You might be wondering why I have a post about gel window clings. Well if you’ve read my blog or visited my instagram, you know I’m interested in printing with trash and weird stuff. I had a moment of genius where I realized that gel window clings are made of similar if not the same stuff as gelli plates.

You know the things I’m talking about- those dollar store holiday themed window decorations that pop up in offices and classrooms every holiday season. Those gummy decorations that for halloween are shaped like skulls, stars, cats, jack-o-lanterns and other Halloween themed icons. I believe I’ve also seen them for other holidays in offices and other places. It took some searching- they were no longer carried by my local dollar stores or even the pop up Spirit of Halloween near me. Instead I found a set in CVS. Mine cost $4. They have gone up in price. They are also available on Amazon.

Once you have your gel window clings you’ll notice a few things- they are MUCH thinner than even mini and small gelli plates and they are MUCH softer and squishier. This is fine, you’ll need a gentle touch when printing.

I attached mine to an acrylic stamping block, but they can easily adhere to any smooth non-porous surface like plexiglass.

Once attached I rolled them up like any gelli plate- dab a bit of paint on, then roll the paint out. I also rolled into onto a slab then rolled it onto the gel cling. Both worked equally as well.

A thin even coat is key to getting a good print. I found that placing the block and gel cling then flipping the paper over and using my hand worked best. After I determined they would print well. I cut my sticker paper to sized and dropped the paper onto the plate, in the usual gelli printing manner.

I printed white skully images onto sticker paper to make skully stickers. I also did some black cats and loads of stars.

Overall this process was a lot of fun, and really interesting. The prints came out great and makes me wonder about other themed gel clings- I founds summer, ocean, letter, dinosaur, fall, thanksgiving, and christmas sets. The letters pose an interesting option for hiding additional meaning in a print or for creating a printing poetry.

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Fall is upon us, the days are shorter and mornings crisp, which means it’s time for pumpkin spice and more gelatin or gelli printmaking! For ease of writing I’m going to refer to this printing method as gelatin printing throughout this post. I’ve put the supplies I need for a printing session into a small (ish tote) so I can set it up to print away while watching TV. Though often I find myself not watching the TV and just focusing on making prints.

I set a goal to get 10 or so good base prints to work on in additional sessions or methods. 

So this brings up the idea of what IS a GOOD gelatin print, or base print? And are they the same thing?

The short answer is that no they aren’t always the same thing and the long answer is, it varies depending on what you want to use the prints for. So gelatin printing is a form of monoprinting and can absolutely be used to create wonderful images on its own, but if you want to do that, you’ll likely need to use Akua inks for their longer open time or amend acrylic paints for a longer open time with airbrush medium or something to extend their open time. Though I’ve seen a few YouTube videos of artists using layers of acrylic paint to create amazing landscapes with a gelatin/gelli plate.

For me, I have 2 types of gelatin prints- those I want to make more art on with other tools and those that I want as a finished piece on its own.

In both I look for layers of color through stencils and paint manipulation to create texture. YOu can see that in the images below. Each has several layers of stencils built up through the gelatin plate that creates depth and interest.

For sheets that I plan to turn into their own individual pieces of art, I look for specific colors I can use as the background. Colors that pop with texture and layered meaning. In most cases I look for specific colors that I can use to make the final image pop.

For sheets that I plan on using as a backdrop with other media, I look for the same things- layers of color that create interest. I really like to have color opposites over analogous colors. I’m particularly fond of yellow, magenta and orange together with teals and blues over the top. I like these layers behind deeply black and opaque white ink.

I think a GOOD gelatin print session is one where I am able to get a bunch of different colors on a bunch of sheets that create visual interest. A good print is as individual as the printer.

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The U.S.A. Gold pencil has changed ownership so much I’ve lost track of ownership, luckily for me RoseArt has their name discreetly slapped on the back of the packages. For awhile I couldn’t find them on shelves at my various big box stores. This year I found this pack of 20 pencils at Staples for $3.99. Pretty pricey if you ask me.

