Tag Archives: sketchbook

Blank Books for Journaling

I've been watching more videos on youtube, looking for stuff to post here and also for inspiration. I've also been looking at photos of art on flickr. One of the things that I've noticed is the overwhelming amount of unique journals people are using. Of course there is the ubiquitous moleskine, one of my former faves. but there are also large quantities of other books being used. There is the reclaimed or re-purposed hardback book in which the artist gessoes the pages and works on a printed page. There are spiral bound books, which I've never been a fan of for art journaling but was for sketching- they lay flat, come in a variety of papers and are easily found. The are also great if you focus on writing in your journal. There are the coptic and long stitch handmade books, I've also noticed  and interesting phenomenon in which people are working on a plain flat page and then punching 3 ring binder holes and binding the pages in big giant 3 ring binders or into scrapbook covers. Whichever style of book you choose there are lots of options out there.

Take for instance, you can get a unique decorated moleskine on artfire for not too much more than you would pay for one at B&N or Borders. These are pre-decorated by an artist in many styles.

To find a reclaimed hardback book one needs only go to the local library and look for a book in the sales pile, ask your librarian for help. Also the Salvation Army and Goodwill have book section which you can go through. My local Saver's store has a section of some cool and wacky books, many of which would make great altered books. Also don't look past some of those "employer schwag books" these are the books that employers give out at interviews and job fairs to try and get people interested in coming to work for them. Some larger companies have some really nice schwag books, perfect for manipulation and editing.

Coptic books are a favorite of mine, They are great for sketching outside becuase the binding easily folds over on itself, they are often hardback, which makes for great sketching support, the binding looks really cool, the thread binding is sturdy. The bast part of all, you can stuff the pages full of extra glued in bits and goodies and the won't stress the spine too badly. A search in artfire brings up pages of great and well made one of a kind unique coptic bound journals

The long stitch books are one of my favorites. they come in a variety of leather cover, recycled covers and interesting stitches. They fold over on themselves, can be hardcover or a limp cover, the stitches are visible on the spines and can be very decorative. Best of all they are tough. I've been making and using almost exclusively long stitch bound books for the last 10 years or so and they survive abuse like you wouldn't believe. You  can toss them in the bottom of a bag, stomp on them, spill coffee on them, drop them in a lake and they come out looking pretty good and the binding survives. 

While I'm not a fan of 3 ring binders you might be interested in trying the binder method out. There are some very fun and unique 3 ring binder covers on artfire. I found them by searching for 3ring binder. Very cool. I also found some neat rubber stamps that way.

Whatever you chose try something handmade and unique to get you through this holiday season. By careful Artfire shopping you might find that you make it through spending less than if you bought mass produces crap made overseas.

New Items on Artfire

I loaded some new items up to my artfire shop. 2 more art covered journals filled with 100% cotton sketchbook paper and original art on the covers. 

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I listed a dozen new jotter sets with mixed paper inside. The paper ranges from lined paper, graph paper, pink, blue, green, to all sorts of natural shades I usually use. I had a box, a large one, from 10 years of binding of various papers I just didn't have enough of to make a full book. I literally shuffled the pages together to mix them up, and used 15 sheets for each jotter, for a total of 60 pages. Each of these jotters is unique and the mix of papers is individual.

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I also listed one NOS or new old stock hedgehog/ moleskine journal. It's covered in this old school leather that reminds me of those old time leather basketballs. I can't find this leather anymore and I used this last piece to make this book, back in 2007. The journal has sat in a wrapper, in a drawer since then. I considered using it, becuase I like the leather that much, but decided against it and listed it again. I've got it up for less than normal.

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I also listed 2 more brand new hedgehogs, one with a chocolate brown leather cover filled with cream paper and another with a bomber jacket brown leather filled with pale green paper.

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I also re-listed the palomino pencils. These are the last packages I have of the HB and 2b, my favorite sketching softness. After I finish with those I'll list some of the other pencils I have left over from my old website. (Does anyone remember when this used to be a website with stuff for sale? Me either.) 

