3 Step Sketches

I've been messing about with a trio of pens- the Pentel Hybrid Technica and 2 Pentel Pocket brush pens(PBP), one with black ink and the other with gray. It's been a great combination. For the image below I looked up images on Flickr's Commons page. I happened upon some images from Florida's Archives of various southern ment from the early 1900's, some of whom were Civil War Veterens. I particularly enjoyed this guy.

I started roughly sketching in his face with the Pentel Hybrid Technica (review to follow.) I looked mainly for the large shapes of light and dark, blocking in the dark areas, leaving lights alone. I looked for the edges of things like his eyes, dark shadows, and hair. I used the pen quickly, spending no more than 5 minutes on this part of the sketch.(If I had been doing this a year ago I'd have spent about 10 to 15 min and gone much more slowly.)

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After I'd blocked in the stuff I felt was important I put down the Technica and switched over to the PBP (pocket brush pen) filled with Omas New Gray ink. I was able to quickly put in the areas of lighter shadow and then build more layers upon that to create more darks. I can't over emphasis the virtues of this ink for sketching- the fact that it starts out as a nice silvery gray and gets darker and darker with additional layers is fantastic. It is not light fast, but is perfectly fine in a sketchbook.

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After I was happy with the level of shadows I'd built up with the gray ink I grabbed the PBP with black ink and started to darken the darkest area and add some additional texture with it. The eyes, hair, and shadows were all deepened with this pen.

3step sketches

This pen combination is great, the Technica is great for quick little sketches, it handles being treated roughly quite well. There are some areas where the gray ink will lift the technica ink if I've done really heavy scribbles that overlay one another. It's not noticable in the finished sketch. If you wanted to sketch in pen and ink, these are all the tools you'd need.( I mean, you could add a fountain pen or two, just in case you want another line….)

 

Review: Update Pentel Pocket Brush Pen to Eyedropper

I wrote about the Pentel Pocket Brush Pen here. I suggested in the post that perhaps the pen could be converted to eye dropper fill rather than use the carts. I find that the pentel carts are pretty pricey, though it is awesome ink. They range from $2 for 2 ($2 per cart whoa!!!) to $ 11 for 6! (Jetpens has about the best price I could find.) Converting this pen to eye dropper amount to a massive savings. I found I went through a cart pretty quickly in regular sketching and using the black to fill in the background.

 

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I loaded it up with some Omas New Gray. Which is a nice pale silvery gray that layers well, perfect for sketching. It is not a lightfast gray so it should stay in the journal and not on the wall. I’ve posted here about turning a pen like this into an eyedropper and this pen is no different. I used a blunt syringe to fill the barrel with juuust under 3ml of ink. That’s 3 carts of ink, in one fill. While I used a dye based ink I could fill it with a pigment based ink as it’s designed for that, which mean it’s even more awesome.

After letting the ink get to the brush I noticed that the ink flow is a little faster than with the Pentel ink. This could be because the Pentel ink has pigment or is thicker than the dye based ink. The Omas Gray ink has good flow even in a fountain pen. I’ll be trying out more inks once I run through this one. The other good thing is that I can fill my black pen up with Noodler’s Heart of Darkness once I run out of carts of black. (Scored 2 more with this pen.)

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The best thing about turning this pen eye dropper? It’s simple. All you need is a little silicone grease from the plumbing section of home depot and an eye dropper or a blunt syringe. Money saved? Each fill will save you about $3 over using cartridges.

 

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Review: Pentel Arts Pocket Brush Pen

I have been coveting a pocket brush pen for awhile. I have a brush pen but it has a incredibly long handle and is a pain because of that. I was comp shopping Michael’s when I came upon this pen. Imagine my horror when I got to the counter and found I’d left my 40% off coupon at home… I put the pen back and came back later. With my 40% off coupon I snagged this pen for a measly $10.83, which is less than I could find it online.

 

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It’s sold on a blister pack like most other markers and pens are at Michael’s. Once out of the packaging its a nice looking shiny black pen. It’s comparable in size to most pens on the market. It’s very light weight even with the cartridge plugged into the pen. After wielding a TWSBI 540 for an extended writing session earlier in the day, this is like writing with a cloud. The pen is all black except for a Kanji character on the cap near the clip and the pentel name on the opposite side of the cap.

