Category Archives: Review

Review: Update Pentel Pocket Brush Pen to Eyedropper

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I wrote about the Pentel Pocket Brush Pen here. I suggested in the post that perhaps the pen could be converted to eye dropper fill rather than use the carts. I find that the pentel carts are pretty pricey, though it is awesome ink. They range from $2 for 2 ($2 per cart whoa!!!) to $ 11 for 6! (Jetpens has about the best price I could find.) Converting this pen to eye dropper amount to a massive savings. I found I went through a cart pretty quickly in regular sketching and using the black to fill in the background.

 

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I loaded it up with some Omas New Gray. Which is a nice pale silvery gray that layers well, perfect for sketching. It is not a lightfast gray so it should stay in the journal and not on the wall. I’ve posted here about turning a pen like this into an eyedropper and this pen is no different. I used a blunt syringe to fill the barrel with juuust under 3ml of ink. That’s 3 carts of ink, in one fill. While I used a dye based ink I could fill it with a pigment based ink as it’s designed for that, which mean it’s even more awesome.

After letting the ink get to the brush I noticed that the ink flow is a little faster than with the Pentel ink. This could be because the Pentel ink has pigment or is thicker than the dye based ink. The Omas Gray ink has good flow even in a fountain pen. I’ll be trying out more inks once I run through this one. The other good thing is that I can fill my black pen up with Noodler’s Heart of Darkness once I run out of carts of black. (Scored 2 more with this pen.)

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The best thing about turning this pen eye dropper? It’s simple. All you need is a little silicone grease from the plumbing section of home depot and an eye dropper or a blunt syringe. Money saved? Each fill will save you about $3 over using cartridges.

 

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Review: Pentel Arts Pocket Brush Pen

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I have been coveting a pocket brush pen for awhile. I have a brush pen but it has a incredibly long handle and is a pain because of that. I was comp shopping Michael’s when I came upon this pen. Imagine my horror when I got to the counter and found I’d left my 40% off coupon at home… I put the pen back and came back later. With my 40% off coupon I snagged this pen for a measly $10.83, which is less than I could find it online.

 

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It’s sold on a blister pack like most other markers and pens are at Michael’s. Once out of the packaging its a nice looking shiny black pen. It’s comparable in size to most pens on the market. It’s very light weight even with the cartridge plugged into the pen. After wielding a TWSBI 540 for an extended writing session earlier in the day, this is like writing with a cloud. The pen is all black except for a Kanji character on the cap near the clip and the pentel name on the opposite side of the cap.

 

 

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After installing the cartridge the ink descends into the brush rather quickly, the brush was fully loaded with 60 seconds of installing the cart. The tip is soft, flexible but springs to a point immediately after pressing it down fully. It is capable of giving a hair thin line or a swath of ink 5mm wide. The ink flow is generous and kept up with some very quick line work. The line variation is quite nice and relatively easy to control.

 

 

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The ink in the cartridges is reported to be in water resistant. Something that I found interesting is that the back proclaims that the “fittings” are leak proof. This tells me that with some silicone grease this pen could EASILY be converted to eye dropper fill. For me, this is a VERY VERY interesting thing. In my testing I found that the ink is water resistant once dry on paper and when wet gives a very nice wash effect with a nice even gray tone. In effect you could take just this and a water brush sketching and you could do the sketch, allow it to dry, add more ink, add water and get a nice gray tone for your shadows. The ink is not water resistant on acrylic paint until it is FULLY dry. It writes without issue on acrylic, no skipping or beading up. It does take quite some time to dry on acrylic paint- to get to the fully dry point it needs a few minutes.

 

 

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This pen is a very good price when 40% off but at full price at Michael’s I’m not sure. I’d rather put together a $25 order with Jetpens.

I'll probably do an update to this review once I run through the 2 carts that came with the pen and convert it to eyedropper style. (See update on eyedropper fill here.)

Reg $16.99 at Michael’s $14 at JetPens

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Review: FlexiSketch Sketchbook

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I picked up this sketchbook on sale at Artist & Craftman. It was super affordable, more so than usual. It usually runs in the $10 to $15 range. The 8.5×11 inch sketchbook feels weighty in hand and looks nice. The green color is a soothing soft mossy green they call "Fern." I’m annoyed that the 25% more FREE stick is stuck to the cover and doesn’t peel off easily. I’ll be hacking at it with a knife to get it off. After opening up the package I notice it’s Smythe Sewn like a moleskine so it will open flat and flatter the more I use it. The binding is nice and flexible but the wrap around cover on the spine is less so.

