Working on a Zine, like Useful Journaling V2 can start in many ways, but for me it starts with my pocket notebook and a pen or pencil. Here I record ideas and thoughts I have about making the zine.

Ideas for content are quickly jotted down and then if deemed useful are expanded upon in a larger notebook, usually an A5 or composition notebook. Whichever I’m using for my current longer notes and ideas. I don’t draft everything in these notebooks, when I do that I feel like I’ve finished my goal and don’t finish. Instead I expand the idea and gather information- research and what not. I write longer ideas out and organize the notes into something that makes more sense.

After I organize my ideas into something that makes sense for me, I expand upon them in either a google doc or NovelPad. Here it really depends upon the final length of the idea. I use docs for all my blog posts and Ko-Fi posts, while longer things like some zines and fiction work all ends up in NovelPad. Though, that is with a caveat- some zines get typed up in Docs.

While I’m working on a zine idea I like to keep my notebooks with me at all times- I never know when a good idea is going to hit or when I’ll have a few minutes to develop an idea. I go through them at varying rates depending on the project and what I’m working on. A zine seems to move through notebooks slowly, while novels chew up notebooks and spit them out.

Not for sale

Anyway. I though it interesting that I’m nearly finished wit a pocket notebook and just starting a composition notebook for this zine. I lost my last pocket notebook, and the one before that. Covid and WFH has really done a number on my ability to hang onto a notebook…

Let me be honest here, it’s not COVID it’s the new pants I’ve purchased that have crummy pockets for keeping notebooks in pockets.

The end of the year as we roll into the new is often used as a moment of reflection. A place where we look back on the bad and good and use that to set goals and intentions for the new year.

WOW! What a year we had. A second of a global pandemic, which is back on the rise in my area with folx still refusing to get vaccinated or to even mask up. MY city attempted to hold a meeting about mask mandates, and because they were too… stupid to lock it down, anti-maskers spoke over them and drove them out for over an hour while city officials figured out how to work Google Meet. Sweet Jeebus.

Anyway, this is what we’re living with here in the States, instead of attempting to wipe out a measly virus we’re fighting over wearing a simple piece of cloth over our faces. I have more to say, but this post isn’t about that, not it’s about reflection.

I spent the last year working on a series of prompts and ideas for the newest volume of Useful Journaling. We’ll see how it comes out. But 2021 saw me using my journal more often than in a few previous years, and making it more of a practice again. But it also saw me wanting to continue with my zine efforts, while floundering on the original premise of Useful Journaling. But now that I’ve taken a year to think and mull on it, I see a new option.

Most frustrating for me, I lost** the original files for Useful Journaling, including my layout file. Annoyingly I thought I’d redundantly backed them up, only now I can’t find all of them. Awesome. For some reason when I updated the OS on my cheap little laptop it corrupted all the attached drives- including the expansion micro SD card. While I thought I’d uploaded the files to Drive AND DropBox, I had not. Bummer. It’s not a hard one to recreate but here I am.

Fortunately, I have original flats of all my old zines, which means I can scan them easily. (JK I just found these in yet another search of Drive. deep sigh of relief.) But A word to the wise, if you think you have backed things up, check and double check to be sure that you have. While I’m not exactly a digital hoarder, it is useful to keep; some of these digital files on hand just in case.

So a few goals for me in the upcoming year-

• Redundant back ups, for everything I’m currently working on. And double checking to be sure I’m doing this.
• Consistent photos for the blog and instagram.
• New issues of Useful Journaling, but different than before.

Continue reading →

As an artist and art therapist I’m keenly aware of my own use of art as a tool for processing and working through my emotions. The death of bell hooks has left me deeply saddened. I first read her work in my undergrad, likely introduced to me by my ex. I continued to read her work on and off through out my life. Outlaw Culture was mind blowing.

Honestly if you’ve never read her work, you should pick up anything, but Outlaw Culture is a personal favorite. The final chapter on Love as the Practice of Freedom is fantastic. It is also where I pulled the quote for my print.

I started this with a simple gelli print- stencils in ranges of red on a thick beefy white sheet of cardstock. Initially I attempted a toner resist with other colors but sadly that did not work as I’d hoped. SO I switched up and used a toner transfer technique. The printed paint and paper are note smooth so the toner is rough and uneven. I rather like this look. It quite matches my feelings about her death- sad and a little rough. I had intended to use a golden paint for the base color, but the toner resist, resisted working.

These prints feel a tad too cheerful, or the shades of red with the rays feels cheerful. Perhaps it can be interpreted as hopeful or loving, and fits the tone of the quote: “Without love, our efforts to liberate ourselves and our community from oppression and exploitation are doomed.”

