Author Archives: leslie

Use it Before Reviewing it

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I’ve previously written about what I’ve referred to as the beauty or drive-by review. I think it’s better called a first impression review, which lacks the derogatory inference of the terms beauty or drive-by. Though, I do believe that such reviews are inferior to reviews with lengthy use supporting the opinions of the reviewer.use it use it

This in the front of my mind as I have two reviews in my queue that if I had reviewed them after writing only one page right after purchase, my review would have been skewed overwhelmingly favorably. Now that I have at least a month of use on these pens, I have different feelings. I have written in my Field Notes, composition notebooks, assorted cheap paper at work, my sketch books, and other paper, and the results have varied wildly. I’ve also subjected each pen to long writing sessions, brief notes, being uncapped for brief and longer distracted periods. Each method of use gave me a better of idea of how the pen felt and worked. Also the longer review period gave me a better idea of the longevity of the pen. I can better answer, “Will this pen last?” or “Is this pen a value?”

If I chose to place emphasis on quick initial impressions, as in my TWSBI Eco(nomical) first impression “review”, I should label them as such. Can I accurately report on a pen or pencil if I have only used it for the single sheet of paper I used to write the review? Or should I hold myself to a higher standard and use the damn thing for longer? If I only use the pen/ink/pencil in a Field Notes/Rhodia/composition book/Hand-Book sketchbook, how am I telling people about the performance? I’m not, I’ve only got the one point of comparison.

I know that the standard has been set that reviews on pens and pencils are done on one sheet of paper by one manufacturer, but it’s a simplistic precedent and one that those of us who do reviews should revolt against. There is a division between reporting on the aesthetics of a tool and it’s overall performance. I fully believe that the performance of a pen/pencil/paint/paper cannot be done with a single written page.

Review: Mitsubishi Boxy Eraser

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After reading a bunch of reviews I sprang for a Boxy eraser. I’ll also admit that I have a thing for black erasers. They are super cool, or have been stuck in that “super cool” frame since I was 12 and in 8th grade and most erasers were pink. I missed out on the bright neon Yikes! erasers that came out in the following years. See I graduated straight from pink pearls to art erasers, and once I became an art kid only art erasers would do. I digress, back to the Boxy.Boxy

I must admit that I was underwhelmed with the Boxy when I first used it and it has sat in  my eraser cart* for months before I pulled it into regular rotation. The only reason I pulled it into regular rotation at all was because I misplaced my Sakura Foam, which is STILL the greatest eraser of all time. When compared to the Foam, the Boxy falls short. The Foam is still superior.Boxy

Enough talk about the Foam, the Boxy is not a BAD eraser, it’s a great eraser. First off it is a great shape, the long squared rectangle is perfect for cleaning lines of text out of small tight areas.It also cleans my soft dark 2B and 4B pencils off every page I’ve used. I used the Boxy during a class and it cleared away General’s Cedar Pointe #1 graphite off a composition book page like it had never been there. The soft body of the Boxy got into the nooks and crannies of my writing and cleared that graphite until it was gone.Boxy Boxy Boxy

I also got a chance to test out the Boxy on some art. I had sketched a drawing onto really rough thick paper and then inked it with Carbon Black in a brush pen. Loads of dark pigment over the graphite. Now the main issue when cleaning up graphite is that the eraser also picks up some of the ink and either smudges or grays it out. The Boxy did not gray out my image, at all. Areas that were damp smudged but the dry ink didn’t turn gray. Which is awesome.Boxy Another added benefit of the Boxy is that it is sturdy enough to carry in a pocket without any additional protection other than it’s own paper sleeve. The Sakura Foam turns blue in the pocket of my jeans and seems to shrink as the cotton wears away at it’s soft body. The Boxy has none of these issues. First it’s black, so even if it were dirty who would know? And secondly it’s a smidge firmer than the foam so the simple act of walking doesn’t create quite enough friction to wear it down.