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The paper is bright white, thick and sturdy feeling, 75lb/110gsm. There are 300 pages or 150 sheets. It has a soft texture and is nice with pencils. Wider nibbed pens glide over it’s surface but narrow nibs sink into it’s surface a little. The paper is absorbent with ink and watercolor. I didn’t notice any feathering with ink but most pens looked to be about a size larger than on other paper. I noticed some ink soaking through as I sketched and wrote. Nothing major since I didn’t plan on using both sides of the paper anyway. This isn’t a deal breaker if you use dry media like pencil or charcoal. The fact that the paper soaks ink up like a paper towel is annoying, and if I were using expensive ink, would annoy me.

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The cover is thick cardstock with a glossy finish. It scuffs easily, but I don’t mind that. If you are the sort who would like to decorate your art journal you’ll need to sand the surface to get gesso to stick. I managed to pop the glue that holds the back cover to the block off. Rather annoying but it also let me see the spine and that it’s glued sturdily and will survive a lot of abuse. This also makes me think I could cover this journal with little work

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Overall my verdict on this is that this sketchbook is a great value. The paper isn’t optimum for ink but it’s thick and sturdy enough to withstand pretty much anything an art journaler can throw at it. The paper has a nice surface for a variety of media. While pen does soak through in some spots it looks fantastic on this paper. I’d buy it again.

 

Review: Loew Cornell Simply Art Fine Tip Marker 4 Pack

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Loew Cornell Simply Art Fine Tip Marker $5.99/ 4 pack @ Joann's

 

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I was doing some comparison shopping for my upcoming class on pen and ink drawing and I stumbled upon the Loew Cornell Fine Tip 4 pack at Joann’s for $5.99. They claim to be water resistant and non- bleeding. One look at the package and you can tell they are clearly a knock off of Pigma Micron pen put out by Sakura. The short cap, metal clip, and cap post on the end of the pen gives it away.

 

 

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The markers are sold in a blister package with some claims and suggestions. The first claim is that they are water resistant. The second they won’t bleed. The back of the package suggests that you can use them with watercolors and other markers. I’ll get to these claims shortly.

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The pens have a matte black barrel that is comfortable to hold. The pen is very lightweight. The cap posts securely to the back end of the marker with a satisfying click. While writing with the marker I found the ridge where the nib section meets the barrel to be quite sharp and uncomfortable. I suspect that this will be the main reason I stop using these markers.

 

 

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While writing I found the fiber tip to be quite smooth on all pens but the largest, .08, and that nib was dry, as if it had dried out in it’s packaging or was out of ink. The sketching experience was not bad at all, the line was smooth and consistent for each tip. There is no line variation unless you switch pens. The ink is black but seems to gray out as it dries, leaving behind a dark gray line rather than a black line.

 

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An additional flaw is that the cap is the only part with a size designation and it’s easily missed so caps could easily be put on the wrong pen. The barrels are only marked with the Loew Cornell name.

As for the water resistance, they are, sort of. I found that a lot of the ink lifted with a fast brush over with water. Leaving behind a strong gray area in any spot that was damp. There was a LOT of bleeding that would discolor any watercolor wash applied over it. This also washed out the lines. I went over my test area with another brush load of water and worked the area with the brush, nothing that would be called a scrub, and with a soft brush. The thinnest lines lifted almost completely and black lines were left grayer than before. The gray that is left is a very nice color. Knowing that these create a wash like this is actually pretty useful, one could throw these into a sketch kit with a waterbrush and get some pretty nice sketches with a wide range of tones of gray.

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All in all these aren’t a bad value for $6 as long as you take the negatives into consideration- the grip itself, that one of the 4 pens I got wasn’t working properly, they are kinda water resistant, and that only the cap is marked for size. On the good side of things, you get 4 markers that write a lot like a Micron for a lot less, make wonderful washes, are all black and write pretty smoothly.

I’d recommend these for anyone who is interested in trying out this style of pen- very fine fiber tip. I don’t think these will sell you on the style though, they are too uncomfortable to write/sketch with for long periods of time…. Though a nail file might take the sharp edge off the grip area… Might try that, if I do I’ll let you know all about it. I want to suggest these for kids, but I don't want people to assume that I'm saying they are only for kids. I guess I'd say these are good for older kids- teenagers who are sketching for art class, or are writing or for someone who wants to test this style of pen out. you won't get the same performance as you would with a Micron but it's a good point to start.