You can follow the links in the text to any of the mentioned items, as always feel free to ask me any questions or for more picture if you're interested.

seriously limited edition one of a kind journals

I've been working on some special journals. What I've done is take one of the posters I make the jotters out of, cut it up into smaller pieces and then I've journaled on it. So each chunk looks like a giant page out of one of my journals, or is a giant journal sheet. It's what I've been working on over the last few days which explains the lack of real blogging, tweeting and facebooking I've been doing. I'm really excited about these journals.

I'm working on 4 of them right now or rather I've got 4 covers completely finished. So far I've got one book completely finished and one more almost done. They are filled with 50lb, 100% cotton bright white sketchbook paper, 200 pages of it and are stitched with a linking long stitch. I used bright red Irish linen thread for the stitching.

The journal art is sealed with clear acrylic varnish, that allows you to feel the texture of the art but wipe it clean with soap and water if you spill coffee on it, and the art should be undamaged.

I'm still working the details of the pricing out but they will eb listed on my artfire account this evening.

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The journal picture is titled "Super Star." I've got more pictures up on my flickr page.

What I’ve done with the Spray Ink

Holy crap balls. I love the spray ink.I love the spattered effect you can get when you press the sprayer down partially, I love the fine mist I get when I press hard, and the layered effect and mixing when wet. It's all very very cool. Experimentation is key to learning how to use these. I learned that the ink reacts differently on raw paper versus gesso'ed pages or pages with acrylic on them. The colors are transparent (except the black) so whatever is under them shows through. this can make for some very cool effects.

On thing I learned through trial and error is that alcohol based inks ALWAYs lift through my gesso (Liquitex basic brand) so I always get a ghost. So how to fix that? It would lift through progressive layers of gesso or acrylics too. I have a solution which I'll share at the end of this post. First I'm going to share some recent pages from my journal.

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IN this image I had gesso'ed and painted the left page, the written on it in sharpie. The black was really sitting on the surface and less of the image than I wanted. So I sprayed it with purple and blue ink and a squirt of plain alcohol, Then moved the inks around. Here I learned that even fully dried acrylic and gesso will soften a touch when these inks are applied heavily. (the right side is the completion of my gesso over sharpie post)

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This page doesn't use any spray inks but an over lay of watercolor crayons wet down and wiped off and sand papering. I was going for a  dirty look on this page- dirty to express my rage…

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This page started out yellow-green. I used some Tim Holtz masks, I'll write more about these at the end of this post. I sprayed over them with green, blue and a touch of black spray ink. I also used some rubber stamps with embossing powder. On the right I took on of the masked out shapes and used liquid embossing paint and heated it until it bubbled, burst and dried. I then added some spray ink, watercolor crayons  and colored pencil to give the gear shape a distressed rusted up piece of metal look. The blue black background was too dark to write on, so I hit it with a thin fast application of gesso. No blending and applied with a bristle brush. I used a texture tool to make some marks and stamped on lines for writing and wrote on the gesso with bright green sharpie. I sprayed the sharpie with plain ink, a lot to soften the color and blend it with the background. Then I wrote my entry and sprayed that as well. I then overlay some green and blue spray ink and let it completely blend on the top layer.

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This page started out with a burgundy acrylic base that had been coated with black and brown watercolor crayons and wiped down for a distressed look. I then hit some areas with sand paper to further weather the page. I've used Tim Holtz masks on this page as well. There are several collaged elements and lots of spray ink and gesso. You'll notice it's shiney… I'll get to that in a minute.

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This page started out with a background that was bright red in the center and burgundy around that. I drew on an anatomic heart with sharpie. I used rubber stamps and embossing power around the perimeter. I masked the heart out with post it notes and then put down some Tim Holtz masks. I sprayed the background with purple, blue and black spray inks. I sealed around the heart ( more on this later) and then brushed some gesso and yellow to give it that mandala/ mary look. 