Now my biggest gripe with the Boxy is that it leaves crumbs everywhere. The eraser bits, so eloquently known as crumbs, roll up a bit but don’t stick to themselves or to the eraser. Because it is a soft eraser, it makes  a ton of crumbs. After using the Sakura Foam for so long I spent a few minutes looking at the mess of crumbs on my paper and trying to press the eraser to them to see if they would stick with little success.  Your page must be brushed or tapped clean. I don’t find this quite as annoying when drawing as I do when I’m making notes in a notebook, the crumbs get caught in the gutter of the book and leave bumps. Annoying.Boxy

Bottom line: The Boxy does a fantastic job of cleaning the page and stands up to pocket carry better than the Sakura Foam. If you are looking for a pocket eraser that does a great job, get the Boxy, Available at a bunch of retailers, but I got mine from Jetpens with my own cash money for general use and not for teh purposes of review. The review occurred organically.

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Portrait Process

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I thought I’d show you some of the process of creating the images of the presidential wannabes.

I start by looking through google and assessing the kinds of pictures they have available. I don’t use just one as a reference, sometimes an image will wash out the nose, or the lips. Quite often all of the images made the candidate look pink, really really pink. Occasionally they’d be orange or gold. I think it depends on the photographer, but man, many of them should get their blood pressure checked, because their faces are RED.  After I find 3 or 4 images to reference, I start with a sketch, it’s basic. I was using a “iron blue” (AKA payne’s gray) Derwent Inktense. However, my local stores only carry Inktense in tins, and I have no interest in having a tin of them. I like them for under drawings for watercolors because after I add water and they dry, they stay put. However, they aren’t light-fast, or all the colors aren’t. So I don’t want to rely on them because I don’t want to use them in anything but my journal. I have moved to other brands of watercolor pencils and I’m debating which I like best.processprocessAfter the under drawing us finished, I hit it with water, blending the color out and into the proper tone.process processAfter this I start to layer on the actual colors. I and working with a bright and dark palette of not true to life shades. I start with pale pinks and yellows, brushing these on in broad strokes. I’m using a #10 synthetic brush. I then layer on medium shades, and finally the fully saturated dark colors. I’m a huge fan of mineral violet and indigo. Such amazing colors. process

Two Weeks with the TWSBI Eco(nomical) Fountain Pen

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It’s been another week with the Eco(nomical) I’ve run it through a full fill in a variety of circumstances. I continue to enjoy the pen and it has performed incredibly well.IMG_20150726_112046I have been using mine in my Field Notes with a personal blend of ink that is dark teal in color and based on the no longer available Scribal Workshop’s Siren. The blend was to lend flow and smoothness to a nice ink color. The ink works remarkably well in Field Notes with  the EF Eco(nomical) nib. I experience minimal bleed and show through, and what does occur is not noticeable once I write on the reverse of the page. The pen and ink combo just works in my Field Notes.

The other place I’ve been using this pen is in a regular Roaring Springs made in the USA composition book.* This composition book is not a great one for fountain pens. Rather it sucks up ink and let’s it bleed through. I did 10 pages of nonstop writing and the pen just delivered ink to the page, no skips, no burps, no issues. Smooth flow all the way. Compared to my TWSBI Mini, also in EF, the Mini started to dry up around 4 pages, and eventually stopped writing and had to be primed to write again. When a paper forces the pen to deliver ink above what the feed usually delivers, and the pen keeps writing, well that is a win in my book. The Eco(nomical) kept up.

I spent a day in a hot sweaty gym watching my wife lift heavy things in a skilled manner. I kept the pen in my FodderstackXL in my back pocket while I sat on hard plastic bleachers. I sat with a good friend and while we weren’t getting up and cheering, Olympic lifting is more of a calm clapping type affair, we were moving about as we talked. Suffice it to say that this was not a gentle stress test. I’ve spent significant time at the new Dayjob and walking** around my city in warm weather. In walking in from hot humid weather to air conditioned cafes, I’ve not had many issues with burping or blobbing, in fact the issues I’ve had relate to my notebook picking up humidity from the air and allowing the ink to blur out. If I weren’t stress testing this pen, I’d honestly be using pencil due to the humidity.

All of my previous thoughts about this pen stand. It is clunky and that clip is ugly as sin, but it writes, and writes well. The only issue that I really have with the pen (other than it’s looks) is that the clip is super tight and doesn’t just slip over anything. I have to lift the clip to slide it over anything. It’ll slide onto the cover of my Field Notes or Comp book but that’s about it. It refuses to slide over fabric of any kind, from thin dress shirt material to the thick pocket of my FXL. I’ll do another update when I’ve hit around a month or so with this pen.