 UPDATE: I have been using these in SOME of my cowboy sketches and I've found them far more comfortable to sketch with than I'd have expected. We're not talk ing 2 hour long drawing sessions, more like 15 to 20 minute drawing sessions. I amend my previous statement about them being uncomfortable to being mostly comfortable for sketching. Add to that the blending capability when water or ink is added really adds an other level of darks to my gray ink brush pen. I'll need to test it and see if it's lightfast before I suggest it for anything other than sketching.

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Review: Jinhao 602 Fountain Pen

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Every now and then I get a surprise in the mail. Today I got a Jinhao 602 fountain pen, a gift from Christie. She suggest I review it, so I'm being dutiful and doing so.

Pulling the pen out of the envelope I found it in a black flocked case. It felt rather heavy for it's size. The black paint is smooth, the gold colored trim is nice, even if it's gold (I prefer silver.) the grip section is oddly trimmed in brushed steel. It doesn't match the rest of the pen, even if it is comfortable. The pen is very slim measuring about 3/8th of an inch in diameter. It looks good.

 

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The nib is steel but colored gold. It is hooded so only part of it can be seen. The nib is stiff, with no flex or bounce. It produces an even fine to medium line with good ink flow. It would be great for sketching. The nib offers a little feedback but it's not scratchy

 

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The downside is that the cap does not post well, as this is a small pen it would be more comfortable if it were posted.

Overall this would be a very good pen for sketching, priced a little more than $5 you won't be heartbroken if it dies or you lose it. I was surprised at how well the pen wrote, it was remarkably smooth for $5. (Not as smooth as the Serwex Special I reviewed earlier.) Not a bad deal, head over to eB@y and search for one.

Unposted length: 4.5 inches

Posted: 6 inches Capped 5.5 inches 

Less than 1/2 inch in diameter.

Cost: About $5.50 shipping included on eBay.

A good value for the money if you like thin pens with fine nibs.

Unlike the Serwex Special I reviewed a few weeks back, this is not a candidate for abusing with India inks. The hooded nib means getting the feed out of the grip for cleaning is nearly impossible. India ink will gunk up this pen and render it unusable in short order. 

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Review: Fountain Pen Revolution Pen

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I stumbled upon Fountain Pen Revolution while searching for a place to find a couple of inexpensive fountain pens made in India. The FPR is a site dedicated to the sale of such pens. At the time I found his site I also found that he was running a special I took him up on his offer and scored a fountain pen for $2.50. The special is no longer running but his prices are pretty reasonable. There are pens on his site for $6 plus $3 shipping. Not bad especially when you consider the review I'm going to give on this $2.50 pen.

The pen I was sent was a gray Serwex Special 101. It reminds me of the Noodler's Nikita Nib Creeper pen. Ever since I got my first Noodler's pen I sniff my new pens, I know weird, but not. The Serwex has a slightly different odor like engine grease and garage, or what plastic toys smelled like in the early 80's,* somewhat pleasant. Unlike the Noodler's which I likened to dog crap and diesel fuel. Along the side of the clear barrel is a gold foil imprint of the company name and product name. The cap has 2 cap bands which are silver. The clip is also silver and seems to be pressed steel. The jewel, which holds the clip to the cap is black. The gray cap itself is slightly mottled with a few streaks of darker gray here and there. The barrel is tapered and has what I call a cigar shape, though small.

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Not the sexiest pen I've ever seen but looks serviceable and good knock around pen.

Taking off the cap I'm greeted by a fine gold nib with a design and the words "iridium nib" pressed into it. There is no breather hole in the nib. The nib reminds me of the Noodler's Nib Creeper nibs.** I unscrewed the section from the barrel and found a few mould edges at the end, I scraped these off with an exacto, for fear they'd come loose with use. After rinsing the barrel and nib off I loaded it up with ink. For a smaller pen it holds an impressive 3+ml of ink. I loaded 2.5ml in it with a TON of room to spare.

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I loaded mine up, eye dropper style, with my sample of Iroshizuku Fuyu-syogun. Yes, I put the most expensive ink I own into a $2.50 pen. Why? I'm addicted to gray inks right now and I had a nearly full sample of this ink and wanted to use it. Plus, for the first time ever I had an ink that matched the color of the pen. Gray ink in a gray pen.

