Category Archives: Review

Review: Golden Coarse Pumice Gel

Golden Coarse Pumice Gel

I purchased a 6 pack of Golden Mediums about a year ago and other than using the gloss gels I haven’t used them. The list price for 8 ounces is $13.49 and it comes in a tub. In the tub it is gray in color and looks much like cement.

I used an old discount card to spread it on my binder’s board. It lays down a very thick and heavy layer. I found it pretty difficult to lay it down thin. As I was laying it down on the board I had moments where I didn’t think it would stick. It’s a very dry gritty material. It does stick. It helps to work slowly. Because it is so gritty I would recommend using an old brush or a metal palette knife to spread it.

IMG_3011
When dry it still retains that cement like look which could make a very cool texture in a journal. It retains its flexibility so it could be used on a journal page with no issue. It can be used as a base much like gesso but keep in mind it’s very gritty and its surface is much like 60 grit sandpaper. It’s very rough. When coloring my pages it wore holes in the rags I was using to apply glaze and color.

IMG_3007

(On the left is the Golden and the Right Liquitex.)

This is a very intense texture gel that can definitely make a statement when used on canvas or page. It took a full ounce to cover an 8.5×11 inch page completely. The deep crevasses and graininess of it is very neat. With color added it’s even more interesting.

Ink mix0088

 A quick comparison of the Golden Coarse and the Liquitex shows that the golden is muchmore coarse, the liquitex is more like 100 grit sandpaper where the golden is like 60 grit. The difference is noticable and visible.

Review: Liquitex Basics Coarse Texture Gel

The last time I was in AC Moore I noticed that Liquitex had released the Basics line of mediums again. This time in 200ml squeeze tubes. I’ve gone on record by saying that the Liquitex Basic Gel Medium is my favorite, and I can’t wait to take my 50% off coupon in and get another tube. This time around the tubes, all of them retail for $7.99, where the old versions retailed for $5.99. Higher gas prices= higher paint prices.

All of these mediums come in tubes. Which I like. I can squeeze a very tiny amount of paint out onto my palette and not waste a drop. They have  modeling paste, gloss gel medium, iridescent medium,coarse texture gel and one other I can't remember. I've purchased gloss gel, coarse texture gel and the modeling paste.

I’ve been obsessed with texture lately so I picked up a tube of coarse texture gel. (Next week I’ll review the Golden version.) Out of the tube it had a heavy body and held its shape well. I used an old credit card to scrape it around on my board. It was wet enough that it stuck down easily and I felt like once it was down it was staying down. The grittiness of it was about like 100 grit sandpaper. It looks like fine beach sand embedded on the page. It held every shape I introduced to the page with my old credit card. I’d shy away from putting this on with a good brush, I did mention that it looks like sandpaper right? This will wear the tips down on just about any brush, especially a good natural hair brush. Stick to your gesso brush or an older synthetic while using any coarse sand filled texture gel.

Clean up was easy, warm soap and water took the still damp gel off my hands with ease.

IMG_3008
It’s been about 8 hours since I scraped a relatively heavy layer of the stuff onto my binder’s board and it’s still not completely dry. Granted we (the North East) are sitting in the midst of a incredibly high humidity cloud right now, but it has taken an incredibly long time for this to dry. It was dry to the touch with some hair drier action and I was able to gesso over the top of the gel in about an hour. If I wanted to sand or carve into the gel I’ll need to wait for it to be completely dry. Gessoing over the top of the gel is not necessary it’s ready to go as a base as is, but I wanted to add another layer of texture to the board. Like most gels this one should dry flexible, but I’ve not tested that yet.

IMG_3010
This is a fun additive and I can see it having many applications both for an art journal but also for paintings on canvas and board. It’s got a coarse but not overly coarse texture, like fine beach sand. If you want additional texture you could add more sand. If you are looking for something that looks like cement right out of the tube you might want to look at Golden’s Coarse Pumice Gel, which I’ll be reviewing next week.

 

FYI: I purchased this product for review and was not compensated by any of the companies mentioned in this review.

