Category Archives: Review

Review: Kikkerland Retro Pen

I tend to wax philosophic about higher end writing instruments while stating “You can make art with anything!” I also write more often about fountain pens, since fountain pens are a passion of mine and I enjoy using them I tend to shove that love into everyone’s face. In some sense I think that if you try a FP you’ll love it, but the truth is that sometimes, a ballpoint or rollerball pen will do just fine. My next few reviews are going to focus on the lower end of price spectrum, while one is for a fountain pen, it’s one I think is worth reviewing (but that’s next week.) This week it’s all about the cheap, old fashioned, clicking ballpoint pen. If you are of a certain age you remember a time when businesses handed out pens with their contact info on them. My Grandmother always kept a cup of them handy near her phone. Because we lived in the country and we frequented places that sold feed and seed a good number of them were for that sort of location. The gas company, gas stations, electric company, and other places handed these out. At one point you could order the Bic Clic or Papermate pens in school colors. These pens were ubiquitous. They were the business party favors from the 50s to the 80s. In the mid 80s everything switched over from the refillable click pen with a metal clip to the Bic Clic Stic. You can still find the old metal clip Bic Clic online, if you want to order 300 of them you can get them for about 75 cents each, less if you order more. Well I don’t have about $200 laying around to buy cheapo pens, but I did have $6.

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Kikkerland, the company known for selling the SuckUk and as being the former districbutor of Moleskine in the US, sells “Retro Pens.” For about $6 (less if you have an artist and craftsman near you) you get 5 made in China old school style click pens. They arrive in a hard plastic box, that is useful for storing the unused pens.

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The five pens are mixed colors of dusty blue, cream, grey, green and black. Each pen has 2 colors, again a nod to the fact that most of the advertising pens you could buy had 2 colors with an imprint on the bottom half of the pen. In the middle of each pen is a slim metal ring with a matte finish. The clip and knock are the same matte silver metal. The clip is printed KIKKERLAND. The plastic is smooth and shiny. I noted a few scuff on each pen from being tossed about in the plastic box, but nothing that I really cared much about, considering this is a $1.25 pen.

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The point deploys via a satisfying click from the knock. The point itself has a very small amount of wiggle at the tip. It isn’t noticeable as I write and draw. The knock does flop around loosely after the tip is deployed, but not an issue if you aren’t a pen spinner or jiggler as you think. Again it’s just not noticeable if you are writing or drawing.

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So, how does it write? Not bad. As far as cheap pens go, it could always be improved with a better refill. But straight out of the box it does okay in writing and drawing. It flows smoothly and evenly. It also has what I call the ability to create a “sensitive”line. Which means it responds to the pressure I use as I draw or write. Low pressure= light line higher pressure= darker line. For the style of drawing I’ve been doing this is very useful. The ink is nice and dark.  Do I think i’m going to be drawn to start taking class notes with this pen? Probably not. I’ll keep using my fountain pens and gel inks for class notes. I got these specifically to draw on the subway and train. For that purpose they are wonderful.

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I have to say that the variety of colors is nice, especially if you are into matching your pen to your notebook/journal cover.

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You can get these on Amazon . You can also buy retro or vintage pens on etsy. Sometimes the sellers have rehabbed the pens to be in working order, and others you can get a few pens that need work or a new refill.  IMAG1490
  You can get refills on amazon or almost any office supply store. These are new pens so I haven’t messed around with refills yet, but when I do, I’ll keep you updated.

 

I've been using one of these non-stop for a little over a week. I've been putting it through it's paces as my EDC pen and thus far it's performing admirably well. While it's not as tough as an all metal bodied pen, I'm decidedly NOT careful with it. It's been getting shoved into my back pocket with my notebook and sat on, walked around, and generally abused. It's really getting the ass end of the deal… Anyway, sophomoric humor aside. The point is a little scratchy at a couple of angles. If I rotate the pen, the scratchiness disappears. This is, I think a function of the cheap refill. Which I've used over half while nearly continuously writing or drawing over the last week. I suspect that in another week I'll have killed the refill. As I've learned, I use a lot of ink. I might have to go hit up the refill display at Bob Slate again…

 

 

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Ghosts of Bay State Blue

While I can say I've never been a big fan of the color that is Bay State Blue (BSB) I've never been a detractor either. Even though it stained my pen, sink and hands I shrugged my shoulders andfigured whatever, to each their own. I like Private Reserve Electric DC blue. Not everyone likes that.

