I’ve discussed in previous posts how my workplace offers the finest of the cheapest papers that Staples sells. Every quarter they buy 10 to 12 cases of whatever is the cheapest at that moment. This means the paper is never the same, though it is always one of Staples finest cheapest offerings. Sometimes we get 30% recycled, sometimes it’s not recycled but bright white whatever. You get my drift. The paper varies and it’s always rough and absorbent. As much as I’d prefer to fill out my paperwork with my Namisu Nove F with a Ti nib loaded up with Iroshizuku Tsuki-Yo, it’d feather and bleed through any of the papers. For awhile I was was using an EF or F Platinum Preppy loaded up with Diatrementis Deepwater black. The combination does okay on some of the cheap crappy paper, but not the most recent batch. This has led me on a quest to find the best gel and rollerball pens for crappy paper.
Simply because I’m on a quest for the best pen for the crappiest of terrible paper doesn’t mean that I want to sacrifice my writing experience. I want to keep a smooth enjoyable experience despite the hardship of writing on terrible paper. There are many ballpoints that do well on the crappiest of crappy paper, but I’m not including these in this discussion for the simple fact that I already know they work on crappy paper. You want a solid ballpoint for crappy paper- get a Bic Cristal or Parker Jotter. You want gel? There is much more to discuss.
I’ve already written about how a Pilot G2 is always a solid choice– in both black and blue ink for crappy paper. It has become a go to for my work place. Any point size seems to work well. I stick with the standard offering of the 0.5. I did pick up the Pilot B2P, which is loaded with a G2 0.7 refill and it works quite well. So add the Pilot B2P gel to your G2 choices.
While I quite enjoy the Paperhate InkJoy gel pen in my pocket notebooks and journals when I use it on crappy absorbent paper I blow through the refills incredibly fast. The InkJoy gel seems to flow faster on crappy paper. It is already a firehose of a pen, but cheap paper makes it write wetter and drain faster. Also I’ve noticed that it has a tendency to bleed through on the paper. These faster flow and bleed through makes the Inkjoy a poor choice for crappy paper.
The Uniball Signo series in all colors does well on the crappy paper. It performs as well as the G2. In my mind I like the Signo over the G2 because I’ve never had one dry or skip as I have with the G2. The Signo writes and writes. Plus the BLX colors are just great.
Another Uniball, the Vision, is a rollerball rather than gel ink like the Signo, works very well on most of the paper at work. It writes and writes with good ink flow. Occasionally I’ll notice a few spots of bleed through, but that seems to be a rare occurrence. I use these in the standard black only.
I’ve used a few Pentel EnerGel pens, and while I like the blue on the crappy paper at work, the black isn’t as good. I noticed that the edges of the line are darker than the center. My lines are less dark because of this. The ink flow is good and it doesn’t skip, nor does it bleed. I simply do not like the darker line edges the black produces. The blue does not seem to exhibit this characteristic. I prefer to buy these in refills and fill my Pentel Alloy body- as I always seem to snap the Energel plastic bodies in half before the pen is finished.
The unsung hero of crappy paper is the Zebra Sarasa. Not the Sarasa Clip, just the regular old Sarasa you can find in multipacks in any Staples, and oddly as Singles in many Walgreen’s locations in the US. The 0.7 retractable Sarasa is a decent and solid pen on crappy paper. On better paper it tends to skip and show that weird lighter in the middle line variation I saw with the EnerGel. The Sarasa doesn’t skip, bleed, or anything but write on crappy paper. From the moment I remove the waxy blob on the tip to the moment the refill is drained, it writes and writes.* Combine the Sarasa’s writing with it’s low price and availability it has become a staple in my cheap paper arsenal.
Many of my workplaces have offered Staples brand capped black gel ink pens in 0.7mm tips. While I prefer a click pen at my DayJob, I grab these when they are offered. These seem to be modeled after a Uniball Signo UM-151. They may even be made for Staples by Uniball. (The ink isn’t waterproof or lightfast.) That said, they perform as well as the Signo 207 series of pens on crappy paper- really well. They write and write without skipping or bleeding. That said, the refills are smaller than in the Uniball or Sarasa, so I tend to drain these pens faster than others.