Review: Poppin’s write-now Notebook

A few weeks back I read a post on notebooklovespen about poppin.com a company that intends to sell color coordinated and stylish office supplies. A quick look at their product range shows a variety of cool looking and inexpensively priced items. They were offering a giveaway and I managed to snag 2 of their notebooks; one each of red and black. The packaging they arrived in was a nicely sized and colorful box with branded air bubbles and a cardboard piece that said “pleased to meet you” in a speech bubble above a staple remover. That packaging reminds me of the heyday of the dot com boom where a company would send you a giant package of branded product to try and get you to sign up for their particular product. Does anyone else remember AuctionRover?*

The notebooks measure 5×8.25 inches (129x210mm) and is filled with ivory lined paper. The cover is made of textured pleather and feels like a cross between the soft cover moleskine and an EcoSystem notebook. The elastic is a nice shade of gray and while snug stretches enough to allow for stuffing of the notebook. In the back is a roomy pocket and attached to the spine is a silvery gray place marker. The flyleaf has a series of boxes for you to put your name, address, title of the volume, and other assorted information.

Inside you find ivory colored pages with pale gray narrow ruling and some unusual margins. The for edge side of the paper has a very narrow margin, perfect for those of you in the GTD camp who like to check off your to do list as you move down it, or those of us who like to date our to do list. This would actually make a fantastic planner for someone who works off a task list. (Like the Pig Pog PDA) The header is ruled off with 3 boxes, one large and 2 small. It is an unusual and interesting ruling combination, and I like it.

The paper itself reminds me a lot of my old moleskines. It does feather with many FP inks and broader nibs will bleed and soak through like crazy. The ruling is ever so slightly raised and it does resist fountain pen ink. I do like the ruling because it’s so pale that it’s unobtrusive when a page is filled with text. Similar to the pale gray dots on a Rhodia Dot pad, these pale gray lines seem to disappear when the page is filled. The paper itself is smooth and really nice to write on, my other ink pens work just fine with this paper. In fact my broad nibbed lamy filled with Noodler’s Black didn’t soak through the page and only bleed through in places where I allowed my nib to rest for too long. My Platinum Preppy M nib did fine on this paper and did not show any bleed or show through.

I’ve been testing my toner transfer technique in this notebook and find the pages are taking to the technique very well. I’m getting crisp and clear transfers. I’m going to test out doodling and sketching in here to see how it responds. I suspect that like my fountain pen testing I’ll have to be careful with my selection of inks on this paper but I won’t let that stop me.

I’m not sure on the price point of these notebooks but I expect them to be in synch with the rest of their product line, ie a little higher than regular office supplies but not outrageous.

Take a look at some of the pics below:

 

 

  • IMG_2992
  • Ink mix0080
  • IMG_2991
  • Ink mix0078
Ink mix0078

poppin.com goes live in June, so check their site out then.

 I've read that teh small version of these will be $5! If the large size is inline with that it will be a winner and trump, in my opionion, the Moleskine.

 

Continue reading

Review: Lamy Safari and Joy

I had resisted my urge to buy a Lamy pen for quite some time. I didn’t want to just buy another pen that everyone said was great. The selling point for me is it’s ability to swamp out nibs even when fully loaded with ink and start writing almost immediately.

The Lamy uses a proprietary cartridge system. This annoys me. So I searched for ways to turn it into an eye dropper style pen. I found a simple solution- buy a fountain pen and roller ball set and swap the bodies. Then fill the end of the roller ball body with silicone caulking and let it dry. The body of the pen will hold 3 ml of ink.  Otherwise you need to buy the cartridges or refill used ones with a syringe.

I bought a glossy black set and it’s been great. A friend gifted me with the Lamy Joy with a black body and a red wire cap with a 1.5mm tip. To swap the tips you can grab the tip with a rag, piece of rubber or tape and gently pull the nib off. I find the nibs swap out pretty effortlessly but the first time was a little tougher. The new nib simply slides onto the section and in a few seconds is ready to write.