The packaging is as maximalist as they come. A plastic (UGH) bubble glued to a piece of card with some die cutting. The front of this hanger package features a red, white, blue, gold, AND green design. The package is hard to read and the U.S.A. Gold logo is lost in the mishmash of crap on the packaging. There’s a bit of a flag motif, except one stripe is red and the other is blue. Oh, yes, don’t forget the handful of stars.

Jeebus crisco, why not just add a crying eagle, RoseArt?

The flip side of the package? Moar flags and stars.

There are some changes to the 2021 version of this pencil, and frankly… Most kinda are crap.

The pencils look pretty similar to the older version- possibly cedar, gold ferrule with a blue band, jaunty little pink eraser and a slim feeling in the hand.

The changes are a glossier coating, gotta get in that no name microban antimicrobial nonsense to capitalize on covid fears. Never mind the antibacterial properties of wood are well documented, and cedar itself is rot and fungal resistant (though it absolutely will rot.) The claims emblazoned on the USA Gold packaging doesn’t say or even suggest that the pencils will kill covid viruses, but one must assume that harried parents rushing through Some Box Store with a passel of cranky kinds might just toss a package of these into the cart, without investigating the claims, or believing the product will help little Johnny in the fight against covid. Do you really want little Johnny sampling some of that sweet no name microban knockoff as he chews his pencil?
Enough on that.

The true crime here is that RoseArt dropped the stellar blue foil imprint, thus further ruining the look of the pencils. We now have a glossy pencil with a GOLD FOIL imprint. GAH.

Hideous.

The cores are dark and smoother than the original Write Dudes pencil. Still I cannot recommend this pencil to you. For so many reasons. The awful maximalist packaging, the glossy “antimicrobial” finish, the GOLD foil imprint, it’s all just so wrong. They ruined a really decent pencil.

In a hilarious twist, RoseArt forgot to update the website for this product… So the website mentioned on their own packaging leads to a dead page. LOL.

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I didn’t think I was going to make it into Walmart this year, and frankly I wish I hadn’t. That’s a whole other story. When I did finally make it to Wally World, well, it was nearly empty of school supplies. Generally this Walmart has a lot of stuff left over and has clearance shopping carts full of pencils and other items for 10 cents. Not this year. The school supplies looked as though they had done minimal ordering and what was left the week before school was not a lot.

Mostly they had a great deal of Norwood poly covered composition books. Which I didn’t purchase due to their paper being ideal for pencils, ballpoint, and okay with gel, but abysmal for fountain pen. Plus, that poly cover was against the rules for this year’s round up. I did some searching, and digging and walking into the regular office and stationery section of the store to find the only box of card covered college ruled composition notebooks.

This is less a round up and merely a single review.

Pen + Gear Marbled Composition Notebook

At a mere 50 cents these are on par with the cheapest pricing I found this year. At 100 sheets they are among the fatter composition notebooks. The marbling has a good visual balance of dark to light and the spine tape is perfectly proportioned. The branding is a tad large and not well integrated into the front label area, but not awful. The barcode area on the back is okay as well.

The cover is abysmally thin. The whole book is floppy. This is the first time I’ve wondered if a cover will actually hold up to regular use in a bag. I like a thick card cover but I’m okay with a thin cover IF I think it will hold up. I question this one. It’s that floppy and thin. If it catches on anything in a bag it will fold and crease. This might be a good excuse to get a nice cover for your comp books. Etsy is filled with them.

Inside the 100 sheets are smooth but toothy to the touch, letting me know without even testing this paper will be killer with pencil. And it was. I tested with a few pencils and they all performed really well. This paper feels as good with pencil as the Yoobi paper, if a touch smoother. It takes little effort to get a dark even line, pencil glides over the surface. Ballpoint does great as does gel ink.

Things started to go downhill when I pulled out the fountain pens. Every nib showed some ink spread and the barest hint of feathering. The pens felt good on the page. Flipping the page showed a great deal of bleed on every nib except EF with well behaved inks. This is a composition notebook for pencils, ballpoint, and gel pens. While a fountain pen can be used, you’d be stuck using one side of the page only. Which, admittedly, is how I use a comp book, but I like to be able to use the verso of each page for notes on the facing page. I wish I were able to suggest this as a good comp book, but it just isn’t.

You are much better off looking for other brands at Target or other places. Wally World’s composition notebooks are a bust this year.