I ordered one sample of BSB in 2011 and used it prretty much straight away in a Noodler's Nib Creeper pen. I  used most of it in a Rhodia Webbie. I noted that there was some show through and some bleed through, but not all of the time. I used it for journaling and for drawing.

Like my Fisher Space pen in red, it ghosts after a few years. What is ghosting? When an ink migrates through to the reverse side of the page and you can see a "ghost" of the image on the front. The ghosting with the Space pen red was dispersed and faded, very pink. Also each line had a halo of ink that had migrated away from the original lines. With the BSB The migration to the reverse of the page is intense and amazing. The original drawing or writing can be viewed (or read) in detail. I can see a slight haloing on the fron to fhte page. If I had filled both sides of the page with BSB it would no longer be legible.

Can anyone else report this effect?

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Review: BanditApple Carnet PeeWee Notebook

I realize that I’ve been writing about the BanditApple Carnet notebooks for a year or more and I haven’t reviewed them. It’s time to fix that.

 

The BanditApple Carnet notebooks are available in 3 sizes: Handy (MTN size 8.5×4.33inches), PeeWee (3.5×5.5 inches), pocket book (4x6inches). They also offer a planner in the peewee size. The covers are available in red, green, tan and black. Inside you can get plain, lined, or gridded paper. This review is on the peewee plain, but they use the same paper inside all their notebooks. Some of the books have rounded corners and some do not. My most recent plain notebook with a tan cover had square corners. My previous black PeeWee had rounded corners.

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They feature a machine stitched binding using heavy weight cotton thread. I’ve been using the PeeWee size for a couple of years now and can say that the binding doesn’t look worn on any of my notebooks. It doesn’t matter if I’ve carried them in a cover or naked in my back pocket. The notebooks are very sturdy and stand up to abuse. The covers have a lovely texture and the color is sold  throughout. The cover is plain, featuring no adornments, not even a company logo, rather that info is on the clear plastic sleeve that makes up the notebook’s package.

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Inside the notebook are 64 pages of 80gsm “heritage” paper that is off white in color. I don’t know what heritage means other than “awesome.” The paper handles everything I throw at it from fountain pens to brush pens to light watercolor washes, and has the additional benefit of being lovely with pencil. This paper is amazing sketching paper for the price. I rarely get any bleed through. I’ve got one Japanese calligraphy brush pen that soaks through, but it soaks through every paper I own. It is also rare that I’m able to see through to what I’ve drawn or written on the other side.  The paper isn’t super smooth but gives just enough feedback with a pen to be nice. With a brush pen the pages don’t wrinkle, but with light watercolor washes they wrinkle a small amount. Not enough that i’m bothered by it, but I mention it because I know some people are bothered by wrinkles.

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The big drawback to these notebooks is that they are only carried by a few online vendors and I’m not able to find them in person at all. Goulet Pens carries them as does Zeller writing company. But, it looks like Zeller has them on clearance. You can order a sample directly from the company in Seoul here. Turnaround time is roughly 3 to 6 weeks, I had mine in 4. For $3 you can’t go wrong.

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The price for the 64 page PeeWee notebook is $3.50USD, roughly the same price as a Field Notes or Moleskine Cahier but with significantly better paper and more pages.

 

If you are outside of the US you can find a vendor on this list.