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This page started out gessoed and with acrylic. The colors I can't remember but I think burgundy. I glued on my collage elements, added gesso and sealed the elements I didn't want to get colored with the spray. I sprayed  a variety of colors and then manipulated then with water, alcohol and a rag. I wrote with a sharpie. I used some sand paper, added some little punch outs and then sealed the whole thing.

Okay so the sealant I'm using is something I had around the house, is pretty cheap, and is easy to use: Minwax Polycrylic. Yup. I had a can left over from a project I'd done a year ago and thought I"d give it a try. It looks like the acrylic varnish I have in a small squeeze bottle (that was a lot of money $4 for 2 oz), goes on milky but dries clear. I have semi gloss and it adds a nice shine to the page, the alcohol inks don't lift through it and can be scrubbed off of it with a little work and alcohol. Gesso sticks to it well, as to acrylic paints. Sharpie glides over it. The alochol inks if applied heavy lift while the polycrylic is wet but not once dry so you can see the kind of dragging muddy effect you can get in the next series of pictures.

Here's a pic with can, you can get it at Home Depot for about $5 for this half pint can (8oz).

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Oh and the best thing about this stuff, is that as of yet, once it's dry, it doesn't seem to stick to itself. SO you CAN get gloss in your art journal without sticking pages!!!

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This is the page after using a stencil with black spray ink, orange and yellow. I sealed some of the page and then brushed gesso over the whole thing. After it was dry I used my fine sand paper block to distress it and move through the layers a little. It will also give me a super smooth page to write on. While not glass smooth I could write on this page with a fountain pen with ease.

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Okay a quick note about Tim Holtz masks. They come in super cool
shapes-cobwebs, music, nice french curves, flourishes and gears, didn't I just tweet about wanting rubber stamps with
gears? These masks will have to be close enough. I really like them.
But the glue holds really well to raw paper but not to paper with
acrylic paint on it or gesso. Also while made to work with alcohol inks
they really don't like to sit in it or swim in it. I ruined the glue on
one by dousing it in a heavy coat of spray ink when it was on a gessoed
page. 🙁 No worries I have spray mount and will fix it. But if you do
get some of these be aware that the glue doesn't like a lot of alcohol
AND doesn't stick well to gesso or acrylic. But the effects you can get are so cool. They aren't too expensive and are infinitely reusable, just pic up a can of spray mount when you buy them and save some heart ache.

Backgrounds: A Way to get past that Blank Page Part 1

Gesso.

It's a basic thing. I don't see it as a necessary start to all pages. Becuase it's just not. If you work with a heavier page you don't need it. It's nice, it stiffens the page and adds some texture. You can get gesso in a lot of colors now- black, clear, white various other colors. You can also mix regular white or clear gesso with colored acrylics to get any shade you want, and I'm going to tell you how to mix it with watercolor crayons later in this post.

I'm working in a great notebook my friend Jen made me for a Facebook craft exchange. It's a salvaged hardy boys mystery cover filled with recycled pages. the paper is a variety of weights- I assume around 18# and 20# bond paper, computer paper and the like Its cot some printed stuff on one side. This paper needs the love of gesso to stand up the the abuse I'm going to put it through.

So the first thing I do is get out my gesso. I use liquitex, its not too heavy and isn't too wet. It works for me. I put it on with a rather soft brush so I get a nice thin coat. The brush I'm using is a soft old watercolor wash brush, a cheap one that I've previously abused the hell out of.

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thin coat done. Easy. I like to work on a bunch of pages at a time. I hate washing brushes. So I separate my pages with freezer paper or waxed if I have it, sheets of plastic, whatever I have on hand. I look at gesso'd and painted pages at this stage as part of the process, something to gain inspiration from.

Moving onto coloring the gesso. I grab my water color crayons and add a thin layer of crayon on, scribble it, no real pattern.

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Here you wet your brush and thin the gesso just slightly, so it will wet the crayon and mix it. Spread it around and add more gesso until you get the color you like and the texture you want.

