Author Archives: leslie

Review: Some Thoughts on Watercolors

I’ve bought a bunch of different watercolors from Grumbacher Academy to Winsor & Newton. My favorite travel watercolor set is a Cotman 12 pan set. The colors wet easily and lay down nice saturated colors. It was a  great value to get 12 half pans of color for around $20.

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I’ve since focused on purchasing tubes of color to replenish emptied tubes and adding a few extras. I’ve tried to buy a few different brands. If you’ve got an AC Moore or Michael’s near you, getting a tube of Winsor & Newton Artist watercolors with a 40% off coupon is a pretty good deal.*

My usual rant with any art material is that you get more out of artist’s grade than student. Why? They tend to have more pure pigment and less filler and that means you get more color out of a 5ml artist grade tube versus a 15ml student grade tube.

I’ve purchased a few tubes of Holbein watercolors at Artist & Craftsman as they’ve been having a sale. The 15ml tubes are a little pricier than the usual 5ml tubes of Winsor & Newton colors that I buy but it’s also 3 times the amount. The colors are intense.

The first time I sprung for a tube of W&N artist grade watercolor I was shocked at how much more intense the color was than Cotman and Academy colors. I was also surprised at how easily my damp brush picked up a lot more color than with Cotman. The “rewetting” ability of W&N over their own Cotman student grade colors was surprising and delightful. Creating an intensely colored wash was much easier than with my cheaper colors.

Now that I’ve discovered Holbein I’m feeling the same way about them as I did about my W&N artist grade colors. I feel like I’m getting more bang for my buck out of these slightly more expensive tubes of really intense color. So far I’ve bought a tube of indigo, turquoise blue, and sepia. All 3 colors perform flawlessly and wonderfully on everything I’ve tried them on so far. The Holbein turquoise blue is a very different shade than the Cotman turquoise. Since I rather like the color of the Cotman turquoise I may end up buying a new tube of it, but I have to say that I’ve been quite spoiled with the Holbein paints.

That being said I also tried out a tube of Van Gogh watercolor. These are larger sized tubes of color that are considered student grade. The VG colors had something going for them- they rewet on a palette like nobody’s business. A swipe across a dried out blob of red oxide brought up a fully loaded brush of intense color. These tubes are moderately priced around $4 a tube and come in sets. I’ve not tried their pan colors but the tube color is very well behaved and an excellent value.

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Wordy Wednesday: Cult of Tutu

I followed a link to an art journaling blog where I saw yet another female artist in a tutu. Afterward I tweeted the statement, “To be a mixed media artist do you need to wear a tutu? Or even like them? NO!”

To be blunt, I don’t get tutus. They are made out of plastic scratchy material, the same stuff the exfoliating bath poofs are made of and I can’t imagine they are comfortable.

I’m not saying I’m down on it, I just don’t get it.

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What I wear doesn’t define me as an artist. My clothing isn’t a statement. I’d rather my art make the statement. I’m a jeans and t-shirt kind woman; I like cotton, wool and other natural materials. I look for comfort while I create. I don’t need something outward to help me find my inner creativity. I know that some people enjoy costumes*and perhaps that is what the tutu is about. Using costume to find that inner well of creativity, capturing lost childhood insight, or perhaps these ladies really enjoy wearing a tutu. It is not my place to yuck your yum, but I can say that I don’t get it

I also have to wonder, other than Salvador Dali, would you see a male artist wearing something like a tutu? In part I’m somewhat uncomfortable with the idea that female artists have to dress up and play a part to sell their art. Peddle their wares like a carnie, “Win your lady a stuffed teddy bear here!” “Strong man competition, ring the bell, win a prize.” “Hooooot sausage and peppers, fried dough, cold lemonade”

Tutus and tiaras, 2 things you’ll never catch me wearing.

 

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Technique Tuesday: Faux Ink Wash

A technique that I’m asked about on  a regular basis is how I get that watercolor effect with my ink drawings. First I start out with a regular ink drawing like the one below. If I know I’m going to use this technique I try and use inks that don’t dry waterproof, eternal or bulletproof.

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The next step is to use a waterbrush to pick up ink and move it around on the page. It takes a little practice to get the “right” amount of water and ink to get the value/tone you want but after you get the feel of it, it’s effective.

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Salem Common and the Super Moon


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Originally uploaded by lessherger

Sometimes OI forget that art isn’t just about locking myself away and creating it’s also about interactions with people and places. I went out with an old friend this weekend, had a few beers at a favorite watering hole and then walked Salem Common and talked. We happened to go out on the night of the super moon. So we both took obligatory pictures.

And here’s mine!

Review: Rhodia Webnotebook aka Webbie

Stephanie of RhodiaDrive hooked me up with Karen of Exaclair, the American importer of several very fine French made stationary products so I could do some reviews. I received a box in the mail and I felt like a kid at Christmas. There is nothing quite like opening up a box of sketchbooks to get my heart racing, well pen products would be a close second. Anyway, one of the products contained in that wonderful box was a Rhodia Webnotebook. It’s the larger size, 5.5×8.25 inches (I14x21cm) with blank cream colored pages. There are 96 sheets or 192 pages.

