Christie’s highlighter* broke so I used that as an excuse to order a few samples of ink and a full bottle of Private Reserve Electric DC Blue. Private Reserve is another American ink company that seems to specialize in colorful saturated inks. I’ve been impressed with all of the samples of ink I’ve purchased enough that I’ve gone on to purchase 2 different shades of blue- Sonic Blue and the Electric DC Blue(EDCB.)

The sonic blue borders on teal but is really a lovely saturated blue black ink. It’s sedate enough for pages of writing and sketching but interesting enough that people will wonder what shade of ink it is but also professional enough no one will judge you on your ink choice. I’ve been using this as a sketching ink for a few weeks.

Way back in the dead of winter I ordered a sample of the EDCB. Right off the bat I was in love. It’s a dark midnight blue that in a wet writing pen with the right paper has a red sheen. It is amazing. Not only do the dark areas of a sketch look deep and dark but they also pop with a mesmerizing red. I have to say I’m a sucker for the red sheen. I’ll see if I can get some pics of this, it’s amazing.

I also purchased a sample of Noodler’s Bay State Blue. How could I NOT buy a sample of one of the most controversial blue inks in history? Preliminary results? Meh. It’s a nice solid bright blue with a hint of magenta in some light and on some papers. Maybe it’s because I’ve got it loaded into a EF Noodler’s Nib Creaper pen but I really don’t see what the hub bub is all about. It’s bright and it’s blue and there are ten tons of controversy surrounding the ink. The worst truthful controversy is that it doesn’t mix with other inks and it stains pens and possibly sinks. The only thing I can report about is that yes, it does stain skin, I got a small amount on my fingertips and well, they are stained, but it’s no worse than any other ink.

I’ll get a proper review of the inks up at some point with a few pictures.

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I’m one to admit when I’m wrong, and my initial review of the Picadilly sketchbook, while accurate was incorrectly negative. I have grown to adore the Piccadilly sketchbook precisely for all the reasons I hated it. It’s worthless paper and cheap construction are in this case benefits. Sure the paper is about as absorbent as toilet paper and drawing on it with ink is a cockling nightmare and too much ink will soak through. That absorbency forces me to work fast, loose, and with little care.

THAT is exactly what a sketchbook should be- worthless until it’s filled. The inexpensive nature of this sketchbook is what makes it perfect for sketching. It’s $6 (or was it $5) give me little pause when I simply turn the page when I hate a sketch or it doesn’t turn out right. I flip the page and move to the next. I leave the bad behind and start working on something better. If I only spend 5 minutes on  a page, who cares? The sketchbook has 100 pages of crappy paper. Move on.

I’ve filled dozens of sketchbooks over the years, some with great wonderful paper, stuff that was a joy to work on. Stuff that came out to 50 cents or more per page. I’ve filled my hand bound journals with expensive and cheap paper.

This little sketchbook in its inexpensive glory caused me to work with abandon and that is it’s secret perfection.

I like cheap, who doesn’t? When I was in college a decent black sketchbook was expensive. I used to seek out plain black spiral bound sketchbooks for my notes, ideas and sketches. A favorite was Utrect 6×9. Small enough to be shoved into a bag, inexpensive enough I didn’t mind taking class notes in my chicken scratch or testing out materials on its pages. All in all they were what a sketchbook should be- inexpensive enough to not care too much about its safety but something that eventually became precious and meaningful through its use. To this day I still look for plain black spiral bound sketchbooks, though I loathe spiral bindings and detest perforation.

While thrifting I headed to my local Ocean State Job Lot. It’s a surplus and salvage store where you can find brand name irregulars to junk from closed out stores. Sometimes you hit a massive score and sometimes you find nothing. One of the interesting things that they always carry is a line called Marseilles Studios. This line of cheap art supplies includes: brushes, paints, canvases, pads of paper, easels and the ubiquitous spiral bound black sketchbook in a variety of sizes. Given that they are based out of Providence, RI a selection of super cheap art supplies is not surprising as it's also the hometown of RISD.

I purchased the 9×12 inch sketch book for a total of $4.99 plus tax. Inside are 80 off white 65# acid free pages. The covers are black textured plastic that looks nearly identical to the cover of a moleskine. The covers are hard and pretty stiff. I did manage to damage a corner by tossing the bag into the car rather roughly. The spiral binding is somewhat weak as well, as that dented with the toss. This is a minor gripe. Keep in mind my dislike of spirals. (Compared to the Picadilly spiral this is noticeably softer and warps more easily.)

The paper is textured. Visually it looks pretty rough for fountain pen use, but while there is feedback with the nib. It wasn’t unpleasant using a pen simply noticable. An interesting thing to note is that there was no feathering on this paper, with any ink, even the less well behaved inks I adore, like Noodler's Nikita. I was rather surprised about that as absorbent toothy paper usually feathers all over the place. With pencils this paper was great. The toothiness of the page really allows for deep darks and light lights. I tested a few watercolor washes on the page. The paper is VERY absorbent. I was able to blob watercolor on the surface but blending or lifting after putting it to the page wasn’t happening. The color soaks in and stays put. The color is not intense because of the absorption of the page. While using the page the paper did cockle, like crazy. As it dried the cockles relax and aren't noticable.

I didn't test it but can tell that the page would take gesso

The pages are perforated for easy removal. BAH! I hate perforations. They have no place in a sketchbook! The good and the bad should stay! One good thing about these perforations is that they aren’t very good. When I was tearing the test page out it simply tore at the rings rather than at the perfs. So I won’t be losing any pages to the perforations.

I’m nearly finished with the Picadilly sketchbook* and can’t wait to put this one through it’s paces. Hell for $4.99 you can’t really go wrong. I was only able to find it online from one vendor and as I don’t know the site I’d rather note link to it. Using your Google-Fu I’m sure you’ll find the same vendor as well as others.

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