Author Archives: leslie

Watercolor Basic Tools

I was recently asked to do a brief “intro to watercolors post.” So here it is.

Watercolors have a variety of ways of being used, from larges washes and free wet into wet application to tightly rendered pencil drawings filled in with layers of colors. I work somewhere in between. I enjoy making a mess and creating carefully rendered illustrations of things I see. Here are some basic tools I’d sugesst with a budget in mind:

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First the colors themselves. I’d suggest starting off with a Windsor and Newton Cotman Sketcher's Pocket Box Set. It has 12 colors all of which are usable in a variety of settings. The box itself is sturdy and completely usable. The brush it comes with is, well, crap. This is the best of the small pocket sketch sets by W&N. It generally runs about $20. They are carried in most places like AC Moore and Michael’s.

If you are the crafty type I’d suggest making a recycled mint tin watercolor tin and picking up a student set of tubed watercolors. This will be more expensive but half the fun is making the tin and sourcing materials for it. Van Gogh student watercolors are inexpensive and work very well.

I like to buy most of my watercolors locally. I really like to walk into a place and look at the displays. This also lets me use my discount coupons best. I keep a running list in my planner of colors I’m running out of, this lets me walk into a store and walk out without buying more than I intend. This also has let me buy some REALLY expensive Winsor & Newton colors at half price! Although I am prone to buying tubes of every brand’s version of indigo and sepia.

Brushes are important. Using shitty brushes doesn’t  help your experience with painting, it merely serves to frustrate you. I have several sizes that I like: #12 round, #8 round, #6 round, #4 liner, 1/2in flat, 1/2in mop. I find myself reaching for the #12 and #8 round the most followed closely by the 1/2in flat. You want to look for watercolor brushes that are springy and hold a point. How can you tell this in the store? Take a small pot of water with you, swish the brush around until it’s soft and saturated with water and flick the water off the tip. Look at the tip, is it holding a nice sharp point? Yes! You have a winner! No? Put it back and try again. If they will not let you do this, or you feel uncomfortable trying it in stores, buy the brush and try it at home, return it if necessary. Start with one round- maybe a #8 or #6 depending on the size you plan on working. If large, buy larger and if small, smaller.

My favorite budget friendly brand is Princeton with the red handles. I have several of these that I reach for again and again. These are not the cheapest brushes available, but I have used them again and again since college with good success. Cared for properly they will last you many years. I have one I bought in college that I still use, we won’t talk about it’s age. These range in price from $5.99 to $12.99 each. These are available all over the place. These are a great coupon buy.

If you are looking for a still cheaper brush check out the Loew & Cornell Soft Touch line. These are dirt cheap but remarkably nice brushes. I bought them on a whim expecting them to suck and they were shockingly nice. I bought these in #10 round and a 1/2in flat. I find myself reaching for them again and again. Their #10 is the size of a Princeton #8. These are awesome cheap brushes. They run $3.99 for most sizes. The only place I’ve found these is at Joanne’s.

As for waterbrushes I’m a fan of the Koi brand. Which you can get at Jetpens. I have not liked the niji and the pentel I’ve tried.

Many watercolor pieces start out with a sketch. I like mechanical pencils for starting a watercolor painting. There are a lot of brands available, but I’ve been particularly in love with the Uniball Kuru Toga which you can get at Jetpens. I prefer it with a B lead. You can really use any pencil, but a good one is a joy to use.

As for paper. This is greatly a matter of preference. I’m a fan of cheap paper. I said it, I like cheap paper. I also don’t mind working in a regular sketchbook with watercolors, the cockles, wrinkles and curls don’t bug me at all. I do note that for most people, they hate this. Watercolors make even heavier papers curl. It is a fact of life and with watercolor you are going to have to deal with it or buy really really expensive paper. I strongly believe that buying paper that is too expensive encourages people to be stiff with their art. Buy cheap student grade paper to get used to using watercolors. Buy better paper later when you feel more comfortable with the materials. Fill a sketchbook before moving onto the next one. Test each color on every paper, they will respond differently.

A really nice paper for beginers and students is the Canson XL line. It is 2 sided, one side is smooth and the other is cold pressed. Compared to other watercolor papers it can’t be beat in terms of easy use, size and price. It also folds well incase you want to bind your own watercolor sketchbook. Their bristol pads also do well with watercolor.

A sketch paper that is slightly harder to find is the Clairfontaine Graft it Sketch pad. This sketchpad is simply brilliant with pen and ink, pencil and does great with watercolor. It’s thin but is just wonderful. It’s also pretty inexpensive as far as sketch pads go, $5 for a 6×8 pad. I’ve been making pocket sized notebooks out of these for awhile now and they are just awesome.