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Coat a page with gesso, while still wet randomly drop a few drops of liquid latex paint (ore regular), just a few drops. And start brushing wildly around the page. Blend it in until you like it. I like to leave the areas of color unmixed. (I'm using making memories liquid acrylic. I snagged it on clearance with a set of sweet foam stamps. BUT it's not a bad liquid acrylic. and on clearance who can beat that price?)

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All of these pages were done in about a 45 minute stretch of time. Sometimes I force myself to sit down with my jo
urnal and just color pages. It's relaxing and after a tough day at work, I need to unwind but I'm not in the frame of mine to draw, sketch or journal. Something that doesn't require thought like this, it allows me to meditate on relaxation, listen to some good music and really just enjoy a few moments in my own head with out a worry. Because really, how can I f*ck up gesso? (that's a rhetorical question and I had several art professors who were really neurotic about how gesso is applied.)

Next installment: Paint on a page, sandpaper, and watercolor crayons

One of a Kinds and not for Sales

So I've been working on some one of a kind books and not for sales. The stitched covers I've been doing are inspired by a journal I purchased. I don't feel right selling them as they have been 100% inspired by Bastiano. Which if you haven't seen his work you should follow that there link and go to his flickr stream and check it out. It's not often I find a book artist whose works stops me dead. I follow most other book artists on flickr through a group. Bastiano and very few other I added to my flickr stream. Yes. I have obsessively followed him since I first saw his work and when I saw Sverige I had to have it. Currently. Sverige (I love that my new note book/ journal has it's own name squeee!) sits on my desk right now, where I just look at it. Yes seriously, right now I'm not ready to use him (it's a he) and I just look. I've got 2 other journals in the works before I even crack the cover.

I am inspired by the cover and the interior. But I don't want to riff on it too much, which is why I'm sticking to making anything similar as gifts, I WILL NOT be the a-hole who buys and reproduces and sells. that isn't cool. What I will do is pimp his stuff here. And I as a general rule don't do that.

The last journal that I was working on- the one made of magazine pages that was pissing me off (shall be named PO for PIssed off) and I had to rebind it? I finished it. The last few pages are like those in every journal I want to finish to rush to my next- rushed and hurried but… Done, completely. Filled to full, brimming with stupid hipster art and color, and shit glued to it's pages. Thanks to the rebinding the spine isn't straining too much and the newly waxed thread sits on the slippery tyvek spine much more easily than before.

Okay so for this weekend:

  • Crappy Pics of the gift journal- they will be here and facebook
  • More pics of the finished journal- most will be here only and NOT all on my flickr stream (video?)
  • Some pics of the Bastiano book
  • Some background photo tutorials 

I may take the evening off though. My allergies have been kicking my head around and I need a good long sleep, I may get home take my friday afternoon, after work nap and then go to bed, depending on how I feel. This weekend is supposed to be cooler and nicer here.

unique teacher’s gifts are in order as school approaches

I used to be a teacher, believe it or not. I taught high
school art for a year and when that fizzled for me I went into working in an
Elementary Special Ed program grades 2 and 4. Both experiences led to many
memorable moments. The teenage girl who drew the penis disguised as a
lighthouse and didn't think I'd notice, the boy with whom I had to have a
discussion "IN MY OFFICE NOW" about respect, the runny noses and hugs
from 2nd graders for whom I was the strange lady who would talk to them like they
were human and doodled in the back of the classroom.

On of the sweetest things about the younger kids was that their parents would
send them in with some unique gifts for the teachers. I used to take these as
offerings to the merciful teachers who would take their hyperactive kids off
the parental hands for 9 months of the year and instill rules, boundaries and
limitations on their otherwise unruly kids. I have a feeling that if the
parents could have sacrificed a goat, sheep or virgin to get the kids out of
their hair they may have done it, but many of the gifts simply said,
"Thank you thank you thank you. I was one step from homicide and the front
page of our small local paper." Their faces told us that they were one
step away from insanity and a trip to the nut farm. As the kids walked into the
door, offering in hand parents looked on, hoping the teachers would be appeased.
The relief on their faces as the doors shut was visible.