I dig printing with found objects.

I decided to explore the concept of processing emotion through art with some of my students. I decided to create a larger print using a slightly different hooks quote. With this print I created a matrix of found cedar blocks printed in bright yellow. The ink used is a rubber based printing ink, rolled on thin. I then printed this with an etching press, though I could have fiddled with the Vandercook and printed it with the machines.

IS there anything as pretty as type set and ready for printing?

After the background was printed, I set up the quote in Ultra Bodoni 60pt. I considered going with a found letter but it didn’t fit the poster, nor did it fit the tone of the poster. Ultra Bodoni is a big impressive typeface and it leans a bit cheerful, but then the quote is full of hope.

make ready- note that the base print is off kilter This will go into my stack of stuff for testing other prints

The color here is *chef’s kiss* perfect. Better in person.

I decided to use a 70s color palette and use brown over the yellow. I also chose to let the printing be a little soft and uneven, it matches the tone of the print and the reasoning for the print- I’m feeling a little soft and uneven.

Over all I really like the combination of the yellow woodgrain printing and the brown letters. It is perfect. I’ll have a few of them available on my ko-fi, after the holidays. It’ll take that long for everything to dry. I made 10 or 11 copies of the print. Which is a very short run, and barely worth turning the Vandercook on.

As a method of running through the last of the ink on the press, I’ve been running a stack of old prints through the machine. It clears out a bit of the ink, which means I’ve got less of it to clear out. Some of these overlay prints and images make lovely prints on their own, case in point- this brown over pale pinks and blues with a blind embossing of the word REFLECT.

Continue reading →

I wrote about the idea of paring down my necessary tools for holiday travel on my Ko-fi page. I took with me a sketchbook (always), a selection of recycled trash printmaking plates, a pencil, a sharpie, an etching needle and a craft knife. With this selection of tools I created a few plates to work on when I got back to my studio, and I started to carve them while I was away.

I have written before about how I find limiting the choices of my tools liberating and invigorating.* What I took with me was the barest of supplies, and frankly I could have limited myself further- just the recycled plates and a sharpie, and left the carving and etching for home. The limited choice felt liberating. I wasn’t focusing on capturing the fine details of each image, instead I marked the areas of the plate- add glue here, scratch with sandpaper here, try glue resist here. I focused only on capturing the idea of the image, not the details, knowing I could add details later.

It was invigorating and sparked my creativity in a whole new way.

When I arrived home I continued to etch and carve the plates, adding in glue, and glue resist, and also some tissue. I scratched and sanded other areas. In the end i ended up working on 4 plates on and off in the evening and gathering more mental info for more plates.

I have to wonder about limiting choices for increased creativity, whether one is traveling or not. I am often inclined toward gathering new materials and tools rather than limiting. 99% of the time I’d rather add a tool than eliminate a tool. But, limiting my choices for tools led me to thinking about the tools I would use. When I throw my entire toolbox at a project or a plate sometimes it looks muddy and less the image I imagined. I like to think of these images as motivated by the tools and not my creativity.

Trash printmaking is already a limited technique- one must remove the plate from the trash for it to be a trash printmaking plate. The plate itself is limited when compared to say a sheet of copper or even collagraph plates like museum board. Sure you can glue it to another sheet of card, or add more layers to it with glue or acrylic paint, but there is always an unknown quantity to the trash plate.

I think if you reach a block or hiccup in your creativity that limiting your supplies to the bare basics for a few days might unlock something. Alternatively, add a new supply or technique to your tool box to see if it unlocks your brain. Continue reading →

Organizing chaos might be my new band name. I’ve spent a great deal of time over the last 2 weeks in a print shops that was “put to sleep” at the very start of the pandemic. You really can’t do letterpress via zoom.

Then over the pandemic the space was unused, and like all basement rooms, things filtered in “for now” but ended up staying forever. There there are supplies that I just don’t know what they are exactly. I’m sure if I searched I’d find an answer, but some stuff is unlabeled. If there is one thing I’ve learned, I will label everything I open. I’m thinking about purchasing a massive box of zipper bags just for that purpose, or hell paper bags. I have no idea what the soft rubber sheets* with glue on one side are, but they are cool, and we’ll try to print it!

I found excess project pieces in odd sizes and an entire package of untouched Baltic birch from Mclean’s. If you know, you KNOW that made me SO happy. I also found an assortment of monoprint plates and plastic drypoint plates. Plus loads of inks for monoprinting.

I keep writing “I found,” as if I discovered these supplies on a wild adventure, and in a way I suppose it has been. In part it is a discovery of all the history of all the folx who have run this print shop. While I’m not officially running the shop I am turning it into a space of therapy. Continue reading →