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Staples has often had composition notebooks that were stellar for fountain pens at 50 cents each. In years past you looked for those marked “Made in Brasil.” This year I looked through the stacks and stacks of books and found only “Made in Egypt.” In keeping with my usual purchases I only bought college ruled. This year I also stuck to card covers only. No poly covers. Though the Staples closest to me had many poly covers, they were $1 each. 

Staples has also changed up their branding on their store brand items. Nothing is marked “Staples;” it is now TruRed. Why? Who knows. Personally, I liked Staples branding with the single partially bent staple as an icon. The True Red branding leaves me a bit flat…Though I do like the dual open staples on each side.

Both comp books purchased at Staples are TruRed Brand and feature the same flimsy thin cardstock cover printed with wide blotchy marbling. The covers are too thin for writing out of hand. The taped spine is spot on and perfectly proportioned to the notebook. The covers were available in blue, purple, red, and black. All spine tapes were black.

TruRed Graph Ruled

These cost $1.29 and have 80 sheets of graph paper.

The stitching is wide but tightly done and feels secure. All the paper inside is tight and even in the center is perfectly folded.

The ruling is pale blue and 1/4inch, relatively wide for graph paper and my least favorite graph ruling. It is good for writing and bullet journaling. The paper is what I call “composition book thin” and is probably 15lb. It is smooth to the touch but has decent tooth for pencils. Fountain pens feel good on the surface but you won’t be confusing this with Tomoe River paper. Even wide wet pens don’t quite glide over the surface. They feel good, but not great.

The same, good but not great, goes for the performance of the paper as well. Because the paper is so thin there is plenty of show through, but no bleed through. Even a wide wet brush pen didn’t exhibit much in the way of bleed through. Further, there’s no feathering to be seen and just a bare hint of sheen.

These do not perform as well as a Unison graph from Target and at $1.29 they are a lesser value. But in a pinch you can get them at Staples at $1.29 year round. Well that is if you can find them on the shelf.

TruRed College Ruled

These are regularly $0.99 each and currently on sale for 50 cents. There is a purchase limit of 30 at 50 cents.

These feature the same tight well done binding as the graph paper. A little too widely stitched but satisfactorily done. I’ve purchased Staples branded comps in the past with terrible binding. This year’s offerings seemed to be all very well done. 

These books sport 100 sheets or 200 pages. The pages are roughly 15 pound, which is standard for composition notebooks. The paper feels smooth but not slick and fountain pens feel good on the page. Again they don’t glide but feel pretty nice. The paper doesn’t exhibit any feathering even with the wettest of my pens and brush pens. Though with the brush pen there is a tiny amount of bleed through at the wettest points. The ink shows a tiny amount of sheen.

Pencils feel pretty good on this paper too. It’s toothy but not sandpaper toothy. Points hold up pretty well but the line even from an HB is decently dark.

Overall if you are looking to stock up on a composition notebook this isn’t a bad choice. The paper feels very nice with most of my pens and pencils. It’s got 100 sheets and is stitched well. The major downside is the flimsy cover. Which will stand up relatively well in a bag, it just won’t allow for out of hand writing. I’m not sure you can get much better than this for 50 cents.

Staples seemed to have far fewer offerings than in the past. I wasn’t able to find other brands of comp books on the shelves or in their more decorative sections of back to school supplies. Overall the BTSS section was pretty disappointing and lacked the vigor found in previous years. Though, can anyone be surprised given last year and the questions many might have about this upcoming school year? After all, is BTS back to school or back to school at home? What does back to school even mean this year?

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Yoobi HB pencil packs have been a solid Back to School Sale purchase for the last few years. They also have the distinction to have fun designs on them. This year’s batch of Yoobi goods have the usual fun patterns but also a fun Marvel lineup of child friendly Marvel Character imagery. I decided to get the Marvel patterned pencils so that after the review I can pass them to my Spider-Man obsessed nephew.

The 24 pack of triangular pencils has Yoobi x Marvel emblazoned on one side. You get 8 of each color or pattern of pencil. The white and gray pattern of child friendly Avengers icons is super cute. Fortunately they are printed and not plastic wrapped.