Depending on where you buy your nib they cost around $10 each. But considering that they can be used on any of the Safari, Al-Star, Studio, Accent, or Joy series pen bodies, it’s a pretty sweet deal. I’ve got a medium, broad and 1.5mm tip. The broad nib flips over and easily writes a fine line. With some smoothing it would be fine for writing. With this assortment of nibs I can easily do a variety of sketching. The medium is my usual nib of choice for regular sketches and writing. It’s thick enough that my lines look deliberate and not wimpy. I can also use it fill in a decent area of color without too much work. If I’m looking for something a little more bold I can switch to the broad nib and really lay down some bold lines. The 1.5mm nib allows me to get calligraphic lines and fill in a lot of area fast.

 

  • IMG_2969
  • IMG_2970
  • IMG_2972
  • IMG_2974
IMG_2974

 

I keep this pen filled with Noodler’s Black. It’s the only pen I’ve got that I match the ink color to the color of the pen. It makes sense for me to keep this pen filled with black in as it’s my go to pen for quick on the go sketches. The body of the pen is made of ABS plastic and tough as nails. This is one of the few pens I’ve got that I’m not that careful with. I’m not that worried about breaking it or causing harm to it. It’s tough. I’ve dropped it, on hard cement flooring and into dirt.

This is considered a beginner’s pen in terms of fountain pens. It will set you back about $30 no matter where you purchase it. Unless you chose to buy one used, in which case I suggest you check out the Fountain Pen Network’s for sale section. You can occasionally find one for sale for around $20. These pens are all over eBay as well. Gouletpens and Jetpens both carry the pens themselves as well as the nibs.

The downside of the Safari, Al-Star, and Joy pens is that they have a triangular grip which forces you to hold them tripod style and can be somewhat uncomfortable if you are like me and hold your pens in a variety of styles. This can be solved by purchasing one of the other pens that the nibs fit but those are significantly more expensive. But if you can tolerate the triangular grip of the Safari et al it’s a winning pen for sketching that will survive even very tough conditions. The Joy has an elongated body shape that is similar to a desk pen. Normally pens like this do not post but the Joy does post, which is good if you like that but I don't tend to draw with my pens posted.

Anyway, check out some of the drawings I’ve done with this pen.

 

  • Ink mix0064
  • Ink mix0063
  • Ink mix0062
  • IMG_2829
IMG_2829

 

 

Review: things that make me go Meh

 When I started doing reviews on here I debated the smarts of posting negative reviews. I have to tell you, there are things I don’t like. There are tools that I hate and will never use again nor recommend to my friends but they are few and far between. I decided to do a round-up of stuff that made me go, meh. These aren’t bad things they just aren’t stuff I’m raving to my friends about. You may have different feelings.

Noodler’s Nib Creeper Fountain Pen

The nib is fine to extra fine with no other option other than flex. You have many color options including clear. The colors all have that vegetal resin smell that to me, frankly it smells like fecal matter. I have read several reviews that this offensive odor is not offensive to all people, I happen to be of the group of people, like those that think cilantro tastes like soap, that think this stuff smells awful.

The pens themselves are nothing special, a rebranded Indian (Dollar)made pen that sells for less without the Noodler’s branding. They are light weight and feel pretty cheap. They hold 1ml of ink, almost exactly, and lay a wet even line. There is a tendency that if you are writing fast for the nib to dry out and will require a dangerous shake to get ink to flow.

Noodler’s Luxury Blue Ink

This is a blue that is nothing to write home about. It’s blue, like a ball point pen and it flows. It’s not special. It does dry mostly waterproof. I found that in EVERY pen I used it in there was a tendency for nib creep. Which is just messy.

Don’t get me wrong, it’s a nice enough blue but for a 1oz bottle at the regular 3oz prize I’d rather get another blue that I like.

Moleskine 3x5in Graph Notepad

I bought this. Yeah, I have a drawer full of moleskins I was given for doing a giveaway on my blog years ago and I bought this because it had GRAPH paper in it. I love the look of the moleskine; the lovely black covers, the great bindings, the pocket and the place marker. I love everything BUT the paper. This paper sucks. Even my EF pens filled with well behaved inks soak through its paper, everything feathers on it and well, MEH!

