Tag Archives: art

Wordy Wednesday: Cult of Tutu

I followed a link to an art journaling blog where I saw yet another female artist in a tutu. Afterward I tweeted the statement, “To be a mixed media artist do you need to wear a tutu? Or even like them? NO!”

To be blunt, I don’t get tutus. They are made out of plastic scratchy material, the same stuff the exfoliating bath poofs are made of and I can’t imagine they are comfortable.

I’m not saying I’m down on it, I just don’t get it.

Ink mix0043

What I wear doesn’t define me as an artist. My clothing isn’t a statement. I’d rather my art make the statement. I’m a jeans and t-shirt kind woman; I like cotton, wool and other natural materials. I look for comfort while I create. I don’t need something outward to help me find my inner creativity. I know that some people enjoy costumes*and perhaps that is what the tutu is about. Using costume to find that inner well of creativity, capturing lost childhood insight, or perhaps these ladies really enjoy wearing a tutu. It is not my place to yuck your yum, but I can say that I don’t get it

I also have to wonder, other than Salvador Dali, would you see a male artist wearing something like a tutu? In part I’m somewhat uncomfortable with the idea that female artists have to dress up and play a part to sell their art. Peddle their wares like a carnie, “Win your lady a stuffed teddy bear here!” “Strong man competition, ring the bell, win a prize.” “Hooooot sausage and peppers, fried dough, cold lemonade”

Tutus and tiaras, 2 things you’ll never catch me wearing.

 

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wordy weekender: Accidental Subtext

I read a lot of blogs and look at a lot of art online. I like to see what others do in their art journal. One of my favorite things to stumble upon is what I like to call the “accidental subtext.” This usually is when someone uses an image that they don’t fully understand in their collage. Either they don’t know who the people are in the photo or what the photo is about. It usually happens when someone thinks an image is cool  and it’s from a group not their own, either a subculture, counterculture or the like.

It’s not unusual for me to find one of these images and to laugh. I had the occasion last night. I stumbled upon a blog full of bible quotes, discussion of husband and children and great crafty ideas. As I scrolled down through the pages I saw a page with a fairly well known image of 2 women making out overlaid with a bible quote. Queue: dissonance and a hearty chuckle.

What made it exceptionally funny to me is that one of the women in the image was not noticeably a woman, at first glance and if you didn’t know the image, you’d have thought the image was of a man and a woman kissing. Knowing the image in question made the journal page humorous rather than the serious tone of the bible quote.

I realized as I looked at the image that just because I knew it was 2 women kissing didn’t mean that that the creator of the page knew. It’s one of those things that makes me realize that I’m “other.” I knew it was a gay picture because I’d read the magazine the image was originally in, and knew the model’s name. Looking at myself I realize that a straight person might not know the model, or her work and thus wouldn’t know that the image is gay.

At first glance the image isn’t gay which is what makes it so… subversive and give the whole journal page, most likely unintentionally, a secondary subtext that make me, as a gay person, chuckle. Especially as I look at the rest of the blog and images on the site to see that they are so clean, earnest and Christian. The additional layer of meaning adds more to the art for me.

Review Redux: Canson XL Watercolor Pad

I reviewed the Canson XL Watercolor pad a few weeks back, mostly with inks and scraping of acrylic paint. I determined through that use that it would be #1 a great paper for binding into a journal #2 great for watercolor crayon and acrylic. I didn’t put it through its paces with watercolors.

I did this weekend.

I use a variety of watercolors from Holbein to Academy. This paper holds the colors true. For a cold pressed paper the paint absorbed just enough to dry quickly but allowed for easy lifting of color when needed. Some “student grade” watercolor paper sucks. Its cockles, it’s as absorbent as a paper towel, which is not the case with this paper. It’s good stuff.

Check out some of the images below, all are done on the XL watercolor paper. Vibrant saturated colors throughout.

