Author Archives: leslie

Review: Rhodia Webnotebook aka Webbie

Stephanie of RhodiaDrive hooked me up with Karen of Exaclair, the American importer of several very fine French made stationary products so I could do some reviews. I received a box in the mail and I felt like a kid at Christmas. There is nothing quite like opening up a box of sketchbooks to get my heart racing, well pen products would be a close second. Anyway, one of the products contained in that wonderful box was a Rhodia Webnotebook. It’s the larger size, 5.5×8.25 inches (I14x21cm) with blank cream colored pages. There are 96 sheets or 192 pages.

When I first opened the covers the color reminded me of oak tag; creamy, warm and lovely. The paper is 90g (roughly 24lb) which seems kind of thin when you’ve been working on 140lb watercolor paper for the last few months. When I ran my hand over it felt glassy smooth. Clairfontaine paper is known for this feature and is sought after by people who use fountain pens.

The cover is black with the Rhodia logo inset into the center of the front cover. Like all notebooks of this style there is an elastic to hold the whole thing shut. The plastic/vinyl of the cover is soft, like fine leather. I have a journal made of deer hide and the feel of this pleather rivals its softness and feel. I handed the journal to someone to check out and she actually said “Ooohhh, that feels nice that feels really nice, what is it?” Like, leather the cover does show greasy fingerprints, unlike leather those greasy fingerprints wipe off with a damp rag. Yes, I tested this by eating French fries at my desk and picking up the journal and having to wipe it clean.

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Wordy Wednesday: Spring Fever

I’ve been making a ton of art lately. I was talking to a friend of mine about how the art gets in your head and forces you to consider it all the time. For instance I walk my dogs and think I should bring my camera in case I see something cool that I might want to take a picture of because it might possibly someday make a good watercolor. My dogs hate walking with me because I’m constantly staring at stuff.

For instance, down the street where the VW place used to be is a giant backhoe. It’s big yellow, blue and white with bold red lettering. I’ve shot a bunch of pictures of it, while trying not to trespass, and yet not caring if I do. Why? Who knows? Will I ever make art using the pics? I have no clue.

I go through phases like this where everything is intensely about art. Later I’ll have a phase where all I do is write but the writing is all about art. There are swings. It’s okay to have swings. It’s natural. Sometimes the swings are from media to media mostly it’s between art and writing.*

This dismal grey winter was a bit much and I’m glad it’s over. I’ve talked about spring fever with my art friends and we’re ALL feeling it pretty intensely this year. I have to wonder how other people are dealin with their spring fever, am I the only one who sees a giant increase in art making right now?

 

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Monday Art Observations: Rules Smooles

When you go to school for art your professors tell you about all the stuff you are supposed to do, you know, the all important rules for making art that lasts forever. And then there are the rules of composition, color, design and everything else. Every professor has a set of rules that vary slightly from the other professors and of course their rules are the “right” rules. It’s all this hogwash that makes art school tiring and yet fun.

It’s good to learn rules about safety, like, don’t smoke while painting with oils. Holding your brush in your mouth is a bad idea, and generally speaking pointing your watercolor brush with your mouth is both grotesque and unsafe.

then there are the rules that my professor used to bark at me (with love) “Herger, preserve the white of the page!” “Watercolors should shine!” “Adding white to watercolor makes it gouache!” “Letting your gouache dry out turns it into crappy watercolors!” “Work bigger, fill the page with color, but for god’s sake preserve the white of the page.”

Sometimes the rules contradict one another.

Sometimes you have to ignore the rules.

Sometimes following the rules makes great art.

Conversely sometimes ignoring the rules makes great art.

That brings me to my Monday observations about my art making over the weekend. Jim’s barked rules have stuck with me. granted I ignore a good deal of what he said, after all I don’t approach a watercolor with a clear outline of color, order, and direction; instead I focus on light and dark and the colors I feel at that moment. I had a 40% off coupon to AC Moore and wandered in, planning to buy a depleted color and found myself not liking their selection, when I saw the Liquid Mask. I figured what the hell, I may as well try it. I haven’t used liquid mask since college, when I borrowed a friends for an assignment.

Dutifully I sketched out my subjects and then filled the areas of white with mask. I proceeded with my paintings as normal. I applied my washes and layered on colors. I applied indigo heavily and loads of payne’s gray. I let them completely dry…

Then peeled off the mask.

I hate the pristine white. It seems out of place with my messy watercolor technique to have these sharply white areas among pools of wet into wet color and layered colors. So I’m going to put pale washes of color over them, so they fit in.

See, sometimes the rules just don’t work.

Review: Quo Vadis Bookmark

This week’s review is a little different. I’m reviewing, drum roll please, a bookmark. Wait, don’t go away. I promise, it’s a special book mark, so special in fact that it’s simplicity made me over look it when I opened my box of goodies from Exaclair.

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The Quo Vadis bookmark is a 5x 1.75 inch piece of cardstock coated in plastic with a brown and tan elastic loop attached. Non-descript and utilitarian in appearance as some of the best ideas are. The brown and tan is not pretty, a nice black elastic loop should be something they consider on their next run.

Simply you hold your place with the bookmark and loop the elastic around your journal to hold it shut. Ridiculously easy and remarkably efficient.

 

 

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You know how I said my miquelrius notebook was going to fall apart before I was finished with it? Way back here? Well it is, and I’m not even half finished. This bookmark holds it together, with ease. It also holds all the stuff that I’ve stuffed it within it. Nothing falls out. The elastic is remarkably secure, adapts to a variety of journal sizes and is cheap. You can get one here on GouletPens.com* for $1.50. I’ll be ordering a bunch with my next order. Brian even did a little video on them here.