Strathmore Visual Journal Bristol 3×5 size

Sturdy spiral binding and very sturdy covers filled with nice paper should make this a winning journal. I just can’t seem to bond with it. It’s nice, just not for me.

Sanford Peel-off Magic Rub 1960 Eraser Stick

I used to buy these in college for detail erasing. They were the only stick erasers available then and did its job well enough. I saw one at Artist& Craftsman and picked it up. It’s just like a Magic Rub but in stick form. It’s soft and is prone to smudging stuff. Magic Rub Erasers are not a favorite of mine for this reason. It will also lift some ink and smudge that too. Meh.

Mio Paper 146×87 mm Campus blue label

This is one of the most expensive notebooks I’ve ever bought. I picked it up on jetpens because I’d heard the MIO paper was amazing for fountain pens. Guess what? It’s is, smooth, perfect for writing and nothing soaks through it but the wettest pens and there isn’t even a hint of feathering at all. Ink DOES take forever to dry on it and smudges even when the ink looks dry. The cover is cool with subtle texture and coloring. It’s small enough to slip into a back pocket, purse, or where ever. This is another one of those notebooks I should love but I haven’t bonded with and thus it sits in a drawer mocking me for the money spent on it.

Sharpie Pens

I don’t like ‘em. I bought a couple of packs of them when they first came out and liked them for quick notes but they seem to dry out fast and I break the tips and they are too fine for me. It’s okay, everyone else loves them.

So that's my round up of stuff that makes me go meh.

 

Review: Pilot Parallel Pen 6mm

I’ve been looking for a pen that would let me lay down a wide swath of ink without dipping a brush into my ink bottle. I’d seen the Pilot Parallel pens for sale through John Henry Booksellers but I haven’t placed an order with them in awhile. On my latest perusal of the GouletPens.com site I noticed they were carrying them for $10 each. That is a great price. I decided on the 6mm pen for the widest line of ink possible.

The way this pen works is like a fountain pen with a feed that flows between 2 sheets of thin springy steel. You can use the full flat side of the pen for a wide stroke or the corners for a very fine line. The pen feels a lot like a brush and lays down a very wet line. The fine line is very fine and adds a lot of versatility to the pen.

So far I’ve done about a half dozen drawings with the 6mm pen and frankly, it makes me want them all. It’s easily one of the most versatile pens I’ve used in a long time. It lays down a wide wet line of ink that covers anything well. The pen is really great especially when you look at the fact that it was only $10. Essentially it’s like getting a extra fine pen and a 6mm in one pen. In short it’s a good value.

Here are some examples of what I’ve done with this pen.

 

 

  • Ink mix0055
  • Ink mix0051
  • Ink mix0047
  • Ink mix0049
  • Ink mix0050
Ink mix0050

The negative aspect of this pen is that it feels really cheap. Its pearlized gray plastic is light and is very slick in the hand. The grip area is also very smooth but clear. The cap is a funny shape and does not post. The corners of the nib do tend to lift fibers and can get blocked. They provide a special cleaning sheet that does a good job of cleaning the nib.

I’m not sure if the pen is a good candidate for turning into an eye dropper due to the threads. There is a gap on one side. I’m not sure that silicone grease would fill it well enough. I will try this and see what happens.

I got mine from GouletPens but it’s also available from JetPens and Pilot’s online store.

Review: Clairefontaine Graf It Pad

One of the other sketchbooks I received from Exaclair was the Clairfontaine Graf It pad. I’d seen these on several occasions at Artist & Craftsman and passed them by due to the cover being… well, kinda lame*. In addition to the plain black grainy text and images, each cover is made with various colors of card stock that folds behind the staple bound pad. The back is supported with sturdy heavy chipboard. Each page is microperfed for easy removal. The perf is sturdy enough that you can turn the page and it won’t tear out, unless you want it removed, it stays. The pad is often sold on American websites as “6×8.” That may be the outer dimensions of the pad but the actual sheet size is 5.75×7.5 inches. There are 80 sheets in each pad.