Zura Beth facebook face experiment

@JournalChic facebook face experiment

I can without reservation recommend this paper for watercolors. It’s cheap enough for throwaway sketches and nice enough for finished work.

Wordy Weekender: Loving Kindness Week

The troll attack on the blog (and on others) and the eloquent rebutals spawned loving kindness week. A few kind souls got the ball rolling on a UStream-a-thon, art journal pages, and blog posts. The love was felt through out the Art Journaling world and something really special came of this week. As the week comes to an end and I've gotten more loving kind emails than I've gotten in a long time I'm amazed at the power of being loving and kind to our fellow human beings. I'm a little overwhelmed. A couple of people are sending me artwork, and I can tell you right now it will be framed and hung over my desk, a place of honor as I sit here daily.

Here are some links to those people who participated in Loving Kindness Week.

JellyBeansDesign

IKerriLove

Magic Bartender

Tammy Ozuna

DeDe of Inkwell Studio

Beth_Snyder

DarcyW

 Deina

 Art Journey

Eveline

Review: Moleskine 6×9 Sketchbook

This sketchbook contains 80 roughly 110lb plain cream colored pages. They are contained within plastic covered hard black covers. The plastic is imprinted to look like leather. This sketchbook is very often suggested for people started out in art journaling.

The paper is stiff and smooth. It’s good for writing and drawing. I find that the paper has a coating that repels wet media like watercolors, which it absorbs but gives a blotchy appearance. It does the same with some inks. It can be quite a pain in the rear. I’ve found that if I got through my sketchbook and spritz the pages with a little water so they are evenly damp and then allow them to dry before working in watercolor or ink the blotchiness is minimized.

The paper responds favorably to pitt and zig pens. They remain perfectly black and don’t show any blotchiness. The paper is also heavy enough to support many layers of collage and acrylic paint. When working with wet media it’s best to be aware that the paper will cockle and remain wavy even after it dries. I like the wavy paper but most don’t.

The heavy weight paper does not show strike nor bleed through except when using sharpies and copic markers. Fountain pens do just fine on this paper. Some fountain pen inks get blotchy.

The sketchbook has a great form factor with its smooth hard black covers, pocket in the back and elastic closure. I can’t say that the paper would be a reason to recommend it. The pages can take abuse but if you erase too much or scrub the pages with a brush you’ll end up will pilling of the top of the paper. I’ve read reports of the spine breaking on these sketchbooks but I’ve abused the heck out of mine and never had a broken or damaged spine, and I’m not gentle with my sketchbooks and journals. The price however is quite prohibitive at $18 for 80 pages.

If you are looking for a sketchbook that handles a variety of media relatively well, with a nice hard cover, at a ridiculously high price this is a good sketchbook. There are others similarly shaped and sized that will work as well at a lower price.

 INterested in purchasing a moleskine sketchbook? Follow this link, it was the best price I could find on them:

 

Thursday Review: MiquelRius Grid Notebook

MiquelRuis 300page Grid Notebook with Red vinyl cover

I bought this notebook 4 or 5 years ago while searching for a Ciak brand notebook. As a notebook snob and a bookbinder I find this book to be just MEH.

First it’s perfect bound- glue with no stitching. Eventually with hard use pages will fall out. It’s just a matter of when not if. Perfect binding is simply not sturdy enough for the kind of abuse I put my notebooks and journals through. I will say that I’ve been carting this notebook around for 2 or 3 months and it’s held up pretty well so far. Also due to the binding and thickness of the book, it will not open completely flat while writing, which is a nuisance.

The pages are 15 to 18 pound in weight and very thin. Almost every pen I own strike through (is visible on the reverse side) and 90% bleed through. This means I can only use one side of each sheet of paper. So that drops the 300 pages of the book down to 150 usable surfaces. So even if I wanted to brave the non-flat writing surfaces of the left side of the notebook, I could barely read what I wrote. Additionally some of the inks I own feather like mad on this paper. I’m talking about relatively well behaved inks like Diamine Chocolate Brown.