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More Unflattering Portraits of Presidential Wannabes

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I kinda decided that none of these portraits would be flattering. IN fact I went out of my way to find reference materials that were unflattering. Many of the candidates have what I call the “petulant little repuglican repuglican repuglican repuglican repuglican democrap democrapboy frown.” You know the look a little boys, around age 5, gets when they don’t get their way? Some of these candidates get that, so often I was sure I’d painted a few of them previously, only to see they were photographed making the exact same tight lipped frown as another candidate. Go figure.

Desire to Acquire

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A few months ago I started to really deeply consider the things that I’ve acquired. While I hadn’t gone past what I could reasonably use in a lifetime (SABLE*) I had picked up a lot of stuff I wasn’t using. After I’d written and posted my “cult of stuff” essays a few years back, I’d become good about not buying so much stuff. My art supplies are right within the range of reasonable use. I have a few more sketchbooks and plenty of watercolors, but I’m good about buying what I’ll use and not a whole lot more.

Somehow my desire to acquire more fountain pens and fancy pencils, though I’m a confirmed user and not collector of said tools has continued me down a path of purchases. And more purchases, and more. Things came to a head when I had to purchase a set of storage drawers to store my pencils. As I put the drawers to use, I realized I had many dozens of pencils. Some were brands and styles I’d never use. I made a few decisions, four to be specific, and for the most part, I’ve stuck to them. I like to call these “concepts” and they are as follows:

  1. Reduce– aka stop the acquisitions. Stop bringing in more stuff. Get rid of stuff I won’t or don’t use.
  2. Use– Use the stuff I have. Diligently work my way through my stash of pens, pencils, ink and paper.
  3. Examine– Deeply examine how I use my stuff. Look at each item I own and how I use it. Did I purchase it as a novelty (725) or is it something I use on a regular basis (Tombow 8900) and is part of my everyday carry (Fodderstack XL)? Examine my uses. Document them carefully. Refer to decisions reduce and use. Follow through.
  4. Forgive– I’m going to give into marketing and hype and peer pressure, and when I do, use the stuff and then move on. Beating myself up for not adhering to concepts 1-3 doesn’t help. But I can refer back to them to examine the whys and hows of my purchases. Anything new that comes into the fold must be used and reviewed.

I’ve done remarkably well with this system so far. I was able to resist getting the latest Field Notes edition, which I thought was pretty cool, but I know I prefer grids to their lines. So it was easy to resist. However, I bought the TWSBI Eco(nomical) and it was an easy one to buy as I’d wanted  one from the moment I saw their first mock up on their facebook page. I used it for a week, reviewed it, and I’m still using it. I’ll post up a few follow ups over the next few months, and report if I continue to use it or not.

So I’ve done pretty well in my new concepts. I need to refine my examination of why I want something, so that the “reduce” concept is more fleshed out, and includes a built in form of resistance. But that is for another post.

For another post on this subject check out The Clicky Post.

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Portraits of “Presidential” Candidates

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In an effort to learn more about politics and be balanced, I decided to read about each of the declared candidates for president. That wasn’t making things stick, so I decided to make art for each of the declared  candidates for US President. It turns out there are many of them. I could end up making little paintings about them all summer if I wanted to. I don’t but I’ve decided to highlight a few of them and fill a journal. Here are a few without my color commentary.

IMG_20150723_214208 repuglican repuglican repuglican repuglican IMG_20150727_112355 IMG_20150727_112355 IMG_20150727_112355 repuglicanHere are a few close ups of what the paint looks like after it dries. I’m working very wet into wet and in the humidity the paint takes forever to dry. I’m also working with a #10 and #20 brush on a hand-book travelogue series sketchbook. Which I’ll have to do a full review on soon enough.

granulation granulation

A Week with the TWSBI Eco(nomical) Fountain Pen

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I’m not going to go into the specific details about this pen, this has been covered by Goulet here and the video embedded below.

