wordy weekender: Accidental Subtext

I read a lot of blogs and look at a lot of art online. I like to see what others do in their art journal. One of my favorite things to stumble upon is what I like to call the “accidental subtext.” This usually is when someone uses an image that they don’t fully understand in their collage. Either they don’t know who the people are in the photo or what the photo is about. It usually happens when someone thinks an image is cool  and it’s from a group not their own, either a subculture, counterculture or the like.

It’s not unusual for me to find one of these images and to laugh. I had the occasion last night. I stumbled upon a blog full of bible quotes, discussion of husband and children and great crafty ideas. As I scrolled down through the pages I saw a page with a fairly well known image of 2 women making out overlaid with a bible quote. Queue: dissonance and a hearty chuckle.

What made it exceptionally funny to me is that one of the women in the image was not noticeably a woman, at first glance and if you didn’t know the image, you’d have thought the image was of a man and a woman kissing. Knowing the image in question made the journal page humorous rather than the serious tone of the bible quote.

I realized as I looked at the image that just because I knew it was 2 women kissing didn’t mean that that the creator of the page knew. It’s one of those things that makes me realize that I’m “other.” I knew it was a gay picture because I’d read the magazine the image was originally in, and knew the model’s name. Looking at myself I realize that a straight person might not know the model, or her work and thus wouldn’t know that the image is gay.

At first glance the image isn’t gay which is what makes it so… subversive and give the whole journal page, most likely unintentionally, a secondary subtext that make me, as a gay person, chuckle. Especially as I look at the rest of the blog and images on the site to see that they are so clean, earnest and Christian. The additional layer of meaning adds more to the art for me.

Review Redux: Piccadilly Sketchbook

I’m one to admit when I’m wrong, and my initial review of the Picadilly sketchbook, while accurate was incorrectly negative. I have grown to adore the Piccadilly sketchbook precisely for all the reasons I hated it. It’s worthless paper and cheap construction are in this case benefits. Sure the paper is about as absorbent as toilet paper and drawing on it with ink is a cockling nightmare and too much ink will soak through. That absorbency forces me to work fast, loose, and with little care.

THAT is exactly what a sketchbook should be- worthless until it’s filled. The inexpensive nature of this sketchbook is what makes it perfect for sketching. It’s $6 (or was it $5) give me little pause when I simply turn the page when I hate a sketch or it doesn’t turn out right. I flip the page and move to the next. I leave the bad behind and start working on something better. If I only spend 5 minutes on  a page, who cares? The sketchbook has 100 pages of crappy paper. Move on.

I’ve filled dozens of sketchbooks over the years, some with great wonderful paper, stuff that was a joy to work on. Stuff that came out to 50 cents or more per page. I’ve filled my hand bound journals with expensive and cheap paper.

This little sketchbook in its inexpensive glory caused me to work with abandon and that is it’s secret perfection.

Review: Marseilles Studios Sketchbook

I like cheap, who doesn’t? When I was in college a decent black sketchbook was expensive. I used to seek out plain black spiral bound sketchbooks for my notes, ideas and sketches. A favorite was Utrect 6×9. Small enough to be shoved into a bag, inexpensive enough I didn’t mind taking class notes in my chicken scratch or testing out materials on its pages. All in all they were what a sketchbook should be- inexpensive enough to not care too much about its safety but something that eventually became precious and meaningful through its use. To this day I still look for plain black spiral bound sketchbooks, though I loathe spiral bindings and detest perforation.

While thrifting I headed to my local Ocean State Job Lot. It’s a surplus and salvage store where you can find brand name irregulars to junk from closed out stores. Sometimes you hit a massive score and sometimes you find nothing. One of the interesting things that they always carry is a line called Marseilles Studios. This line of cheap art supplies includes: brushes, paints, canvases, pads of paper, easels and the ubiquitous spiral bound black sketchbook in a variety of sizes. Given that they are based out of Providence, RI a selection of super cheap art supplies is not surprising as it's also the hometown of RISD.