 

 

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After installing the cartridge the ink descends into the brush rather quickly, the brush was fully loaded with 60 seconds of installing the cart. The tip is soft, flexible but springs to a point immediately after pressing it down fully. It is capable of giving a hair thin line or a swath of ink 5mm wide. The ink flow is generous and kept up with some very quick line work. The line variation is quite nice and relatively easy to control.

 

 

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The ink in the cartridges is reported to be in water resistant. Something that I found interesting is that the back proclaims that the “fittings” are leak proof. This tells me that with some silicone grease this pen could EASILY be converted to eye dropper fill. For me, this is a VERY VERY interesting thing. In my testing I found that the ink is water resistant once dry on paper and when wet gives a very nice wash effect with a nice even gray tone. In effect you could take just this and a water brush sketching and you could do the sketch, allow it to dry, add more ink, add water and get a nice gray tone for your shadows. The ink is not water resistant on acrylic paint until it is FULLY dry. It writes without issue on acrylic, no skipping or beading up. It does take quite some time to dry on acrylic paint- to get to the fully dry point it needs a few minutes.

 

 

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This pen is a very good price when 40% off but at full price at Michael’s I’m not sure. I’d rather put together a $25 order with Jetpens.

I'll probably do an update to this review once I run through the 2 carts that came with the pen and convert it to eyedropper style. (See update on eyedropper fill here.)

Reg $16.99 at Michael’s $14 at JetPens

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It Eats You Up

One of the many things I’ve learned over time is that giving into anger for long periods of time isn’t helpful. It’s one thing to allow anger to burn through you, own it, and then allow yourself to work through the hurt that it is masking.

Last year taught me that my rage was fast burning but that the hurt that my slow burning anger was masking was the root of what needed to be dealt with.

Injustice should be rooted out and the snake oil sales people will pay for their actions, let karma be the bitch.

It Eats You Up

Promote What You Love

Leslie 017

The "Promote what you love instead of bashing what you hate," images are rolling around twitter and facebook these days. While I agree, and I've seen first hand how powerful promoting something you love can be, both for you and the person; I think it's foolhardy to ignore what you hate entirely.

The story with the ostrich sticking it's head in the sand is a good one, bad things don't go away if you ignore it. The same for tryingto think only positive thoughts, you can't make bad things or depression go away by thinking it away. We aren't magnets and the world isn't fair and sometimes hard work doesn't pay off. Sometimes life sucks.

BUT I've learned that you can make things work for you if you spend some time and are honest with yourself on how you can take that bad situation and force it to work.

My matra will be "Promote what you love instead of bashing what you hate; but keep a mindful eye out for the bad stuff."

Sell Out

Gwen Seemel posted this little nugget of awesome about selling out and starving artists. As I read it, it struck me that my definition of “sell out” is different. For me someone has sold out when they go against their professed ideals. When someone tells me they are for certain things and they go against those certain things to become successful by compromising their ideals. to me selling out is the opposite of success it’s conforming to whatever need comes up and doing what others expect, so you can make a buck.

What are your thoughts? What makes someone a sell out? Is selling out real?

 

(I want to be clear that I'm not suggesting that those of us who have a DayJob are sell outs, but people who go against their personal and voiced ideals. haveing a Dayjob is a necessity for most artists.)

Review: FlexiSketch Sketchbook

I picked up this sketchbook on sale at Artist & Craftman. It was super affordable, more so than usual. It usually runs in the $10 to $15 range. The 8.5×11 inch sketchbook feels weighty in hand and looks nice. The green color is a soothing soft mossy green they call "Fern." I’m annoyed that the 25% more FREE stick is stuck to the cover and doesn’t peel off easily. I’ll be hacking at it with a knife to get it off. After opening up the package I notice it’s Smythe Sewn like a moleskine so it will open flat and flatter the more I use it. The binding is nice and flexible but the wrap around cover on the spine is less so.