Like all the Yoobi pencils I’ve previously reviewed, they feature a smooth and moderately dark HB core. They hold a point for a while and don’t require frequent sharpening. The core responds well to most sharpeners, and I admit I usually subject them to a hacked Apsara long point or a KUM Masterpiece. I did not test them with the more finicky sharpeners and won’t.

The wood is likely linden or basswood. It is definitely not cedar. It sharpens well, especially in a crank style. I find them to be fairly narrow especially when compared to premium pencils. They feel to be a pretty standard 8mm but since I’ve been using mostly premium pencils lately, they feel narrow in my paws.

The lacquer, like most kid’s pencils, is thin, but evenly applied. It is satin with the Yoobi x Marvel logo in the same satin finish. The ferrule is nice and shiny silver aluminum wrapped around a nice black eraser that works really well.

The pencils are shipped in a sturdy card box printed in classic sedate Yoobi white that let’s the pencils stand out through the die cut window. I like this packaging. It’s 100% recyclable and keeps the cores from shattering.

In terms of quality control, it has fewer chips at the ferrule than most Blackwings shipped lately. There are a few cracks here and there in the lacquer and yes, around the ferrule. But at $3.99 for 24, I can forgive these issues.

Overall I like these pencils. I’m not a huge comics fan, but I appreciate them and I know my nephew will appreciate them more. I can feel good about giving him fun pencils knowing that they have a solid working core.

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There’s a lot to like about Dabble. And very little to dislike. Let me start with what I like.
Dabble has an app that works offline and stores copies of your project locally, which automatically saves to the Dabble servers/cloud. It works pretty well too. I noticed very little functionality drop off when I wrote during my lunch breaks at my old DayJob. The wifi there was a joke and bumped me off repeatedly and often. It would save locally and once I was back in distraction mode, it would let me know that the project was saved locally, it would also let me know when it would update to the cloud. I have to admit that this feature really made me feel secure about the safety of my project. Though I admit that I’m someone who doesn’t trust software to be right all the time and I saved Word copies of my project to my machine pretty frequently.

Exporting a document to Word or Text file is as easy as clicking the right button. Once you click the button it gives you the option to change the file name and where to save it. Easy. From there it can be easily moved to another cloud service like Dropbox or Docs.

I also find the distraction free mode to work very well, especially when I’m out and about on my laptop and don’t have a second screen going. In full screen mode the Dabble interface obscures everything and then grays out. Though if you move your cursor via touchpad or mouse the window enters active mode again. This wasn’t much of an issue for me in my use.

A thing that I have found especially useful is the “Scene Notes” feature. At the start of each chapter and scene you are given a spot to write a short line about the scene. This shows up on the right hand side of the screen as you work and gives a good idea of what the current chapter and scene you are working on. I’ve found this a great way to keep myself focused on that particular scene. Adding a new scene is obscenely easy. You can add a new scene in the plot section by clicking the note card or by clicking on any chapter and selection “add new scene.”

Adding a new chapter is accomplished in much the same manner, though one must click the top most file- the project name and select add a chapter.

 

Let’s imaging that you have 12 chapters in a current project and while you are in Chapter 8 you realize that you will need a scene added back in chapter 2 to make your current scene make sense. So on the fly you add in a new scene, for chapter 2 but it lands in Chapter 8. Because you know what needs to be written, you write it right there, in Chapter 8. Yikes! Nope, not at all, simply click and drag that new scene into place. Then it will seamlessly drop into place.
Project settings are set by clicking the cleverly names “project settings” icon at the top left of the screen. This lets you decide the set up of your project as you work on it. I tend to just use the presets. Dabble let’s you customize your experience a bit, but this is set in the personal tab on the upper right. I prefer dark mode as it seems to work better for my eyes and working style over the default.

Dabble has dark mode as an offering for standard and premium subscribers and not their basic and I’ve complained before about other companies not adding it in as part of their basic package. I’ll make my standard complaint here- dark mode should be offered as standard on all platforms offering it. Why? from a user design standpoint it is friendly to offer a design feature as standard if it assists people with different abilities.

I use plot and story notes a bit differently than most people. I rarely touch the story notes section as much of my writing lacks characters or world building. But I do use Plot Notes. As you’ve seen in previous screen shots these work much like notecards. Though you can only move the cards around in their own line.