In terms of affordability, the Staples is the most affordable. Because so many workplaces have accounts with Staples you can often get the person who orders to order you a box of 12 of the Staples pens at least once. If you cannot get the Staples pens ordered for you, the Sarasa is probably the most affordable next option. The Sarasa can often be found for less than the G2 or the Signo. If you look for sales, other pens are an option. I’ve been trying to keep my options to be $1 or less per pen. I’ve managed to score some serious deals in the post Back-to-School Sale season- I snagged 5 Indigo Sarasa for 10 cents each. Keeping a close eye on sales and clearance racks has helped me to find enough pens to last at least the next year at my DayJob.**
Looking at the poster, with its flaming sheet of paper sticking out the top of a vague, blue 1970s machine, one might think the movie was about the men in the four boxes at the top. Tom Hanks is arguably the most famous typewriter collector in the world, but he doesn’t feature that heavily in the film; John Mayer, David McCullough, and Sam Shepard are far more prominent, perhaps because the typewriter plays a bigger role in their creative endeavors. But these celebrities are not the focus of the film. They are more akin to hype men, expounding on the typewriter’s beauty and longevity while the rest of the movie focuses on its namesake: a tiny shop in Berkley, California that repairs, restores, and resells vintage typewriters.
Herb Permillion, the store’s owner, his daughters, and repairman Kenneth Alexander keep things running four days a week. It’s almost enough to validate the “small businesses are the backbone of the American economy” platitude politicians spout right before they vote to tax the hell out of them. I found myself pausing and searching eBay throughout the film because of the way Ken talked about a particular bell sound or how his fingers danced over a machine as though he’d built it himself. This family of do-or-die typewriter aficionados lives and breathes the clicks and clacks of yesteryear and it is impossible to not get swept up in their genuine love for these objects.
Some might say a documentary about people repairing typewriters wouldn’t be very entertaining (I beg to differ), so when the cameras aren’t inside the shop, they’re pointed at the men and women who collect or make their living from typewriters. When Tom Hanks talks about one of the over 200 typewriters in his collection, it’s like watching Jay Leno discuss a rare car in his garage. You can’t help but smile and feel the warmth of his admiration for them. 1776 author David McCullough writes all his books on an old Royal in his backyard writing shed. Silvi Alcivar is a “poet on demand” who composes short verse on her red Royal Custom III in subway stations and at street fairs.
Not all featured are writers and poets, though. Jeremy Mayer creates amazing sculptures of animals and humans out of old typewriter parts. I couldn’t help but cringe at his prying apart old Selectrics and Coronas to construct fingers and cheek bones for his skeletal people. When a film is dedicated to the preservation of such beautiful machines, seeing someone mangle them to feed their Frankenstein-like need to create feels like watching a person make wallpaper from torn-out Bible pages. Mayer’s work is fascinating in a macabre kind of way.
Regardless of how each individual uses (or abuses) typewriters, every single person in California Typewriter has a different and unique reason for why he or she enjoys them, be it the sound, or the joy of an analog lifestyle, or the satisfaction of putting actual words on an actual page. This is what’s most inspiring about the documentary: everyone in it is different, just like every typewriter is different. The bells chime in different tones. An Olympia has a crispier “chunk” than a Smith-Corona. Keys are spaced and shaped differently, and each of those characteristics is something to either entice or repel a potential owner. One person makes sculptures with parts while another makes music. One types non-fiction in a shed while another types poetry in public. The typewriter can be a symphony and a work of art, and while different people may use it in different ways, its purpose is clear: to create.
After watching the film, I felt compelled to drop a fresh sheet of paper into my own Smith-Corona and start a new short story. My words hit the page like gunfire. Sure, it was nice to slow down and get away from the notifications and dings of new email, but more than that it was fun. Typewriters are fun. Typing on a typewriter is fun. Fun is something not talked about when writing on a computer or even by hand. One is mundane, the other a chore (I’m failing NaNoWriMo by hand and it is less than amusing). The people of California Typewriter, both the shop and the film, embrace the fun side of the tools we take for granted. Their enjoyment is almost better than the footage of all the beautiful typewriters they surround themselves with. Almost.