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The paper is bright white, thick and sturdy feeling, 75lb/110gsm. There are 300 pages or 150 sheets. It has a soft texture and is nice with pencils. Wider nibbed pens glide over it’s surface but narrow nibs sink into it’s surface a little. The paper is absorbent with ink and watercolor. I didn’t notice any feathering with ink but most pens looked to be about a size larger than on other paper. I noticed some ink soaking through as I sketched and wrote. Nothing major since I didn’t plan on using both sides of the paper anyway. This isn’t a deal breaker if you use dry media like pencil or charcoal. The fact that the paper soaks ink up like a paper towel is annoying, and if I were using expensive ink, would annoy me.

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The cover is thick cardstock with a glossy finish. It scuffs easily, but I don’t mind that. If you are the sort who would like to decorate your art journal you’ll need to sand the surface to get gesso to stick. I managed to pop the glue that holds the back cover to the block off. Rather annoying but it also let me see the spine and that it’s glued sturdily and will survive a lot of abuse. This also makes me think I could cover this journal with little work

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Overall my verdict on this is that this sketchbook is a great value. The paper isn’t optimum for ink but it’s thick and sturdy enough to withstand pretty much anything an art journaler can throw at it. The paper has a nice surface for a variety of media. While pen does soak through in some spots it looks fantastic on this paper. I’d buy it again.

 

Swirl

I created a tiny little swirl on twitter yesterday when I responded to #talkart and said, “I price to move, reasonably, so anyone can afford”.. Many people disagreed with me. I’ve always thought about art as a by the people for the people sort of thing and frowned upon people who felt that art was a higher calling.

I have always looked at art as a form of communication, a way for me to get these ideas out of my head that don’t  have words, just visuals.

I’ve always wanted to share that with people. Its part of the reason I started the blog, Art Journaling Ning, my zines, and my art. Communication- Sharing

It’s why I was a teacher and why I continually seek to teach, here, ning and now I’ll be doing classes in person.  It’s also why I sell my art at the price I sell it. People tell me it’s low. I tell them it’s my price, my right to set it at what I want. I could do prints but I don’t like the idea of them, plus, for the price of a print you can get an original piece of art to hang.

I want everyone to be able to save up and afford an original of my art. Everyone deserves to have real art in their home.

I’ll price larger pieces differently, but for now, the 5×7 pieces remain at their current price point.

Review: Loew Cornell Simply Art Fine Tip Marker 4 Pack

Loew Cornell Simply Art Fine Tip Marker $5.99/ 4 pack @ Joann's

 

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I was doing some comparison shopping for my upcoming class on pen and ink drawing and I stumbled upon the Loew Cornell Fine Tip 4 pack at Joann’s for $5.99. They claim to be water resistant and non- bleeding. One look at the package and you can tell they are clearly a knock off of Pigma Micron pen put out by Sakura. The short cap, metal clip, and cap post on the end of the pen gives it away.

 

 

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The markers are sold in a blister package with some claims and suggestions. The first claim is that they are water resistant. The second they won’t bleed. The back of the package suggests that you can use them with watercolors and other markers. I’ll get to these claims shortly.

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The pens have a matte black barrel that is comfortable to hold. The pen is very lightweight. The cap posts securely to the back end of the marker with a satisfying click. While writing with the marker I found the ridge where the nib section meets the barrel to be quite sharp and uncomfortable. I suspect that this will be the main reason I stop using these markers.

 

 

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While writing I found the fiber tip to be quite smooth on all pens but the largest, .08, and that nib was dry, as if it had dried out in it’s packaging or was out of ink. The sketching experience was not bad at all, the line was smooth and consistent for each tip. There is no line variation unless you switch pens. The ink is black but seems to gray out as it dries, leaving behind a dark gray line rather than a black line.

 

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An additional flaw is that the cap is the only part with a size designation and it’s easily missed so caps could easily be put on the wrong pen. The barrels are only marked with the Loew Cornell name.

As for the water resistance, they are, sort of. I found that a lot of the ink lifted with a fast brush over with water. Leaving behind a strong gray area in any spot that was damp. There was a LOT of bleeding that would discolor any watercolor wash applied over it. This also washed out the lines. I went over my test area with another brush load of water and worked the area with the brush, nothing that would be called a scrub, and with a soft brush. The thinnest lines lifted almost completely and black lines were left grayer than before. The gray that is left is a very nice color. Knowing that these create a wash like this is actually pretty useful, one could throw these into a sketch kit with a waterbrush and get some pretty nice sketches with a wide range of tones of gray.