Getting rid of scenes and unused cards is easy, just click on the 3 dots at the end of each scene or card and “move to trash.” You can then click on trash to see them there. You can then change your mind and move them back.

Goals & Stats is easy to set up and use. With just a few spots to fill in the resulting bar graph on the right of the Dabble window allows you to mouse over that day’s bar and get a word count for that day. Also when in active mode, you can see the word count at the bottom of the text window. This number reflects what you’ve written in THAT scene that day and over all. It also give you a page count.

The only issues that I’ve stumbled upon is that on my former employer’s broken Wi-Fi sometimes spellcheck didn’t work properly, but for the most part Dabble just works. The other issue is that if you decide to move a 50K novel from say Google docs through cut an pasting into Dabble, well, expect there to be some issues. Even downloading from google to a word doc and then uploading produced a few errors. I suspect that using the local app on your computer for an upload of that size would cause fewer issues. But I had a heck of a time getting my NaNo novel into Dabble.

Pricing for Dabble isn’t bad at all, especially if you purchase a full year at once. If you win NaNoWriMo you can get an additional discount for a year’s subscription. This is pretty standard for any company that supports NaNoWriMo, though the discount changes from company to company.

Overall I find Dabble to be an incredibly useful tool for writing. It had fewer features than a few others out there, but it works smoothly and flawlessly most of the time. Learning it was easy since the structure mimics standard files structures and will look familiar to most people. If you plan to do NaNoWriMo this year consider their NaNo trial. It’s well worth the effort.

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I gave myself some rules for composition book round up 2021- NO POLY Covers. I struggled with it in the last few round ups. I hate poly covers. With a comp book there is little need for them. The card covers survive in a bag and take a beating, and look great as they get worn. Poly covers are simply unnecessary. Plus I really don’t want to add more plastic into the environment. I like the idea that my notebooks can be composted or burnt when I’m gone.

I picked up 3 composition books at Target this year. Many of the same offerings were available- from the awful Jalapeno Paper Company to Yoobi to Unison. I picked up a couple of books I hadn’t seen before and a stalwart companion.

Yoobi x Marvel $2.99

Yoobi is our steadfast comp book. Every year they introduce fun covers and they use the same great paper- if you use gel, ballpoint, or pencils. It’s not terrible for fountain pens though it does have bleeding issues. The Yoobi paper is stellar for pencils. It’s got just the right tooth and smoothness without being slick. It’s also got the gold standard of 100 sheets or 200 pages. Despite historically not being great with fountain pens this is a go to comp book for me. I just love the covers. The covers are sturdy, though not as sturdy as in past years. 

This year, my nephew is getting the Spidey Yoobi composition book. I picked out the red foil web on a red background with the white jagged info area. The Yoobi x Marvel has super cute covers with really cute stylized characters from Marvel.

Up & Up $0.69

Generally I’ve skipped over the pulpy textured Up & Up books because they sport poly covers. Imagine my surprise at finding them with card covers!

The card covers are thin and flexy. You won’t be writing out of hand with this book. The cover is subtly printed with narrow lines of a lighter tone than the background. In this case dark gray on dark blue. It’s a subtle pattern. It’s not a classic. That said, in the lighter colors, this would be a stellar notebook cover for doodles. I only saw black, red, and blue. Though to be fair the composition notebook section was a mess of piles and mashed together books. Customers had already thrashed the place.

The subtle design is where everything good ends in this book. The paper is thin and slick. Everything slides off it’s surface. There’s no tooth for pencil. Even my 4b NanoDia lead was pale gray and washed out looking. To get a decent mark from HB pencils I had to jam the point into the page. Ballpoint feels like crap. Gel feels okay but even a Pilot G2 bleeds through. Fountain pen feels okay but the paper soaks ink into it like blotter paper.

It’s 69 cents,  but you can only use half the book. Worse yet they only have 70 sheets. For those of you keeping track, that’s about a penny a sheet. These are as terrible as their poly covered counterparts, but at least you can compost it. 