The paper is very smooth and has the best light pale blue grid I’ve ever seen. It’s what drew me to the brand in the first place. After looking at a dozen or so gridded notebooks, I fell in love with the pale blue of this grid. It’s pale enough to blend into the background and not interfere with the writing when you are referring back to your writing. The pen glides over it. It’s not as smooth as Rhodia or Claifontaine paper but its way better than Moleksine paper. Ink is better behaved on the right side of the MiquelRuis paper than moleskine paper. The paper definitely has a right and wrong side for fountain pen use. One side is smooth and the other has a little more tooth to it and grabs the tip of the pen ever so slightly.

The format of the book I purchased is great- at 6×8 inches I’m finding the page size perfect for writing and recording thoughts and sketches. The size is good for slipping into a book bag.The 300 pages is a tad on the heavy size for every day toting about but if it were the only notebook you were to carry it wouldn’t be bad. They come in 100 and 200 page counts as well.

Would I buy another one of these notebooks? Probably not. The bright vinyl cover is nice but doesn’t speak to me the way a leather cover does. The paper’s lovely pale blue grid is about the only thing I really like about this notebook. Using both sides of the page is important to me, using just one side seems very wasteful to me. I prefer a stitched notebook for durability. I have to mention that pale blue grid again; it’s why I keep reaching for this notebook. This would be a good gift idea for the vegan writter on your shopping list. They also offer a host of recycled vinyl options that I'd like to see.

I purchased mine about 5 years ago at Barnes and Noble. I notice that the brand is no longer listed on their website. When I purchased this particular note book it was the last one on the shelf. It cost $10. You can buy these notebooks at the miquelrius website here.

Pros:

  • 300 Pages
  • Sturdy Vinyl Covers
  • Cheap $10
  • Great pale blue grid
  • Mostly fountain pen friendly o n the right hand pages
  • Smooth paper is nice for writing

Cons:

  • 300 pages are heavy
  • Almost all my pens and inks exhibit strike through and bleed through
  • Not good for a wet nib
  • Can only write in it- sketching would result in horrible bleed
  • Forced to write lightly
  • Perfect bound- not very sturdy
  • Won’t lay flat when writing.

Some inks that did well on the paper:

Noodler’s Bulletproof Black, Eel Blue, Walnut, Beaver, Eternal Brown and anything BUT Herbin Bleu Nuit in an EF nib.

Wordy Wednesday: Creative Commons; with attribution, non-commercial

In my world, copyright's purpose is to encourage the widest participation in culture that we can manage – that is, it should be a system that encourages the most diverse set of creators, creating the most diverse set of works, to reach the most diverse audiences as is practical.- cory doctorow

The above quote got me thinking about copyright, people stealing my designs, and the wide open world of the internet. Last weekend, most of you may have missed it, as I failed to announce it, I opened my entire flickr stream up to Creative Commons(CC), Attribution, non-Commercial. I had the setting previously to All Rights Reserved. I read this article with the above quote this AM, about a week after making the decision to go creative commons with my photos. I've also made the difficult decision to set my blog, back to the first entry on blogspot to the same creative commons as the flickr set.

This has been something I've been mulling over for months. I see the internet and thus my blog and photos as communication. I've always seen the important part of them is as a tool of communication. By setting my flickr to "all rights reserved" I forced people to ask permission before blogging one of my photos, or worse yet, forcing them to make the choice between asking permission and just not blogging one of my images. Over the last year I've seen how foolhardy that is, first hand.

Over the last year I've featured a lot of artists here on my blog from flickr. I've been forced into the same choice I've forced people into- ask permission or not blog. I'm ashamed to say, I've made the choice to NOT blog more times than I can count. I started out with the whole idea of the feature from flickr to showcase some of the work that makes my heart pitter patter, things that bring both enjoyment and inspiration into my life. When you go "all rights reserved" the viewer entranced with your image is forced to ask you permission to post your images. Flickr takes away the easy access. I'm forced to go from the awe and inspiration phase into thinking about business before I hit "post." Instead I hit "send flickr mail" and type up a quick email asking permission. More often than not I get no response. So after sending several hundred "Hey can I post your pic?" emails I quit.