 

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Review: Tombow Mono Zero Ultra Fine 2.5×0.5 mm Eraser

I love click erasers. I enjoy their plastic housing that holds a cylinder of wobbly eraser safe while I use the knock to ease out just a small amount of eraser. Inside the plastic housing the eraser stays clean, ready to clean up my drawings. Mostly, these click erasers work really well but are not all that easy to use to clean up detail areas. That is, until I picked up the Tombow Mono Zero rectangular ultra fine click eraser. This thing has a tiny slip of eraser, it’s 2.5×0.5mm in size (3/8×1/8 inches). In other words tiny.

IMAG1456The housing is also small. It’s black with a small tip of metal at the business end. The knock pushes out 0.7 mm of eraser per click. The eraser is Tombow elastomer eraser. It’s white plastic and the “crumbs” stick to one another and ever so slightly, the page, eliminating a lot of eraser mess. The crumbs can then be swept away with a soft brush or the side of a hand, depending on your preference. (A perfect use for those useless fan brushes IMO.) (This eraser also comes in a stainless steel or shiny metal looking body.)

 

This isn’t going to be the eraser you use to clean up large areas of page, rather this is going to be the eraser you use to clean the whites of the eyes in portraits, or reflections on glass. This is the eraser you’ll use to take care of the details. It might also be the eraser you use as an everyday carry with your pocket journal. This has been my use for this diminutive eraser. Because it is incredibly small and light weight I’ve been clipping it to the cover of my pocket journal and using it combined with a 2B mechanical pencil for sketching. The little eraser has been quite a workhorse for me. Cleanly removing pencil from the pages of my Field Notes and BanditApple Carnet. For small pocket sketching it’s been top notch.

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As for cleanliness of the erasing, it does well on smooth paper. In Field Notes and BanditApple carnet minimal ghosting was apparent. However on rougher paper, like the Staples sticky note, which is quite rough, ghosting is apparent. Is it bad enough to not get one of these erasers? I don’t know. If you work on rough paper with graphite you might want to go with a rougher eraser, like the Papermate Tough Stuff  Eraser Stick.

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While we’re at it, let’s talk price. I was able to pick up my eraser at Artist & Craftman for $5. I also bought a pack of refills for a few bucks, bringing my total to about $7. That’s pretty pricey, but I had been eyeing this eraser for a few months and in 2 weeks of frequent use I’ve used a very small amount of the eraser, about 2mm. The eraser is also available from JetPens for about $6 and Amazon for the same. Refills range in price from $2 at A&C to $5 on Amazon. Any way you look at it, it’s not a huge value, but it does a damn good job for what it is. In this case the function of this eraser makes it a worthwhile investment.

Over all, the minute form factor of this eraser is what really makes it worth the cash. Most other click erasers are encased in so much plastic that they are ten times thicker than the eraser encased inside. If you are putting together a pocket sketching and journaling kit, size matters.

Review: Parker Quink Gel Ink Refill

A few months ago I won a Retro 51 Hex-o-Matic retractable pen. The pen is perfect for sketching while I’m on the T. With all the lurching and sudden stops of the T, I’m afraid I’ll jam a fountain pen and break the nib, so rollerball pens work best. I managed to burn through the refill in a short amount of time. After looking around online I realized I needed to look at the refills to figure out what would fit the pen. Basically, I learned it takes standard Parker type refills which are available just about anywhere. I headed into Bob Slate Stationers in Cambridge, Mass to look at their rack of refills and figure out what I liked.

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I ended up buying a package of Parker Quink gel refills and a package of Quink Flow roller ball refills. I’ve not yet tested the Quink Flow refills but the initial testing of the Gel Ink has been quite favorable.

IMAG1433First the ink is very black. The tip lays down a very even line of ink. There is very little skipping. The only skipping I found was when I was writing at an extreme angle and over areas where there were fingerprints on certain paper. It wrote flawlessly in my Field Notes, Staples composition notebooks, and on scrap paper. The only paper it skipped on was my BanditApple Carnet and that only occurred in areas where I’d held the paper in place while drawing, so over my fingerprints. There was some light skipping over pencil line, and only the softer pencil. It wrote well over H and even HB pencil but not well over 2B or 4B.