Better Together $2.99

These are pricey, but the company partners with Classroom.org to donate money to schools in need. They also identify the designers by name and picture in the back of the book! Awesome. The cover is a bit thin and lacks spine tape, but the spine is carefully scored so it bends and folds better than most comp books!

I grabbed this for it’s bright colorful cover and THICK but smooth paper. The paper is incredibly thick, surprisingly so. At 148 pages or 70 sheets it’s a fat notebook. Especially when you compare it to the other 70 sheet comps out there. It’s at least twice as thick as the Up & Up.

I had low expectations going into this. After all, I’ve been historically disappointed by designer covered comps. In this case the paper is really nice. There isn’t any bleeding or show through and no feathering! It has nice tooth but fountain pens feel good on it. I only have one pen, a TWSBI Eco with a particularly sharp nib, that grabbed the surface. Even my other EF pens felt good. It also fared well with brush pens! No bleed and no show through at all.

For good measure I brought out my Pentel Color brush- a fat inky brush type pen that lays down an inch wide wet swath of ink. No problem. I’m not suggesting you go ahead and buy this for watercolor work, but if you decide to hit it up with some wet markers, it might not be awful.

The surface is also AMAZING for pencil, up there with Yoobi notebooks. It’s got an exceptional tooth that makes even a generic HB look nice and dark but isn’t like writing on rough sandpaper. 

To make this beauty even better, the stitching is exceptional. It’s tight and back tacked for exceptional sturdiness. The thread is color coordinated. In this case it’s neon PINK.

Overall this is a fantastic choice if you want something bright and colorful that accepts fountain pens, brush pens, pencils, and seemingly everything I tossed at it. The only downside is that the cover is thin and it lacks spine tape, which I honestly think is a necessary feature of comp books. At $2.99 it’s pretty pricey, especially when compared to other brands that sell for far less. That said, getting a comp book with thick paper that handles fountain pens and brush pens well is a bit surprising.

As far as winners at Target, the unison, which isn’t reviewed here, but was reviewed here, is always a solid choice. They tend to have them very cheap later in the BTSS season and at clearance time you can score a handful. The Yoobi is always a solid choice if you stick to ballpoint and pencil. As far as everything else? Well, the Better Together is solid, plus they have fun colorful covers and colored stitching. 

Limiting the comp round up to only card covers has made the selection pretty difficult. I’m not sure what the other places will have to offer.

If you’ve been enjoying the blog for any period of time you know how much I enjoy zines. What isn’t to like? Someone writes about something they are passionate about, so passionate about it that they then compile it into a booklet and self publish and sell it, often at a loss. Friend of the blog, Johnny of Pencil Revolution, is one such zinester.

His most recent zine project, The Pen Post is fantastic. There is a lot to love about it. I arrived folded like an old fashioned newspaper but smaller. The format reminds me of the free papers you can find in all those little boxes at train stations and outside grocery stores. 

Inside the zine is loaded with fun pen information and articles. Johnny has enlisted an assortment of friends to write for the zine. The intro is written by none other than the Pen Addict himself, Brad Dowdy. Andy Welfle details his search for the perfect green fountain pen ink.

Anyway, the zine is a lot of fun and looks really great, and I look forward to future issues. Get a copy on etsy soon.  Continue reading →

We try not to buy a lot of things in plastic packages that are already in plastic packages. But sometimes it happens. Now I have a way to reuse that packaging that will never get recycled.

Plastic makes a great matrix for dry point. Many people use thin acetate sheets, like the stuff that was used with overheard projectors. You can run them through a printer and print your design on them, well plastic packaging can’t be run through a printer and it’s a bit thicker, but it works great.

I can see where I went wrong with this plastic, areas didn’t need to be so deeply scraped and etched. The lines held up surprisingly well for many passes through the press. Generally dry point plates don’t last a long time, but I managed to run this one through 10 times for 8 good prints! (I managed to damage it when I scraped off ink with a credit card that had a bit of sand on it.)

I used an Exacto blade, upside down, blade pointed up so that the tip and back of the blade scraped through the plastic. It worked really well. The next plastic package I get I’ll be trying my needles.

You can see on the left of the skull where it is a bit over worked and the ink couldn’t be wiped away.Anyway, really excited by this particular reuse.

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