I quit because a blogger asking an artist's permission to use their art- with attribution and a link back to the original image with a paragraph about WHY the blogger loved the image wasn't enough to get a response from most people. I have my flickr mail set up to send me an email. I can read the email and decide if I want to respond with a yes or no. I'm willing to bet from the utter lack of response I've gotten when I asked permission that most people don't have that set up. Or people just didn't care about getting their work posted on someone's blog.(Even with hundreds of readers a day!)

The real question is why would any artist want to shut down an avenue for more people to hear about and see their work? The more eyes on your work= the more potential sales. The more people talk= the more sales. To me allowing people to easily blog my images is a win-win situation. They write about my work and people see it= win. If someone wanted to use my images to illustrate a blog post, they can easily do that, all they need to do is link back to either my blog or the original image in flickr. Again, I see this as a winning situation.

Recently one of my favorite artists went from easy access sharing to no access. I was looking through her flickr stream and found a whole host of images I was considering posting with a week devoted to her work. When I went to set up the posts, I was shut down. I was no longer able to use the flickr "post to blog" option, nor was I able to use the "embed image" option. The artist had shut down all options to share her work with others. I was and remain baffled. This is an artist who has had several shows of her work and is well establish and until 3 weeks ago, allowed open sharing of her images, with attribution as long as there was attribution, which I had always given. I have to wonder why someone would do something like that.

On one of Hazel Dooney's recent FB updates I wrote that I felt people should have more access to artists and their work. CC is one way to do that.

Of course, there are always people who are going to steal your stuff. It's the nature of people, the internet, and commerce. Like it or not we're in a commercial business (like it or not art, writing, and images are commodities) and we have a choice- let people steal or take control of our commodities and sell to people what people steal from us. I, for one, am tired of people stealing my designs. So, I will continue to make and design my stuff but I'm going to open a lot of it up to the CC and see what happens. Make anything I create for yourself but start to sell and we'll see what happens. This isn't tricky legal territory. You can read all about the CC here and educate yourself in it, it's less complicated than you think. It also puts the screws to the people who would take your hard work and rip you off.

I tweeted that I was frustrated that people had essentially stolen my pen slip design and were offing the product at a premium price. I'll be honest it's frustrating to use my creativity and come up with an idea that is immediately ripped off. Eventually I gave up on making the pen slips I'd been handcrafting in my basement, individually with care and attention to each one. I gave up becuase I felt I couldn't compete. I see now exactly how misguided I was by giving up. People will always buy the original from the original. There lies my big mistake. Should I start up on production again, it won't seem like I'm the original, no I'll seem like a copy cat, though I've got images in my flickr pool dating to way back in 2006. Giving up was the worst idea I've ever had. I've been kicking myself about it every day.

When I realized that I was doing the exact same thing I hated on flickr, I knew I had something to fix. I looked through flickr and figured out how to make the change and made the best CC licensing choice for me. Should you want to use one of my images in a commercial manner, email me. We can talk, but if you want to feature me on your blog, that's easy, now! Use the flickr share option and share away!

Art Habit part 1

I’m making a commitment to write more. Partially so my writing gets better but also because I’m working on a book. I’ve mentioned Art Habit once or twice before but this is my first public commitment to making it work. InkyGirl.com has 3 challenges on her blog, one of them is a challenge to write 500 words a day. When I’m focused on writing I can easily churn out 1500 words in an evening. When I’m not focused I write nothing. Goal setting is supposed to be good for success so I’m setting a 500 words  a day goal. Will I keep it? Who knows. I hope so. I suspect it’ll be an easy goal as 500 words is just a few paragraphs and about a decent blog post.

