cultofstuff)

 

 

 

The final video, in which I think I could do an entire post about, is about the movement about staying positive, and that you can bring everything to you by presenting a positive front. Slap a smile on your face and everything you've ever dreamed of can be YOURS! I'm not afraid to say that sometimes my life and my brain are dark dark lonely places. Sad. I've got a relatively good life- a nice enough house, a car that runs, a lovely wife, a DayJob that pays my bills, and good health. Honestly, I've got it better than many people. I'm happy about that, I won't lie. But there are days when I hate everything about life. It's not wrong to say that sometimes, life isn't fair and life sometimes sucks. That's realistic.

I'm not suggesting we all let it hang out. No, I think we should be realistic in what our lives are like, it's not all sunshine and roses, sometimes it's dog crap on the floor and a flat tire on the highway or a bad day at the job. Not being honest about these facts of our lives is as ridiculous as always painting a smile on your face and pretending they don't happen. These dark spots are WHY I art journal. I pour the shit out onto a page and then turn it. I paint dark little scenes on watercolor paper and then pour ink on it. Denying these aspects of my life isn't honoring myself. Hiding it away doesn't make it go away. No matter how many pretty pages you paint in your art journal doesn't make everything alright.

The process is what makes things right not the product. It's okay to slather paint on a page and just turn the page and never look at it again, every page does NOT have to be finished. MOve on, just like your life moves on. It's the nature of an art journal that you move on. You grow as a person and grow in the art journal. Don't let false positivity hold you back from creating something that is wonderful because you are afraid to explore something that is not happy or perceived as not positive.

 

Honesty, Authenticity, Truthiness and Resonance

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When I was in school everyone talked about wanting to make "honest work." The new buzzword for honest work is "authentic." We could spend days over glasses of red wine and mugs of coffee (as we did in college) talking about what this means. In the end it all boils down to, "I want to make work that resonates deeply withing myself and has deep personal meaning." End of story.

Or is it?

I think the truth of all the discussion and thinking on these topics is that essentially we're afraid of what we put on the paper/canvas/board/ or in the journal. Many of us make work and hide it away. It's why the art journal is so perfect, at the end of your art session you close the covers and never ever have to confront what you made again. Simple right? Except you're missing out on a  prime piece of the art journal process- learning from what you've put down and thus from yourself.

I think that fear is why we also buy into what the industry pumps out for us. It's far easier to follow the industry's recipe for success than to forge our own path and style.

Maybe the real question we need to ask ourselves is, "How do we move past the fear and into creating our work? How do we learn from ourselves to create work that resonates deeply?"

It's this hard work that an art journal is intended and supposed to help us explore. If you never look back at your pages and be critical of them (without gessoing over them) and learning from those pages what are you missing out on. If you focus on nothing but making pretty pretty pages I think you're missing out on a very important part of art journaling.

Here's a challenge: Go through your art journal, either the current journal you're working in or a recent one. Use a sharpie, write on the margins of a page what you'd change on that page. If you are too chicken you can use a post it note. If you get bold, draw right on top of the page with your sharpie.