Category Archives: Inspiration

Out of the Can Thinking

I've been watching some old episodes of Julia and Jacques Cooking at Home on Hulu. I grew up watching Julia Child on PBS. PBS being one of the few channels that came in and was approved for me to watch. I credit a lot of my enjoyment of cooking to both my Mom and ravenously watching Julia Child's shows.

One of the things I notice as I watch J&J:CaH is that Julia rambles on quite a bit about how Americans are afraid of their food and how the diet industry is winning out over taste. Secretly, I could watch these shows over and over again.

Julia has a good lesson for us, and it applies to art. We can't let the industry win in dictating what we want and how we want it. Child's recipes for successful tasty dishes included fresh and basic ingredients combined in ways to create layers of food, she poo-poo'd using canned foods and already made stuff. She stated over and over, "It's not hard, the recipe is a guideline!" Art and art journaling are no different. We should be demanding the basic ingredients and supplies we need to make our art and not canned supplies. After all it's not hard to customize and create your own stuff if you only

Dede and Eveline are a prime example of taking a recipe and making it their own and taking it to entirely new heights. Dede put out a challenge to Eve that she make Tim Holtz's 12 Tags of Christmas without using his voluminous list of supplies. Eve took up the challenge as did Dede. their results are nothing short of spectacular. Out of the can thinking at it's finest.

The art and craft industry responds to demands, but as it's a big slow and lumbering machine full of people all trying to get the NEXT BIG IDEA and thus the next big paycheck. The lumbering machine hears about art journaling, tries to figure out what it is, there are big IMPORTANT meetings in board rooms to try and figure it out, there are more meetings in board rooms, and hapless cogs in the machine are sent off to investigate ART JOURNALING. They know nothing about it, they watch a few youtube videos, read a few blogs, and maybe a few of the more intrepid cogs join AJNing. They take some notes, maybe even dabble in a little art journaling and finally something like the Smash Book is born.

Now, thousands of people will be introduced to Art Journaling via the SmashBook. It might even be a decent product, but it's not what I consider a true art journal. It's an interesting concept and an interesting way to finally grab hold of a potential market. Hey, it's even got it's own special glue stick, color coordinated tabs, and a hundred other things to buy to go with it. ARGH!!!

Go simple, buy yourself a sketchbook, a cheap one, a few markers, maybe a cheap set of acrylics or watercolors, and start splashing shit around on the page. Try stuff, watch some videos on youtube get a few recipes but for goodness sake don't be afraid to only use it as a guideline.

 

Weekly Round Up: Videos

This week's videos are late because I had an Art Adventure on a super warm winter day! Cappuccino, breakfast sandwiches, walking around the city of Salem, and of course sketching. (Also planning for a new secret project or two destined to hit awesomeness this coming summer.)

So here you go this week's videos:

 

 

 

 

 

 

 

Journal Flip: Moleskine #3

I started this journal the spring before I found out that a family member was going to need emergency open heart surgery and have her aeortic valve replaced. I found out that August and the surgery occured in November. Not long after finding out I ordered a new journal, the happy summer drawings and paintings didn't seem to fit with the down and somewhat sad theme that seemed to pop up.

I've never bothered to go back and fill the remaining pages. I don't think it would fit with the journal. Sometimes it's time to simply move onto a new journal and start fresh. It's okay to simply move on.

 

Papers I’ve Been Using

I've been testing out a variety of papers for my automatic drawings. I'm not being very scientific about this, just trying things out with my style of working. I have done a large amount of them in a Canson Universal Sketchbook. It's a great sketchbook, the paper is sturdy and accepts light washes with ease. The paper cockles when I use more watercolor. With ink it's perfect.

Papers I've Been Using

So I taped down some pieces of Canson XL Bristol. I like this for ink too, in fact of all the papers the ink really pops off this page. It's bright white and after watercolors dry the paper is smooth and flat. It's really great but I didn't like how watercolors behaved on it's surface. It was absorbent and dried very fast.

Papers I've Been Using

Next up I tried another Canson paper, Montval, not or rough watercolor paper. It's one of my favorites with watercolor. I love the nooks and crannies of it's rough surface, it makes watercolors blend in amazing ways. Ink also looks great on it, but the pen tends to skip across it's surface. It's a little harder to draw on than the other papers. When it dries, it's perfectly flat.