Some basic sundry items you should look into getting: a spray bottle for moistening your pallet or one of these, an assortment of rags, some plastic cups to rinse your brush- one for dirty-ish water and one for clean and maybe something to store all your stuff in. Keep your brushes safe somewhere!

Review: Uni-ball Kuru Toga High Grade Auto Lead Rotation Mechanical Pencil

I just got my hands on a Uni-ball Kuru Toga mechanical pencil from Jetpens, a great place to buy Japanese office supplies. This is a pencil that rotates its lead for you, so you don’t need to rotate the pencil to keep an even thickness. This is more of an issue, if like me, you write with your mechanical pencils at an angle. I will admit to being skeptical to the necessity of this mechanism, having tried it, I see a huge difference in the evenness of my writing.
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It’s a sharp looking (see what I did there) pencil. The point area is shiny chrome with an inset o-ring in the same color as the colored part of the body. Moving up the grip area is matte aluminum with some wave like indents. I was skeptical that this would feel good, but I was proved wrong, after an hour of sketching and writing I found that the wave like grooves were quite comfortable. At the lower part of the grip is a window to an orange piece. I couldn’t figure out what this was until I started to USE the pencil, there is a little icon that every 20 strokes of the pencil circles through the window, showing you that the lead is in fact rotating. Pretty cool stuff. Without this I’d be hard pressed to even notice that the lead was moving.
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The body of the pen is a shimmery pink. This pen is perfect for people who like shimmer mists spray ink, it looks like a solid version of glimmer mists. It shimmers in the light. You know how I feel about shimmery stuff… For a pencil I can allow it, I might even like it.
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The clip is shiny silver and sturdy, it has held the pencil to my MTNKO and in my bag without issue. The “knock” or clicker thingie is plastic affixed to a tube of metal that when removed reveals a mini eraser. Uni’s mini erasers are actually quite effective at removing pencil lines, but since mini eraser is mini, it gets used up fast. I always keep a click eraser nearby when using mechanical pencils. The click or knock itself is a satisfying clicky noise that pushes out roughly .5mm with a click.
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I really like this pencil, I really like how my writing stays even when using it. It’s not the best for sketching that utilizes a lot of subtle shading as shading and a soft touch defeat the rotation mechanism. To rotate the pencil needs to be lifted from the page, the pressure of your writing or sketching is what causes the rotation. If you write in cursive you are not going to activate the rotation. This pencil is great for printing and works best when doing so. However for my abysmal printing cursive (in which I connect a lot of my letters and print many too) it works great. It also works well for cross hatching and general sketching. Being able to defeat the rotation mechanism and shade softly is a nice touch while sketching.
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Uni offers several different versions of this pencil at a variety of price points, you really need to click over to the Jetpens page and scroll to the diagram section where there are several cartoons of frustrated students using other pencils that don’t rotate. Worth the laugh. For those of you who like flowers they offer this pencil with flowers on a shimmery barrel. You can thank me later.

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Starting off the Grand Experiment

I picked up a selection of needle point and ultra fine point pens from Uniball to use as part of the experiment Jane and I are conducting for the next issue of Put it on Paper as well as a regular blog feature. I can’t wait to tell you more about it. I had planned on using them ONLY for the experiment, but, well, I’ve gotten addicted. Damn these things are crazy fun. I could use my rapidocraft pens but these are so much smoother and I can use them at an angle, which means I can sketch more comfortably. The ink is gel style so it doesn’t feather, spread or bleed. I get a perfect smooth line. Better yet, it’s pigmented, fade resistant and waterproof when dry. Which means I can slosh watercolors on it ASAP.

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I think I’ve died and gone to ink heaven.
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I’m pretty stoked.
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Within this post are a selection of drawings done with the Uniball Signo bit 0.18 and Signo DX in 0.28 and 0.38. (With a smattering of brush pen and watercolor added, because I can’t restrain myself.)

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Put it on Paper Blog Button

Hey all I've been asked for a button that people can put on their blogs for Put it on Paper.

(Thanks to StrayDreams for reminding me to do this!)