Compared to other pens in the same price range, such as the Lamy Safari I find this to be on the clunky side. The cap seems a little too large to me and its lines don’t flow like the TWSBI 500 series. But it reminds me of classic budget pens like the Scheaffer school pens or the NoNonsense but with a revised clip. I always liked my NoNonsense pen, and this brings that classic aesthetic into a modern piston fill pen. That is, of course, the really important thing to remember about the Eco- it’s a budget piston fill pen with a quality TWSBI piston mechanism.20150727_100122This is not to suggest that there aren’t other budget piston mechanism pens out there, there are, but they are usually around $50 or more. There are pens from China and India that piston fill for a little less, but the pistons are junk and only hold about .75 to 1ml of ink. While the TWSBI mechanism slurps up big gulps of ink smoothly and holds roughly 2ml of ink. Which is quite a large amount if you use a fine or ef nib.

One of the areas they have saved some cash is on finishing. There are visible mold marks on my Eco. They are faint but there. They are also visible on my cap. Additionally, because I’ve been stress testing mine by using it as an EDC in my Fodderstack XL it is showing some fine use scratches. This is in part I’m carrying it WITH my Metal Shop CT Twist BP in the FXL pen holder. It is getting really beaten up through rubbing with the Twist but also on the nylon of the FXL. That being said, I’ve also sat on it, tossed it into my bag and put a water bottle on top of it and generally not been careful of it.TWSBIeco TWSBIecoOf course, the toughness of this pen will be tested out by time. My stress test is just me in my particular use. I think that the FXL keeps the pen pretty secure, even if I do toss a Klean Kanteen on top of it on occasion. The cracking that occurred in the original 500 series seemed to be something that happened over time, rather than in response to trauma inflicted on the pen. So really we just have to wait a few months to see what will happen.TWSBIecoThe MSRP for the pen is $28.99 or $29. I bought mine via Amazon via TWSBI* for $32 with shipping included. TWSBI adds in the shipping to their Amazon prices, so though they state “free shipping” you are in reality paying $3. Depending on where you purchase yours, the shipping may be more, or it may be less. Though I doubt it would be much less.TWSBIecoAnyway, my nib has been really nice, with a small amount of smoothing it’s really nice. So far, I’m pretty happy with this pen. It isn’t as nice as my Mini or 530 or 540, but so far it’s been pretty tough and does the job. I certainly agree with Ed Jelley that the cap is ugly, classically so, but damn, eww. it’s not a sexy pen, but if you want to introduce someone  (or yourself) to the world of fountain pens with something with a piston fill and a nice bottle of ink, this may be the pen.

I’ve been using this pen as my on the go pen- in my pocket all the time paired with a Field Notes and my Twist bullet pencil. It does reasonably well with my particular ink (a blend of turquoise, blue, and black to make a nice dark teal) in terms of flow, bleed through, and smoothness.

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Review: Sennelier Aqua-Mini 8 Half Pan Set

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The 8 color half pan travel watercolor set from Sennelier is a fantastic deal on on great watercolors. Getting 8 half pans for less than $20 is a steal, so this set is well worth the asking price, with a few caveats and work you’ll have to do to make the set useable.

The colors included are fantastic and useful for just about any urban sketching adventure. Unlike less well planned sets, this one includes the ever useful Payne’s Grey rather than black. The other colors are: primary yellow, French vermillion, cinereous blue, French ultramarine, pthalo green light, sap green, burnt umber. These colors have their limits. Obviously there is no cool or true red, so there is no mixing a decent purple, but overall it is a very useful set of colors.

First the big issue is that the tin and insert that the colors are packed in is not quite useless but really not great. The insert is made of flimsy white plastic that I cannot imagine would stand up to much use. It’s not bad, and it might last the life of the pans, it’s just not all that useful. Using the colors in it means the plastic moves around quite a bit. Annoying.
sennelier mini
To fix this issue I moved my half pans from the flimsy insert to Schminke empty half pans**. Useful.

The tin the set is housed in also has a few issues. First the lid has that cute little viewing window, which makes the lid, normally used to mix paints on, useless for that task. You could go about painting it or cutting a piece of Yupo to fit*. But that is way more work than it is worth and it won’t sit flat for mixing, so color ends up under the Yupo. . The next issue is that the tin is about ¼ inch deeper than most mint tins. This makes fitting a brush in a little more work.