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All in all these aren’t a bad value for $6 as long as you take the negatives into consideration- the grip itself, that one of the 4 pens I got wasn’t working properly, they are kinda water resistant, and that only the cap is marked for size. On the good side of things, you get 4 markers that write a lot like a Micron for a lot less, make wonderful washes, are all black and write pretty smoothly.

I’d recommend these for anyone who is interested in trying out this style of pen- very fine fiber tip. I don’t think these will sell you on the style though, they are too uncomfortable to write/sketch with for long periods of time…. Though a nail file might take the sharp edge off the grip area… Might try that, if I do I’ll let you know all about it. I want to suggest these for kids, but I don't want people to assume that I'm saying they are only for kids. I guess I'd say these are good for older kids- teenagers who are sketching for art class, or are writing or for someone who wants to test this style of pen out. you won't get the same performance as you would with a Micron but it's a good point to start.

 UPDATE: I have been using these in SOME of my cowboy sketches and I've found them far more comfortable to sketch with than I'd have expected. We're not talk ing 2 hour long drawing sessions, more like 15 to 20 minute drawing sessions. I amend my previous statement about them being uncomfortable to being mostly comfortable for sketching. Add to that the blending capability when water or ink is added really adds an other level of darks to my gray ink brush pen. I'll need to test it and see if it's lightfast before I suggest it for anything other than sketching.

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Realistic vs Unrealistic Goals

I've been planning on doing a little side project from all my other projects, because, you KNOW I need another project! The side project is loosely called "You Said Something, It Was Really Important." (OR, "You Said Something, I've Never Forgotten.")* It consists of photos from my journal, taken all hi-res, made into a PDF and then loaded to MagCloud. From there you'll be able to get a magazine or a download or both. Awesome.

As I was concieving this little project it took a lot less time in my mind, shooting pictures should take X amount of time, creating the PDF should take X amount of time, I can get it done in a night!

Not.

Shooting hundreds of pictures takes hours, not an hour. When you take a picture of a journal you end up having to figure out the BEST way to get the image and it took a few minutes of set up and a couple of tries to get a set up that worked properly for most of my journal page. Also , please note that a large sheet of plexi glass keeps your pages flat and a polarizing filter helps cut the glare and makes colors pop. Once i figured that out I STILL had to wade through the good and the bad in the journals. Some of the stuff is too personal and other still could get me fired from the DayJob if I publish it. I tried to keep a good balance and stayed on the edge- you get to see some stuff that I haven't put online, in hi res, printed glory AND I get to stay employed. It's a win!

In the end I realize I've got more than once zine's worth of stuff or one really FAT zine full of stuff. I'm struggling with how big do I want to make this thing? 50 Pages? 90 pages? 150 pages? Add to that, if I do 150 pages then I'll probably never do another, and I think I want to do another. Also the cost of the thing goes up dramaticaly if I do more than 50 pages. I want to keep it affordable. (BUT, how cool would a 150 page zine be?)

The other part of this is, I really thought, once I shoot the pictures I can flood them into publisher and get my PDF done. Yeah not so easy. There is no easy way to flood 50 images into publisher all at the same size. They all come in at different sizes, need to be resized to the correct size, put in the RIGHT spot, contract and color tweaked so they look correct, background color chosen, etc… Graphic designers of the world I salute you. (Also please tell me that the Adobe suite is easier to use than publisher… Future goal: get a Mac and Adobe.)

So I'm about 33% done and feeling kind of bummed that I won't be able to finish this by the weekend. "You Said Something" won't be ready for another week or so. I'm still debating if I add captions or not. How many words do I add, if I add any at all? Maybe that should all be hand written too… You see where I'm going here? I'm one of those peopel that dives into a project like this head first, no plans and figures it out as I go along,I give myself unrealistic and unattainable goals and then I'm surprised when I bung it up.

So now I know ho wmuch work goes into this, I'll make sure I set more realistic goals in the future.

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