Papers I've Been Using

Papers I've Been Using

I think what I'll end up using is a cold pressed watercolor paper. The hard part with this whole thing is that I never know what I'm in the mood for, I let these images grow organicly and the end result is that I never know if I'm going to cross hatch the hell out of an image or flood the page with watercolor, so I need something that can handle both.

Watercolor Play Experiments

I've been using watercolors for close to 20 years now. It's crazy when you thinkg about it. The first 5 years or so of using watercolors, I hated them. I used them primarily to add a toned color to a sketchbook, large flat washes of one color, let it dry then draw. Lovely.

Then about 10 years ago I decided I was going to master them. I never did. What I did do is learn how to use them better. I learned how to layer colors, be patient and let one layer dry before floating another over it.

I also learned to love the happy accidents, like the things you see in my current videos.

I learned to give up control and get beutiful results.

I get messages on youtube where people ask me, "How do you do this? Where did you learn this?" The video below is my answer.

 

The truth is, you have to give up control. You have to be willing to get something ugly to get something that really is beautiful. Sometimes in the midst of the ugly is just one spot that speaks to you and will motivate you to create more. Then you try again and again and again and find more beauty, and beauty in colors you'd never have combined before.

I don't usually use the word play, I prefer experiment, test, and try. The truth is that when I use those words with other people they give me a look like it's scary. If I cay play, suddenly we're out of science class (I forget I was a geek and loved science class.) and back in the area of playful experimentation where we can leave behind our concious thoughts and truly try things out. So get in there and play.

Work in Progress

I've been working on an art piece for a family friend over the last few days. The first part of the process was getting my first idea onto the page.

Work in progress

Then I did a little research and looked at a lot of photos of lotus flowers. I sketched out more ideas from there.

Work in progress

Work in progress

I looked at the sketches I came up with and picked the best looks out of each one and combined them into one full sketch.

Work in progress

I sketched that out and then added ink to the page and then put in the first layers of watercolor. I purposefully made the colors pale.

Work in progress

The colors are a touch too warm in this image but I added another layer of the quin magenta. I think the person it's intended for will really love it.

Review: Exacompta Plain Journal

Test

 

Test

I was given the Exacompta plain (unruled) journal to review by Karen and Stephanie of Exaclaire,the US distributor for Clairfontaine and a variety of other French stationary products. I like to put journals through a few paces before I do a review and since it took me a full year to get through my last journal, it’s been awhile.

The paper is off white, a very nice cream color that I really like a lot. The paper is laid textured on one side and much smoother on the other side. For some this would be a detraction, personally I like it very much and feel it opens the journal up for a variety of media I wouldn’t normally consider. Dry media does much better than expected- things like charcoal and soft pencil really like that laid texture. Though it is textured fountain pens love it’s surface.

Test

Wet media also does admirably on this paper. I was pleasantly surprised when I soaked the paper down with water and color that it held up. It didn’t just hold up, it out performed the luxury of the Rhodia Webnotebook. When it dried the wrinkles (cockles) relaxed. While the paper is not perfectly smooth it’s less cockled than I’d have expected. I was able to lay down a nice wash of watercolor on BOTH sides of the page and have not one drop show through or soak through to the reverse side. That is pretty amazing.

Test

Even my wettest writing pens don’t soak through. Occasionally you can see dark colors through the pages, but that is the case with most any journal. I’ve painted pages with ink and it doesn’t soak through to the reverse side, which again, is pretty amazing. I haven’t been interested in doing any collage in this but I’m sure it would take to it well.

In summary:
100 Laid Textured Ivory pages 100gsm
5.5×8.5 inches
Ribbon Marker
Soft Covers with a fabric spine, meant to go inside a leather cover, many companies make them
Price $15.50 at gouletpens.com

It handles wet media like a champ and is wonderful for a fountain pen. Pencil does amazing textural things on the textured side but doesn’t smudge as much as would be expected on the smooth side.

Exacompta 1
Exacompta 2

It’s not cheap but it’s a better value than the moleskine sketchbook, it’s got more papges that behave better and respond better. I’d rate this 2 happy thumbs up and would recomend it to anyone looking to get a nice journal that they can write in, sketch ink, test watercolors in, and abuse.

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