Seriously, if you are ordering ink or paper, add one of these little wonders to your cart, you’ll thank me later.

Read another review of them here.

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An excuse to buy…. More ink!

Christie’s highlighter* broke so I used that as an excuse to order a few samples of ink and a full bottle of Private Reserve Electric DC Blue. Private Reserve is another American ink company that seems to specialize in colorful saturated inks. I’ve been impressed with all of the samples of ink I’ve purchased enough that I’ve gone on to purchase 2 different shades of blue- Sonic Blue and the Electric DC Blue(EDCB.)

The sonic blue borders on teal but is really a lovely saturated blue black ink. It’s sedate enough for pages of writing and sketching but interesting enough that people will wonder what shade of ink it is but also professional enough no one will judge you on your ink choice. I’ve been using this as a sketching ink for a few weeks.

Way back in the dead of winter I ordered a sample of the EDCB. Right off the bat I was in love. It’s a dark midnight blue that in a wet writing pen with the right paper has a red sheen. It is amazing. Not only do the dark areas of a sketch look deep and dark but they also pop with a mesmerizing red. I have to say I’m a sucker for the red sheen. I’ll see if I can get some pics of this, it’s amazing.

I also purchased a sample of Noodler’s Bay State Blue. How could I NOT buy a sample of one of the most controversial blue inks in history? Preliminary results? Meh. It’s a nice solid bright blue with a hint of magenta in some light and on some papers. Maybe it’s because I’ve got it loaded into a EF Noodler’s Nib Creaper pen but I really don’t see what the hub bub is all about. It’s bright and it’s blue and there are ten tons of controversy surrounding the ink. The worst truthful controversy is that it doesn’t mix with other inks and it stains pens and possibly sinks. The only thing I can report about is that yes, it does stain skin, I got a small amount on my fingertips and well, they are stained, but it’s no worse than any other ink.

I’ll get a proper review of the inks up at some point with a few pictures.

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Clean your pens

So I'm a bad technical pen owner. I have a set of Koh-i-noor Rapidocraft pens that I've used all sorts of unspeakable inks in, waterproof inks that dry to a crusty gunk on the pen, sealing parts shut and making them difficult to clean. As a result, I tossed them in a drawer and.. forgot about them.

Fast forward several months later and I want to use them only, well, crusted shut and needing to be cleaned, badly.

I soaked the pens in a warm soapy sink for 30 minutes, softening teh crusty bits and allowing me to open everything up. After another 45 minutes of disassemply, squeezing water through with a bulb syringe, and scrubbing the pens are clean. They are not pristine, the unspeakable ink has clouded the clear plastic sections on some of the pens but not all.

I've inked them up with Noodler's Black. This bulletproof ink won't crust up and will clean off with ease should I forget my pen in a drawer for 4 months…

wordy weekender: Accidental Subtext

I read a lot of blogs and look at a lot of art online. I like to see what others do in their art journal. One of my favorite things to stumble upon is what I like to call the “accidental subtext.” This usually is when someone uses an image that they don’t fully understand in their collage. Either they don’t know who the people are in the photo or what the photo is about. It usually happens when someone thinks an image is cool  and it’s from a group not their own, either a subculture, counterculture or the like.

It’s not unusual for me to find one of these images and to laugh. I had the occasion last night. I stumbled upon a blog full of bible quotes, discussion of husband and children and great crafty ideas. As I scrolled down through the pages I saw a page with a fairly well known image of 2 women making out overlaid with a bible quote. Queue: dissonance and a hearty chuckle.

What made it exceptionally funny to me is that one of the women in the image was not noticeably a woman, at first glance and if you didn’t know the image, you’d have thought the image was of a man and a woman kissing. Knowing the image in question made the journal page humorous rather than the serious tone of the bible quote.

I realized as I looked at the image that just because I knew it was 2 women kissing didn’t mean that that the creator of the page knew. It’s one of those things that makes me realize that I’m “other.” I knew it was a gay picture because I’d read the magazine the image was originally in, and knew the model’s name. Looking at myself I realize that a straight person might not know the model, or her work and thus wouldn’t know that the image is gay.

At first glance the image isn’t gay which is what makes it so… subversive and give the whole journal page, most likely unintentionally, a secondary subtext that make me, as a gay person, chuckle. Especially as I look at the rest of the blog and images on the site to see that they are so clean, earnest and Christian. The additional layer of meaning adds more to the art for me.

Review Redux: Piccadilly Sketchbook

I’m one to admit when I’m wrong, and my initial review of the Picadilly sketchbook, while accurate was incorrectly negative. I have grown to adore the Piccadilly sketchbook precisely for all the reasons I hated it. It’s worthless paper and cheap construction are in this case benefits. Sure the paper is about as absorbent as toilet paper and drawing on it with ink is a cockling nightmare and too much ink will soak through. That absorbency forces me to work fast, loose, and with little care.

THAT is exactly what a sketchbook should be- worthless until it’s filled. The inexpensive nature of this sketchbook is what makes it perfect for sketching. It’s $6 (or was it $5) give me little pause when I simply turn the page when I hate a sketch or it doesn’t turn out right. I flip the page and move to the next. I leave the bad behind and start working on something better. If I only spend 5 minutes on  a page, who cares? The sketchbook has 100 pages of crappy paper. Move on.

I’ve filled dozens of sketchbooks over the years, some with great wonderful paper, stuff that was a joy to work on. Stuff that came out to 50 cents or more per page. I’ve filled my hand bound journals with expensive and cheap paper.

This little sketchbook in its inexpensive glory caused me to work with abandon and that is it’s secret perfection.