This is what it will look  like:

 

and the text in red is what you'll copy and paste to your blog:

<div style="background-color:#F6F6F6;border:7px solid #F6F6F6;-moz-border-radius:4px;-webkit-border-radius:4px;width:150px;">    <a href="http://www.magcloud.com/browse/issue/394512/follow">      <img src="https://comfortableshoesstudio.com/wp-content/uploads/2012/06/d072de8746b2fb468dbef67480c444df.jpg" style="width:150px;border:0;" alt="Put it on Paper Vol 1 #1" />      <img src="https://comfortableshoesstudio.com/wp-content/uploads/2012/06/small-widget-foot.png" style="width:150px;margin:0;border:0;" alt="Find out more on MagCloud" />    </a>  </div>

State of the Weekend: Fiddle Jam

I’ve taken the last couple of days off of work. The first day was for a long overdue dental appointment (yuck) and the second was to deal with the publishing of the zine. Publishing went far smoother than I had expected so I decided I was going to congratulate myself on a job well done by taking a walk to a coffee shop. I had to decide if I wanted the familiar hipster din of Atomic or the relative anonymity of Starbucks. I decide to go to Atomic because I could walk in less traffic and go to the bank without going out of my way, and uh, way better coffee, local business blah blah blah, yay for killing 4 birds with one stone.

In accordance with my new health goal, inspired by Paula, Journal Fodder Junkies, and goaded by my Doctor, I walked, briskly to both the bank and Atomic. I walked in and instead of the typical hipster din I was greated by 3 fiddles and an acoustic guitar! What a pleasant surprise. I’d planned on working on my fountain pen class and another class I’ve got in the works. I couldn’t help myself, I got out my new Uniball needle tipped pens and started to sketch the fiddlers and the guitarist. My coffee came up and I decided to really just sketch, forget the working, I can catch up on that tomorrow! After all, laundry can wait!

Normally when I’m sketching at the coffee shop I fill one page or so in an hour and I get bored then leave. Tonight I sat and sipped my Americano (black) and sketched for nearly 2 hours. I filled 8 pages, 2 were kind of duds that I added color to and salvaged when I got home. The sketches were done on location from life and I added the watercolor later.

I had nearly forgotten how uplifting it is to see some talented people make great music together. Apparently these fiddlers and the guitarist get together and jam at Atomic Cafe every other Friday night. I know I’ll be going again! (I've taken to calling it Fiddle Jam.) P6014327
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It’s Alive! Put it on Paper!

I am absolutely overjoyed to tell you that the new zine Put it on Paper is on sale starting today. 6 months ago Jane and I sat in Jaho Cafe in Salem Mass during our regular art dates when we started to talk about zines and how cool Art Journaling: It’s All Good was and how I rather missed putting together a zine and that I had some ideas for one off solo publications. Jane casually suggested we do another zine together. After some chatting the basic idea of Put it on Paper was born.

After that meeting we’ve met nearly every weekend for the last 6 months to chat about art and the zine. PioP (as I like to abbreviate it) is a testament to perseverance, there were several issues that made us both think that at times PioP just wouldn’t happen. It’s amazing how fast something like this finally comes together.

What is amazing about the 2 of us working on this have also been working full time jobs plus part time gigs on top of working on this zine. It wasn’t the easiest thing in the world  but it’s made me realize that no matter what whatever we can do it. No matter what happened during the time we worked on this we finally got it together and got it done.

I’m so proud.

The digital download is $7 and the print copy is $14 + shipping. You get a free digital download with your print copy

Get it here:

 

Review: Canson XL Recycled Drawing Pad

Basics:

  • 9×12 inches, 60 Warm White sheets to a Coil bound pad
  • $8.99 at AC Moore
  • 70ld/114gsm
  • Perfed pages
  • Acid free blah blah blah

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It seems Canson has a “true to size” sheet thing on almost all of it’s pads now. So if it’s marked 9×12 inches on the cover the sheet you tear off is actually 9×12 inches. This is a really really great thing. I always have hated that many pads would lose a ½ to full inch to the perf. I really like that.
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The paper responds well to ink, nibs are true to size and there is no spread or feathering nor soak through on these pages. The paper is not glassy smooth but has enough tooth to accept pencil and charcoal well. It accepted watercolor well, but did show some cockling that did not even out completely when dry. Though it did flatten quite a lot, so that it’s just slightly wavy.
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I really enjoyed how this paper accepted ink and watercolor. The watercolors really look great on it’s warm white color and ink melds with the paper in such a way to just look like it’s been there awhile.

 
I’ve been testing several new pens on it and I really  like that the nibs stay true to size and don’t spread all over the place when testing them. Even when my Noodler’s flex pens were flexed to their widest and bleeding ink onto the pages, there was no soak through or bleed through. I can’t stress that enough. It was pretty amazing to find an easily available pad that accepts ink as well as this and for a relatively inexpensive price compared to other fountain pen friendly paper.

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