I purchased the 9×12 inch sketch book for a total of $4.99 plus tax. Inside are 80 off white 65# acid free pages. The covers are black textured plastic that looks nearly identical to the cover of a moleskine. The covers are hard and pretty stiff. I did manage to damage a corner by tossing the bag into the car rather roughly. The spiral binding is somewhat weak as well, as that dented with the toss. This is a minor gripe. Keep in mind my dislike of spirals. (Compared to the Picadilly spiral this is noticeably softer and warps more easily.)

The paper is textured. Visually it looks pretty rough for fountain pen use, but while there is feedback with the nib. It wasn’t unpleasant using a pen simply noticable. An interesting thing to note is that there was no feathering on this paper, with any ink, even the less well behaved inks I adore, like Noodler's Nikita. I was rather surprised about that as absorbent toothy paper usually feathers all over the place. With pencils this paper was great. The toothiness of the page really allows for deep darks and light lights. I tested a few watercolor washes on the page. The paper is VERY absorbent. I was able to blob watercolor on the surface but blending or lifting after putting it to the page wasn’t happening. The color soaks in and stays put. The color is not intense because of the absorption of the page. While using the page the paper did cockle, like crazy. As it dried the cockles relax and aren't noticable.

I didn't test it but can tell that the page would take gesso

The pages are perforated for easy removal. BAH! I hate perforations. They have no place in a sketchbook! The good and the bad should stay! One good thing about these perforations is that they aren’t very good. When I was tearing the test page out it simply tore at the rings rather than at the perfs. So I won’t be losing any pages to the perforations.

I’m nearly finished with the Picadilly sketchbook* and can’t wait to put this one through it’s paces. Hell for $4.99 you can’t really go wrong. I was only able to find it online from one vendor and as I don’t know the site I’d rather note link to it. Using your Google-Fu I’m sure you’ll find the same vendor as well as others.

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Wordy Wednesday: drugs kill talent

Today’s Wordy Wednesday is late and a little different.

In my lifetime I’ve seen enough loss to drugs and alcohol that I’d never like to see it again. Friends in high school and college got into drunk driving accidents and died and later people from back home overdosed on various drugs. I grew up in a small community and my high school only had 400 students and 88 in my graduating class. Where I grew up you know everyone, people who were your friends and those who were not.

I got word on Monday that a guy that went to my high school and was a few years behind me died. He was a talented musician who was doing well with his music. He’d broken into the local music scene in central Maine and essentially he was doing well.

But, he was, according to various people I know and the news paper article linked here, addicted to drugs and booze. While I did not know Ian on a personal level, he was friends with my ex and I’d seen him perform on more than one occasion. He was a great performer and an amazing musician. I’m sad that drugs have yet again taken someone who had talent.

One might say that this is a symptom of a greater problem, one of the extreme amounts of drug use where I grew up. One could say a million different things. Right now what I’ve written is all I can say.

Technique Tuesday: Refilling a Pilot V Ball Pen



I’m pretty addicted to Noodler’s ink. It’s great for sketching and I really like the nice black line I get with it. One of my friends is not a fan of fountain pens. Noodler’s makes a roller ball that is really nice. I wanted to see if I could refill a variety of the pens I’ve got around the house that are half full or almost dead.

It turns out that refilling the pens with liquid ink is super easy. You’ll need the following:

  • A nearly empty liquid ink pen like a pilot V Ball, precise V or the like
  • A small knife or screw driver with a thin tip
  • Syringe
  • Q-tip
  • Rag
  • Ink of your choice, Noodler’s Bullet Proof Black is my ink of choice as I’ve had success

First open the pen up, you’ll notice that the part that the roller ball is attached to is plastic and slid into the body of the pen. You want to slide your knife between the plastic body of the pen and the black plastic of the tip. The black plastic thing is technically called the feed.

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Gently and carefully pry the feed out of the body. It will click as it releases. After it releases you should be able to simply pull it from the body of the pen. You’ll have a plastic ridged feed probably loaded with ink. Put this into a cup of water, don’t let it dry out. Now head to the sink and clean the residual ink from the body. I used a syringe full of water to spray all the ink out.

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Use a q-tip to dry the body of the pen. I use a small syringe intended for use on animals to refill fountain pen cartridges. I used this to measure 1.5ml into the body of the pen. Some pens only hold 1ml of ink. The B ball extra fine that I refilled held 1.5ml.