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Once on paper, the ink is relatively waterproof. I was able to lift a small amount with a waterbrush to get some light shading. Which is really cool but it also means that watercolor washes will lift and be “dirtied” by the ink. I have to say that the ink is neutral black and won’t dirty watercolor that much. I really like the idea of adding a thin waterbrush to my on-the-go kit.

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If you are looking for an ink refill that is a sheer joy to write with, this is a go to refill. I’ve been using it for note taking in my graduate classes. It’s smoothness glides over the paper without skipping or slowing me down. If the Zebra Sarasa is my go to gel ink pen, this is one step behind it. (I’ve recently found Zebra Sarasa refills on Amazon, so I’m now stuffing those into every pen body I own. Sadly, they don’t fit into my hex-o-matic.) I’ve found myself reaching for my hex-o-matic over my fountain pens for the last few weeks, that should tell you how great this ink is for writing.

Anyway, these refills are quite nice, very affordable, and available just about anywhere.

Now you just need to pick a  decent pen to put them in, they will fit into a great number of pens. The classic Parker Jotter, the Retro 51 Hex-o-Matic, and a great number of other pens. I could go on and on about how wonderful it is to have a refillable pen and how much better it is for the environment.

Review: Princeton Art SNAP! Brush

When I paint with watercolors I buy Princeton Art Company red handled synthetic rounds. Why? They hold a point well, survive my abuse the longest, and hold a great deal of paint. Lately I’ve been working with acrylic, and my usual view of working with acrylic is that I should buy the cheapest brush available because I’ll eventually abuse it by leaving paint in it for too long. i’m an acrylic brush destroyer. BUT! lately I’ve been working on things with small details that need a fine point… I’ve reached for my watercolor brushes… I’ve not destroyed any of them YET!

 

When I picked up my “Congrats, You survived your first semester of grad school” gift a couple of weeks ago I also snagged a new brush. Princeton Art company has a new line of brushes called “SNAP!” The rack had 2 sides- one with long handles and the other with short. On each side was a range of sizes at a set price point. 2 and 4 rounds and flats were $2.99 and 6 and 8 rounds and flats were $5.99 and so on. I snagged a #6 round with a short handle and white taklon bristles.

 

The brush is good looking, the handle is painted green and blue and then coated in varnish, leaving some of the natural wood visible. It’s pretty. (in the image below the SNAP! brush is shown with a #6 Princeton Art red handle water color brush as well as a Robert Simmons' Sapphire. Do not buy the Simmon's sapphire brush, it was over priced and has been a horrible brush frm the get go. I could go on and on about how horrible it is, but I'll just leave it at, don't buy.)

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I’ve been using the brush for about 2 weeks.Thus far I’m very  happy. The bristles are snappy and spread the paint well. The point has survived my use for 2 weeks. This is a miracle. I tend to kill points quickly. The white taklon has stained with red and blue pigment but that’s expected with the colors I use.

 

Anyway, I’m very happy with this brush at this price. They are available in multi packs as well, also at a set price and very fair price- I saw a mixed group of brushes for about $11. (I wasn’t able to find a decent Amazon link for this product, they all had $7.50 shipping… for $5 items LOL.)

The images below are some faces on can lids. I used this brush for all of the image. Check out the fine detail you can see in the faces. Again nice point on a #6 round.

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IMAG1388(These images are available at my Etsy shop. Faces on can lids!)

 

As a side note, with the introduction of these snazzy brushes and the new Catalyst tools I think that Princeton Art company is going after the mixed media market in a big way. These new lines of products are perfectly situated as affordable and USEFUL tools for mixed media artists. They aren’t doing it in a cheesy annoying way either. rather than flooding blogs and youtube with annoying ads (or getting bloggers to shill for them (looking at  you Brother)) they have introduced their great products and are letting artists use them and spread the word for them. I like this method, it doesn’t pander to us, or put goo artists and bloggers (looking at you Brother) into positions where to get to use or keep a product they have to copy and paste crappy copy that doesn’t fit the tone of the blog into their blog. You see, when a product is good, like the Catalyst wedge, it doesn’t need advertising copy forced down the throat of the blogger (again, looking at you Brother). A good blog post will write itself, that includes good and bad aspects of the product. /rant.