When I first opened the covers the color reminded me of oak tag; creamy, warm and lovely. The paper is 90g (roughly 24lb) which seems kind of thin when you’ve been working on 140lb watercolor paper for the last few months. When I ran my hand over it felt glassy smooth. Clairfontaine paper is known for this feature and is sought after by people who use fountain pens.

The cover is black with the Rhodia logo inset into the center of the front cover. Like all notebooks of this style there is an elastic to hold the whole thing shut. The plastic/vinyl of the cover is soft, like fine leather. I have a journal made of deer hide and the feel of this pleather rivals its softness and feel. I handed the journal to someone to check out and she actually said “Ooohhh, that feels nice that feels really nice, what is it?” Like, leather the cover does show greasy fingerprints, unlike leather those greasy fingerprints wipe off with a damp rag. Yes, I tested this by eating French fries at my desk and picking up the journal and having to wipe it clean.

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Wordy Wednesday: Spring Fever

I’ve been making a ton of art lately. I was talking to a friend of mine about how the art gets in your head and forces you to consider it all the time. For instance I walk my dogs and think I should bring my camera in case I see something cool that I might want to take a picture of because it might possibly someday make a good watercolor. My dogs hate walking with me because I’m constantly staring at stuff.

For instance, down the street where the VW place used to be is a giant backhoe. It’s big yellow, blue and white with bold red lettering. I’ve shot a bunch of pictures of it, while trying not to trespass, and yet not caring if I do. Why? Who knows? Will I ever make art using the pics? I have no clue.

I go through phases like this where everything is intensely about art. Later I’ll have a phase where all I do is write but the writing is all about art. There are swings. It’s okay to have swings. It’s natural. Sometimes the swings are from media to media mostly it’s between art and writing.*

This dismal grey winter was a bit much and I’m glad it’s over. I’ve talked about spring fever with my art friends and we’re ALL feeling it pretty intensely this year. I have to wonder how other people are dealin with their spring fever, am I the only one who sees a giant increase in art making right now?

 

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Monday Art Observations: Rules Smooles

When you go to school for art your professors tell you about all the stuff you are supposed to do, you know, the all important rules for making art that lasts forever. And then there are the rules of composition, color, design and everything else. Every professor has a set of rules that vary slightly from the other professors and of course their rules are the “right” rules. It’s all this hogwash that makes art school tiring and yet fun.

It’s good to learn rules about safety, like, don’t smoke while painting with oils. Holding your brush in your mouth is a bad idea, and generally speaking pointing your watercolor brush with your mouth is both grotesque and unsafe.

then there are the rules that my professor used to bark at me (with love) “Herger, preserve the white of the page!” “Watercolors should shine!” “Adding white to watercolor makes it gouache!” “Letting your gouache dry out turns it into crappy watercolors!” “Work bigger, fill the page with color, but for god’s sake preserve the white of the page.”

Sometimes the rules contradict one another.

Sometimes you have to ignore the rules.

Sometimes following the rules makes great art.

Conversely sometimes ignoring the rules makes great art.

That brings me to my Monday observations about my art making over the weekend. Jim’s barked rules have stuck with me. granted I ignore a good deal of what he said, after all I don’t approach a watercolor with a clear outline of color, order, and direction; instead I focus on light and dark and the colors I feel at that moment. I had a 40% off coupon to AC Moore and wandered in, planning to buy a depleted color and found myself not liking their selection, when I saw the Liquid Mask. I figured what the hell, I may as well try it. I haven’t used liquid mask since college, when I borrowed a friends for an assignment.

Dutifully I sketched out my subjects and then filled the areas of white with mask. I proceeded with my paintings as normal. I applied my washes and layered on colors. I applied indigo heavily and loads of payne’s gray. I let them completely dry…

Then peeled off the mask.

I hate the pristine white. It seems out of place with my messy watercolor technique to have these sharply white areas among pools of wet into wet color and layered colors. So I’m going to put pale washes of color over them, so they fit in.

See, sometimes the rules just don’t work.

Review: Quo Vadis Bookmark

This week’s review is a little different. I’m reviewing, drum roll please, a bookmark. Wait, don’t go away. I promise, it’s a special book mark, so special in fact that it’s simplicity made me over look it when I opened my box of goodies from Exaclair.

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The Quo Vadis bookmark is a 5x 1.75 inch piece of cardstock coated in plastic with a brown and tan elastic loop attached. Non-descript and utilitarian in appearance as some of the best ideas are. The brown and tan is not pretty, a nice black elastic loop should be something they consider on their next run.

Simply you hold your place with the bookmark and loop the elastic around your journal to hold it shut. Ridiculously easy and remarkably efficient.

 

 

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You know how I said my miquelrius notebook was going to fall apart before I was finished with it? Way back here? Well it is, and I’m not even half finished. This bookmark holds it together, with ease. It also holds all the stuff that I’ve stuffed it within it. Nothing falls out. The elastic is remarkably secure, adapts to a variety of journal sizes and is cheap. You can get one here on GouletPens.com* for $1.50. I’ll be ordering a bunch with my next order. Brian even did a little video on them here.

Seriously, if you are ordering ink or paper, add one of these little wonders to your cart, you’ll thank me later.

Read another review of them here.

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