Practically speaking, I try to get the most out of what I do have by using it, using it and using it some more! There are a few things that I carry around with me on a regular basis that get a lot of use. First, is my little Klimt tin, which houses my most-used erasers and a traveling sharpener. 
While as a medical student, we aren’t able to use pencil very often (we are required to use pen or submit typewritten work for the most part), my favorite use of pencil lies in my quiet daily life, in journaling, making grocery lists or my bullet journal. I have a special pencil case that I use when I travel along with my notebooks that can fit even an unsharpened Blackwing and has extra pockets where I can keep a Ziploc and a sharpener, for long point sharpening while traveling! My favorite notebooks are my A5 bullet journal (no brand traveler’s notebook), the Olive Edition by the Traveler’s Company used for journaling and my September Leather Field Notes size bought off Amazon for my notebooks that carry lists, brain dumps and speaker’s notes for the debate team that I train.
All in all, when asked to describe my process and collection and myself, as a lover of stationery, I label myself as an appreciator—both a user and a collector. I find my collection to be large for someone who didn’t have to spend too much and I love, love, love trades because they not only allow me to get to know others within the pencil and stationery community, but they expose me to pencils and other paraphernalia that I would otherwise not have known without the kindness and knowledge of others. So maybe I can’t yet afford the renowned Pollux or snag a vintage Eberhard Faber Blackwing, but with my kind of SABLE, I find that I get to go on an adventure every single day.
In my mad rush to find some pencils, I first stumbled across the “Writing Center” (pictured below) which mostly carried fountain pens and fountain pen related ephemera. They had these gorgeous Caran D’ache pencils—a set of four for $30 USD, which I had to pass on, but a quick trip upstairs landed me with some well-priced single Caran D’ache pencils, a cool store brand notebook, and an Agatha Christie novel I hadn’t read yet.
The store is a must for lovers of washi tape, as I felt like I couldn’t walk ten feet without bumping into another selection of (admittedly not cheap) beautifully designed tape. I also found this huge table of Rhodia products, half of which I hadn’t seen before. The store also carried Leuchturrm, Midori, and Moleskine products.
The day I set out to hit the rest of my stops, it was pouring rain (yikes!) I’m pretty sure I ruined by shoes, but my love for stationery won out, and I found some real gems!
PINMO PURE
I was about to leave when a jar of pencils caught my eye. In this magical jar I found some loose Palomino Blackwing 602s, a couple of Pearls, an older MMX with the gold stripe (which I snapped up), a vol. 1138 (!), and three vol. 24s (!!!) I rushed to pay for my purchase, constantly glancing around me making sure that no one was going to take my treasures away from me.
TOOLS TO LIVE BY
They had a myriad of Japanese pencils as well as American pencils including loose Field Notes pencils (both the round ones and carpenter), Rhodia pencils, Palomino HBs, and a couple of loose Guy Clark editions too (which I happily picked up). They had some individually wrapped (!) Pitch Black Field Notes. They also had a really amazing selection of high quality (and priced) “Tools to Live By” branded items from delicate and surprisingly heavy scissors to beautifully thin metal rulers.
CONCLUSIONS!
Here is where i”m going to go tangential on you. There is something really fresh and fun with all the things BF has been doing lately. Train of Thought is just one example where BF is shaking up the bring monotony of the stationery world. There are a hundred places where you can get a black grey, or white pocket notebook; hell even BF offers their notebooks in standard colors of black and grey. No I can’t take these into a stodgy board meeting but is that the target audience of these notebooks, or even the New School set? I don’t think so. I think Baron Fig is going after their core audience of younger professionals who might not be so concerned with what is considered “professional” in the traditional sense. I suspect a lot of people are going to loathe this set while many more are going to enjoy Lisa Frank on acid. I am in the camp who loves the idea of these despite working in an environment where my boss might tell me I can’t use them.