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Review: Princeton Arts Catalyst Wedge Tools

Phew. My semester, the first semester of my grad school adventure is over! Grades aren’t in yet, but in one of my classes I’m pretty sure I snagged an A. As a sort of congratulations to me gift I snagged a lovely Catalyst tool. I went simple and got the basic wedge. IMAG1397(The color of the tool is more of a cool gray than taupe, can't get the colors right on screen.)

 

Catalyst tools are hefty silicone tools for spreading paint around a page or canvas. the full size tools are chunky and have a nice heft in the hand. The “handle” side of the tool is comfortable and conforms to the hand. The large size is just right for spreading a great deal of paint around a page. It’s about an inch wider than an old gift card on the wide side and half the width on the narrow end.

 

With that in mind, the tool I purchased (W-06) is easy to manipulate and control. With a short session of use I was able to use it to spread a thin even layer of paint or leave a rough uneven layer. I was able to adhere antique paper to the page with gel medium without damaging the paper and leaving a perfectly even layer of medium.

 

I’ve used a variety of other tools- from the procaulking tools (pretty good) to rubber potter’s ribs (not so good) and none have come close to being as useful as my beloved old gift and credit cards. The Princeton Catalyst tool is the first to approach the versatility of the old plastic cards. The first that allows for thin and thick layers. The first that gives me a similar look to my spread of paint over a page, and the first that let’s me manipulate mediums in useful ways.

 

The final great thing? With a bit of water acrylic paint and mediums simple slide right off the tool, leaving it’s surface as clean as the day I bought it.

 

The tools are available in a variety of shapes and sizes. they have a series of mini tools as well as on handles. The handle tools look like funky spatulas. Some have edges that aren’t smooth but have a series of divots in rounded or triangular shapes so that you can scrape shapes into your paints. While I have less of a use for those, I do think they would be VERY useful in mixed media work.

 

I’ve seen the tools in a variety of places, and at a variety of prices. It seems they are between $5 and $8 and the MSRP is $10 for the large wedge tools. I paid about $6 for mine at Artist and Craftman. Which I see as a fair price for the tool. I’m probably going to look into getting the other smooth shape in the future, as well as some of the tools on handles.

(get it on Amazon here.)

Here are a couple of cradled boards I’ve picked up and have started to paint. I’ll be adding something else to the middle, probably a face. But you can see how perfectly the tool worked. The way the paint spread is very similar to my usual tools. Very happy. IMAG1398
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Review: Sargent Watercolor Crayons

I'm a huge fan of watercolor crayons I've tried a number of brands but keep coming back to Caran D'Ache. Why? They are creamy, loaded with pigment, and move with water excellently. They are however pretty pricey at just over $1 a crayon that can add up. When I saw the Sargent Watercolor Crayons I wanted a pack immediately. I couldn't decide between the 8 or the 12 pack. Eventually I went with the 8 pack. They were reasonably priced at $6.67* at Artist & Craftsman.
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IMAG1211They are in a cardboard matchbox sliding box. No fancy tin here. You'll haveto excuse the paint that I got on the box, I had to use them to review them, and that included doing some of my usual watercolor crayon techniques.

The crayons themselves at first are a little stiff, I think the outer layer of crayon has dried out a tad. Once I used them for a few minutes and wore off the outer layer these crayons perform really well. I was really really surprised at how well they performed for inexpensive watercolor crayons. After the initial dried layer the crayons goes onto the page smoothly and looks like any crayon. The color is nice and deep so long as you put enough crayon on the page. The darkness of color can be controlled by how much crayon you lay down on the page. Color lightly- get light color; color heavily and get dark color.
IMAG1214These really surprised me in how well they lifted and moved around with water and a brush. They really needed very little water and brushing to move around well and blend with one another. Really really impressed with their ability to move once wet. Unlike the Staedtler watercolor crayons these moved while wet like Caran D'Ache.
IMAG1210I'm very impressed with this realtive newcomer to the watercolor crayon market. They perform really well for any art journaling need and are signifcantly less expensive than  the Caran D'Ache. Are these archival and lightfast? Probably not. I've not yet tested them. But like any student watercolor it's not likely. They do match the Sargent Watercolor magic liquid watercolors. So color-wise they match, allowing easy mixing across materials.