I abandoned the tin and placed my pans of color into a new tin. I’m using a Thayer’s lozenge tin- it’s square, fits my hand well, and is just deep enough to hold the pans well. I use a little ball of plastic tack to hold each pan in place. It works well, and allows me to pick and chose what colors I’d like to include in my tin for that outing.

Sennelier watercolors are a great choice for someone looking for good watercolors that wet easily. Some people dislike them and others love them. I’m a fan of them for their good colors, relative affordability, frequent sales, and amazing rewetting; simply touching a wet brush to the pan results in a decent load of color.

For roughly $18, getting 8 half pans is a steal.

Oh, it comes with a tiny little joke of a brush. It holds a point well but it would really only be useful for working on something smaller than an ATC or ACEO. The handle is far too short to be useful. If you can figure out a useful way of extending it, let me know in the comments.

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Review: Nock Co Fodderstack XL

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I backed the Pen Addict Kickstarter this past spring and received a Nock Co Hightower in dark green and yellow. It was fabulous, but after a few days of testing it out, it simply didn’t suit my needs. I sold it and bought myself a Fodderstack XL, which is basically a cordura nylon sheath for a pocket notebook and a pen or two.

I bought mine in the midnight and blue jay color way, which is a deep navy blue outside and bright blue inside. The stitching is slightly lighter than the exterior canvas, which I quite like. Looks wise, this is a pretty simple concept, in line with the DDC Stuff Sheath, but nylon and vegan for people who care about that sort of thing. I’m not vegan but I was looking for a lighter weight alternative for my summer notebook carry. My One Star Leather goods cover is heavy and seems to cause excessive sweating in my rear pocket.FXL

The Fodderstack XL (FXL hereafter) fit my needs better than the Hightower. It fits into my back pocket, carries up to 2 notebooks and my Metal Shop CT Twist bullet pencil, and either a pen or other writing tool. Lately I’ve had a Field Notes BIC Clic in there. Currently, I’m using a Field Notes and a Nock Co Yellow flap notebook. Now that I’ve been using the FXL steadily for over a month, I can’t imagine my carry without it. In fact, I’m not sure I’ll go back to the leather cover at all. The FXL is smaller, lighter, and simply works for me. FXL

Now that I’ve professed my love for the FXL, let me tell you a couple of issues that my FXL exhibits. At least one of which is nit-picky and the others… Less so. First, my tag is stitched on slightly crooked. This annoys me but does not alter the functionality of the FXL. The bottom edges are not heat sealed. This meant that until I turned my FXL inside out and singed the edges with a lighter, little frayed bits of nylon kept finding their way out of the bottom.* This greatly annoyed me, it also lowers the longevity of the piece. If the bottom continued to fray, eventually it would tear out. *GNASHES TEETH* My final issue is that some of the stitching was both loose and poorly done. I used my sewing skills to pull a loose thread through, tie it off and then heat seal it. In fact I went over every end stitch and sealed it with a flame. Had I not done this my FXL may not have made it the month.FXL

I’m looking at these issues as aberrations because the Hightower did not have any of these flaws. Especially, not the stitching flaws. I think the basic design of the FXL leave the bottom seam open to fraying, and a wonderful solution would be to heat seal the edge after sewing the bottom. That would keep the bulk down, but stop the fray. Perhaps Nock Co should also look at upping their quality control. The loose stitching was apparent the moment I put a pencil into the case.FXL

Now keep in mind my FXL sees daily hard use. I walk relatively long distances with it in my back pocket. I keep it in my back pocket and sit on it. In fact I had a class and sat on it in a warm classroom in Cambridge, MA, for two long weekends. I use it to give my FN support while I write. I’m not gentle with it. I toss it around and generally give it hard use. As I said above. I know that in one quick grab I can have all my notebook and pencil needs taken care of and be out the door. Te FXL has helped me to simplify my carry and through it’s use I’m able to worry less about “Which notebook do I need to take?” Rather, I have 2- one for my general junk notes (Nock Co Flap) and one for my more formalized use (FN.)

Anyway, the FXL is part of my daily carry, and I think if you are trying to simplify yours, it can be that cover.

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