I can never keep to NaNoWriMo as it’s the busiest month of the year in my retail job. I’ve signed up nearly every year and failed every year. This year was no exception. I started and I’ve got about 10 to 15,000 words of Art Habit written. I’ve got another 10,000 or so stewing in my head and in various manners in various journals and I’ve given myself a commitment that in 2011 I WILL finish Art Habit. It WILL go into publication in 2012. That is my commitment to myself. This is something I’ve been working on for years, it’s been stewing in the back of my mind since 1998. Every year I’ve given up on it, put it further and further to the back of my mind and told myself that it can’t, won’t, and shouldn’t happen.

This is the effing year I MAKE it happen. This is the year I’m taking a sabbatical from my DayJob, working on an art show, a book, my blog and all the stuff that is important to me.

So let me tell you a little bit about Art Habit. It’s about making and keeping an Art Habit, how I’ve managed the screw up my Art Habit over the years, how I’ve shot myself in the foot, repeatedly year after year, and how I finally found my niche, my place and the ability to keep my Art Habit alive and strong. It’s my story, with some questions in there for the journaler and artist. It’s an exploration and I’m inviting you along to see what has worked and what hasn’t worked. It’s poignant and heartfelt. I’m going to let it all hang out and see what happens. Honesty is good. Hopefully you’ll enjoy the story.

I plan on sharing excerpts as I write here on my blog, I invite you to share with me, in the comments, your thoughts, feelings and stories. I invite you to share with your friends my words via your blog. I want you to muse on my writing in your journal. This is a personal journey I’m sharing but I’m inviting you along.

I can tell 2011 is going to be a spectacular year.

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Happy Holidays

I want to take a brief moment and thank everyone for coming by my blog and reading. You give me constant inspiration and enjoyment. I truly enjoy and read every comment, though I can't always comment back (I hope that changes in the coming year) I want to thank YOU all for commenting and making this past year wonderful.

I hope that your holiday is as warm and bright as mine is shaping up to be. I wish you love and happiness for the holiday and the upcoming year. Make art!

 

As a thank you to all the blog readers, I'm announcing here first that I'm going to offer OSA: Drawing 101 as a self study session. You can read more about it here.

Some more stuff for the upcoming year- Reviews

Part of what I want to add to this blog is a series of reviews. I’d like to review journals, products, books and other items one might use in journaling; both art and written.

I’m developing a format for reviewing journals and products associated with journaling. Obviously journals will have their paper reviewed in terms of suitability for wet/dry media as well as how that paper holds up to the abuse of mixed media. I think that a good art journal needs to also have pages that can be written on with a variety of tools- sharpies, fountain pens, pencils and other markers. I’ll address such things as strike through, bleed through and warping. Obviously this sort of journal review will be vastly different from how paper reviews are done on blogs that focus solely on one aspect of journaling. I have passed over paper that people adore on other sites and adored paper that some people despise.

So I invite people to contact me if they’d like to have their journals and sketchbooks reviewed. Each review will be linked to the seller’s site with plenty of contact info.

I’ve got a ton of products that I used and, sadly some I don’t use. I’m going to reach into my tool kit and evaluate some of these products. The perspective will be that of a mixed media artist. Can I layer the product? Does it stand up to uses the manufacturer suggests and doesn’t suggest? Is it useful? Is the price acceptable or outrageous? 

I’ve got a deep bookcase and I’m going to pull some of the stuff off the shelf, not just new books but older books and review them. I’ve been doing this in part for the zine, but I’ve focused on new books. I want to help people build up a book shelf of their own with books that are really useful resources for art journalers.

The reviews will start in January/ February and I’ll be hopefully be able to do one each week.

My hope is to make this blog more of a resource than it already is.

Anyone who is interested in having their product reviewed can email me: leslie(dot)herger(at)gmail(dot)com