I did my usual battery of tests on this paper and it withstood them all. I have to say that this paper is amazing. Though it’s only 90g (41lb) it’s super sturdy and accepts a lot of media without issues. It takes some serious effort to get stuff to soak through. When I say stuff I mean ALL the stuff I’ve tossed at it. See the pic below.

Ink mix0044
With watercolor it accepts the color well. The paper cockles as is expected with paper this thin. I find this to be a great paper to experiment with techniques and color. It responds well to puddles of water as well as thin washes. Color stays true and doesn’t get muddy on the page.

While drawing with ink I was able put down multiple layers of ink without cockling and bleed through. Heavy layers that would have bleed through many other heavier papers did not bleed through on this paper. Noodler’s black bonded with the paper well enough that I didn’t worry about it lifting much with my water brush. Colors seem to pop off the page.

I did try gessoing the page but I don’t see the point as the paper is tough enough to survive most stuff without the gesso. I also scrapped acrylic paint over the page to see how it would work, and it worked just fine. This paper is also amazing for pencil. It has just enough texture and tooth that pencil feels really good on it and it hold a lot of graphite, so darks are really dark.

My final verdict on this pad is that it’s great. The paper is awesome. The format it’s served in is where it is lacking. I hate perforations (my own little quirk.) I prefer a pad that allows the pages to stay together. The staple binding is crap for keeping stuff together, I made a little folio out of a USPS priority mailer to keep my drawings together. For art journaling it would be a great pad to do drawings in and then cut out and glue into your regular art journal. The paper is thin enough that if you draw a face and cut it out the edges won’t be all that noticeable.

The pad is pretty cheap. I found it online for $4 to $6 the larger size is pretty reasonably priced too at around $9. These are prime pad for binding into a sketchbook. If this came bound like a moleskine or a Rhodia Webbie I’d buy it. I know that the reason this pad is so inexpensive is that its bound inexpensively, 2 staples straight through to a sturdy backer. I like this paper a lot, in fact the next time I’m at Artist & Craftsman I’ll be picking up another one of these in another size. Perhaps I’ll bind the large size into a nice art journal!

Continue reading

Review Redux: Rhodia Webbie

I never managed to get the images up for my Webbie review. So I'm putting them up here (and probably in the actual review.)

You can see here how the page takes watercolors and then ink over the watercolor.

Ink mix0045
And here you can see where I scraped the acrylic and painted on some gesso and then layered ink and watercolor crayons over the top.

Ink mix0046

I wasn't kidding around when I said I was having a hard time putting this journal down. I have 2 more I need to review and I really don't want to stop using this beautiful thing. I guess I'll have to fill it!

Review: Rhodia Webnotebook aka Webbie

Stephanie of RhodiaDrive hooked me up with Karen of Exaclair, the American importer of several very fine French made stationary products so I could do some reviews. I received a box in the mail and I felt like a kid at Christmas. There is nothing quite like opening up a box of sketchbooks to get my heart racing, well pen products would be a close second. Anyway, one of the products contained in that wonderful box was a Rhodia Webnotebook. It’s the larger size, 5.5×8.25 inches (I14x21cm) with blank cream colored pages. There are 96 sheets or 192 pages.

When I first opened the covers the color reminded me of oak tag; creamy, warm and lovely. The paper is 90g (roughly 24lb) which seems kind of thin when you’ve been working on 140lb watercolor paper for the last few months. When I ran my hand over it felt glassy smooth. Clairfontaine paper is known for this feature and is sought after by people who use fountain pens.

The cover is black with the Rhodia logo inset into the center of the front cover. Like all notebooks of this style there is an elastic to hold the whole thing shut. The plastic/vinyl of the cover is soft, like fine leather. I have a journal made of deer hide and the feel of this pleather rivals its softness and feel. I handed the journal to someone to check out and she actually said “Ooohhh, that feels nice that feels really nice, what is it?” Like, leather the cover does show greasy fingerprints, unlike leather those greasy fingerprints wipe off with a damp rag. Yes, I tested this by eating French fries at my desk and picking up the journal and having to wipe it clean.

Continue reading