While I didn't purchase the 12-pack with a "free" brush I did look at the brush, flopping around loose in the cardboard box… It didn't look like it was a very high quality brush, but it would be useful for washes. It certainly looked like whatever point may have been on the brush was long gone. I don't know why manufacturers that include a "free" brush in a box of something haven't learned to put a small dab of rubbery glue to hold the brush in place to prevent damage. Common sense might cost the manufacturer some money.

A new addition to my review will be looking at the material's potential for use in my future art therapy practice, I'll keep it at the bottom of my reviews so people who aren't interested can ignore it, and those who are can find it easily. These watercolor crayons could be used with children or adults with success. They work as well as the "big" brand but at a much lower cost. Meaning, they can be purchased in a plentiful quantity that the client will never feel they are running out of materials and lending a sense of freedom to their use. If giving a client a new box is important, that can be done because the cost of these crayons is low. The crayons are non-toxic. There is, of course, the typical concern that one might have when giving "children's" supplies to adults.

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More Composition Book Stuff

I decided to pick up a few more composition books while they are cheap at Staples. I noticed the made in Brazil books are fewerin numbers and mixed in with the Made in Egypt books. After digging through the stacks I noticed something.

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See it?

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The made in Brazil books are on the bottom and the made in Egypt books on top. The Books made in Brazil have a rounded spine. To find the Made in Brazil books I ran my hands over the spines of the book stacks and was easily and QUICKLY able to find the made in Brazil. Within seconds of figuring this out I have my stack of books and I was in line to pay. It took me a good 5 minutes or so to find the first made in Brazil book.

So all you fountain pen users who lova  a cheap notebook, look for rounded spines. Please note this may only be the case for the Staples branded notebooks as all my other composition notebooks- Mead and Norcom have rounded spines and are not good with fountain pens.

Review Redux: Scribal WorkShop Siren Blue Ink

I reviewed Scribal's Siren Blue ink a few months back. I used this ink almost exclusively in my recent grad school class. Except when my pen wouldn't write because it had dried out.

This is a perfectly colored ink, PERFECT. I would buy this ink in a quart size if only it's flow and lubrication were better. This ink makes my normally smooth pens feel scratchy and like I'm wearing off the tipping. It also makes my wet pens feel like they flow erratically and slowly, making them dry writers. It also makes every pen I've had it in a hard starter, even the pens with air tight caps. Pens that I've never had starting issues with, start hard, and often need water added to the nib to get them going. Frustrating.

Here are a few thigns I've tried:
5ml ink + 10 drops water (poor)
5ml ink + 2 drops dish soap (poor)
Decant 5ml of ink into a small container, add .5ml distilled water and 2 drops dish soap.(winner) This last option makes the ink flow much better but has worse performance on bad paper- more feathering and bleed. But it starts better, though not well or perfectly.

I am considering adding 1ml Camlin turq to 5ml Siren or 1 ml blue quink to 5ml Siren to see what I get. As is, nothing can flow as bad as the Siren on it's own.

I love this ink's color and qualities but damn if I can't keep my pens writing in grad school I'm screwed!

***UPDATE***
Immediately after writing this I mixed 1ml camlin turq + 1ml Quink blue + 5ml Siren. The color is indistinguishable from the original and the flow is better, dry out is gone, and my pens no longer feel like they are being sandpapered. Winner. I immediately mixed up 30ml of this blend. It iwll be my go to ink for school. Now I need another bottle of Siren.