Once filled with ink you need to gently press the feed and tip back into the body of the pen. Don’t put pressure on the tip of the pen otherwise you’ll break the tip or make it scratchy. You’ll be able to see that the feed is pressed back into the body and hear it click in place. Some pens take more pressure to press the feed back in than others. DO NOT try to use the cap to press the feed back into place you’ll end up damaging the tip of your pen, leaving you with a scratchy pen.

Wipe up any ink that may have worked its way out of the feed and to the tip of the pen with your rag. Test your pen out on scrap paper. I’ve read a few articles online that suggest you can get around 10 refills into a pen before the roller balls give up and won’t work any longer. I think that the mileage will vary according to the brand of pen.

Let me know if you try this and how it works for you!

Face Experiment

THe last 2 weeks I've been hard at work on 3 things: Typing up the new class, the Facebook Face Experiment and Sketching.

The new class is morphing as I type my handwritten words into text on teh computer, and it's morphing in a good way. It's becomgin more than I thought at first. I'm really examining how I've written in my journals and used my journals over the last 20 odd years. Exciting!

I rejuvenated the Face Experiment, this time with a focus on color and exploring that color. Head over checkout the images and submit your face!

Sketching has been going really well. I start with rough guidelines in pencil and add to them with fountain pens. It's been pretty fun sketching useless things like used tea bags and bottle caps. they really are things you jusy don't expect to see elevated up to the level of "art.' I have a few ideas that have derived from these sketches and I'm hoping to work on them. No big ideas but ideas…

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Flickr Friday: Eveline’s Watercolor Wednesday

I've written about Eveline before, she took my Old Skool Drawing class and is turning around and appling the concepts frm that class to watercolors. She's testing out her paints, checking out the colros, and most of all studiously painting.

She's gone from using straight colors from the pan to wonderful washy layers of colors mixed on the pallette. Her use of color is lucious and loose. THere is a freedom of expression I adore in her images.

 

Water colour Wednesday, week 3

Sketchbook Delight week 2

Water colour Wednesday (5)

Head over to her blog and read more here.

Review Redux: Canson XL Watercolor Pad

I reviewed the Canson XL Watercolor pad a few weeks back, mostly with inks and scraping of acrylic paint. I determined through that use that it would be #1 a great paper for binding into a journal #2 great for watercolor crayon and acrylic. I didn’t put it through its paces with watercolors.

I did this weekend.

I use a variety of watercolors from Holbein to Academy. This paper holds the colors true. For a cold pressed paper the paint absorbed just enough to dry quickly but allowed for easy lifting of color when needed. Some “student grade” watercolor paper sucks. Its cockles, it’s as absorbent as a paper towel, which is not the case with this paper. It’s good stuff.

Check out some of the images below, all are done on the XL watercolor paper. Vibrant saturated colors throughout.

Zura Beth facebook face experiment

@JournalChic facebook face experiment

I can without reservation recommend this paper for watercolors. It’s cheap enough for throwaway sketches and nice enough for finished work.

Wordy Wednesday: Change the Future

I’m home sick, yet again. I’m attempting to avoid antibiotics for my poor sinuses. I’m drinking tea and doing neti pots and resting which is about the best I can hope for at this point.

I had a couple of conversations with a couple of different people and it set me right. Put me back on my path correctly. I have to get back to the heart of the matter and that is art and my art. I can’t make everyone happy all of the time and some of the time I’m going to make people unhappy. The important thing is that I do this thing that I’m doing and I do it authentically. I do it by being me, occasionally misguided and misconstrued, but me.

So I’m getting things ready for my art journaling class, Spring Alive and I started the Face Experiment up again. The Face Experiment really gets to the core of I want to do- paint and draw.

A guy I kinda knew from work passed away last weekend. He’d had a long battle with cancer. He was young and had made his way up the ranks of leadership with the company. Anytime someone passes away it leaves me with the thought, if I died tomorrow, or knew I was to die young what would I do differently? Would I change the course of my life? Make different decisions? It’s a thought process in futility. I can’t change the past all I can do is change my future.

I’m starting that process, today, but just going ahead and doing it, painting and drawing every day. Help me on my path, head over to the Face Experiment and load up a picture of your face.

Check out some of the pics from the project:

 

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