Most of the gifts were pretty neat-o: flowers, homemade treats, various
school supplies among other things.(some of which we will not discuss here.)

Now there is no need to figure out a unique gift, a
parent just has to head to artfire.com and pick something and the artisan will
pack it and ship it right to their door. Check out the jewelry section for some
neat stuff. Also check out my shop for some really unique gifts- one-of-a-kind
handmade journals, perfect for note taking or journaling. I know for a fact
that most teachers are office supply junkies and would appreciate a journal
covered in soft leather, or an eco friendly jotter or a larger sized notebook
covered in recycled
/ upcycled sign vinyl.

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The sweetest gift I ever got was a dusty candle holder in the shape of a  watering can,iInside a dusty candle with faded scent. I spent a lot of time working one on one with that kid, helping him with math and reading as well as his speech therapy. At the end of the year he came in with a well wrapped gift for the lead teacher of the classroom and shyly sat at his desk laboring over a gift tag for the candle holder. He then waited until my back was turned and left the candle holder on my desk. Later that day I was talking to his speech therapist who had been talking to his mother that monring. According to the mother the kid had thrown a temper tantrum that morning because she'd gotten an end of yeaer gift for the lead teach but not for me. He woudln't leave the house that AM. He grabbed the candle holder and asked his Mom if he could give it to me. Hearing that story had been one of those moment wher I felt like I'd reached a kid. It also made it incredibly hard when I got the pink slip a few days later.

Les Calepin de Lapin and Issuu

I found this gem of a sketcher's blog via doodlers anonymous's twitter(@doodler). I really like this person's style, quick sketchy but over layers of background and just wonderful coloring. It's just a sweet bi-lingual blog. Also I found the site Issuu through them which is a site that lets you publish a book free online, particularly nice for sketchbooks, because it lets you almost thumb through the sketchbook and see each set of pages just like you'd look at it in person very nice, better check out Lapin's stuff on there, it rocks.

100% Recycled

I've been working on this idea of some 100% recycled sketchbooks. I've been fascinated for some time with the idea of gesso'd  pages made of newspaper or magazines. I first experimented with this idea back in 1999, I gesso'd a hundred or so pages of newspaper and drew on them. I have no idea where those pages went or what ever happened to them. All I know is that I love to draw on gesso, especially when it's on top of chunky paper. The rougher the paper the more i like it. So why would I want to experiment with gesso on magazine apges? Color and pattern. It takes away the fear of the precious white page, the empty the making of the first mark.

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The first mark is there just whited out with gesso. I used a thin layer of gesso to cover up the words and images from a national geographic special magazine. I snagged 3 copies from the trash, chopped and stitched it up into a 3.5×5 inch book that is just a hair over 1 inch thick. The binding is a standard button hole style binding. I fouled up the spine a tad, but the spine is made of a recyled tyvek envelope that I had recieved somethign in. The book is about 98% recycled. The book board inside is not recycled and the thread is of course new material, but the rest all recycled.

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I digress. I went through the book with brush and  gesso and put a thin layer of gesso over images and words. I lightened pages that were too dark to write on. My first intent was to draw in this book with a ultr fine point sharpie or pigma pen. The pages are so slick that thegesso adhere'd well but will still scratch off, which leads to more ideas but wasn't what I had planned on. My initial goal was to use this as a sketchbook and journal. Sketching is easier in this book than writing. Mainly due to that issue witht he gesso scratching off.

I intended for this to be somethign of a prototype of sorts. I wanted to do a limited edition with pre-gessoed pages BUT it took so long to gesso up the 300 pages (all day) that I'd have to charge an exhorbitant amount to sell these and recoup any profits. Anyway, I'm in love with the size and chunkiness of the book and I've been using it a little bit here and there. I am going to make a few one of a kind versions of the book. BUt be aware you'll see some more sketches on here than you have in the past.

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