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I then proceeded to write out 2 full pages in my Exacompta journal. At first it was slightly scratchy, the feel of writing with this pen matched the feel of writing with a Noodler's Nib Creeper.The nib writes with a true fine and is rock hard, no bounce, no flex; it is friction fit into the section. It writes relatively wet and started up with a quick shake downward. I did notice that when I had some ink on the nib it seemed to blob there. After I cleaned the ink off it no longer creeped to that one spot.

At the end of the 2nd page of writing I noticed that the nib was much smoother than when I started. The flow of ink was perfect for me, slightly on the wet side (6/10) and the nib itself was smoother, and gliding over the paper. Given I was using a premium ink this was to be expected and I wonder what will happen when I put a less premium ink in it. All in all this is most likely to end up as my new gray ink sketching pen and will have a permanent spot in my drawing stable.

Given my love of cheap pens I'm going to have to say I like this pen, a lot. Yes it's cheap and will never perform as well as a $50 TWSBI 540 and it has one nib size available- fine and it's construction is okay. The real thing to think of here is how it performs, and in my opinion if you are looking for something like a Noodler's Nib Creeper or an inexpensive pen this is a good pen.

As an aside this pen is one you can COMPLETELY disassemble, meaning you can get at the innards to clean it… I have in the past abused fountain pens with India ink. This is a pen you could do that with as you can get at the feed and inside the section to scrub them with a toothbrush. Hmmm. Ideas.

The Serwex Special 101 is not in stock at FPR. They have a pen called the Serwex 77TR that looks identical to this pen EXCEPT that the clip and bands appear to be all "gold" plated. At $6 plus $3 shipping it's not a bad deal, especially if the pens write as well as this one does. You can check out the FPR on FaceBook as well. The way you order from FPR is to figure out what pens you want, make note of the name and color you want and send Kevin an email. He'll send you a total price. Then you paypal. Shipping is from India so it will take some time (3 weeks) to get to you, but the wait is worth it.

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Papers I’ve Been Using

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I've been testing out a variety of papers for my automatic drawings. I'm not being very scientific about this, just trying things out with my style of working. I have done a large amount of them in a Canson Universal Sketchbook. It's a great sketchbook, the paper is sturdy and accepts light washes with ease. The paper cockles when I use more watercolor. With ink it's perfect.

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So I taped down some pieces of Canson XL Bristol. I like this for ink too, in fact of all the papers the ink really pops off this page. It's bright white and after watercolors dry the paper is smooth and flat. It's really great but I didn't like how watercolors behaved on it's surface. It was absorbent and dried very fast.

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Next up I tried another Canson paper, Montval, not or rough watercolor paper. It's one of my favorites with watercolor. I love the nooks and crannies of it's rough surface, it makes watercolors blend in amazing ways. Ink also looks great on it, but the pen tends to skip across it's surface. It's a little harder to draw on than the other papers. When it dries, it's perfectly flat.

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I think what I'll end up using is a cold pressed watercolor paper. The hard part with this whole thing is that I never know what I'm in the mood for, I let these images grow organicly and the end result is that I never know if I'm going to cross hatch the hell out of an image or flood the page with watercolor, so I need something that can handle both.

Review: Exacompta Plain Journal

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I was given the Exacompta plain (unruled) journal to review by Karen and Stephanie of Exaclaire,the US distributor for Clairfontaine and a variety of other French stationary products. I like to put journals through a few paces before I do a review and since it took me a full year to get through my last journal, it’s been awhile.

The paper is off white, a very nice cream color that I really like a lot. The paper is laid textured on one side and much smoother on the other side. For some this would be a detraction, personally I like it very much and feel it opens the journal up for a variety of media I wouldn’t normally consider. Dry media does much better than expected- things like charcoal and soft pencil really like that laid texture. Though it is textured fountain pens love it’s surface.

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Wet media also does admirably on this paper. I was pleasantly surprised when I soaked the paper down with water and color that it held up. It didn’t just hold up, it out performed the luxury of the Rhodia Webnotebook. When it dried the wrinkles (cockles) relaxed. While the paper is not perfectly smooth it’s less cockled than I’d have expected. I was able to lay down a nice wash of watercolor on BOTH sides of the page and have not one drop show through or soak through to the reverse side. That is pretty amazing.

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Even my wettest writing pens don’t soak through. Occasionally you can see dark colors through the pages, but that is the case with most any journal. I’ve painted pages with ink and it doesn’t soak through to the reverse side, which again, is pretty amazing. I haven’t been interested in doing any collage in this but I’m sure it would take to it well.

In summary:
100 Laid Textured Ivory pages 100gsm
5.5×8.5 inches
Ribbon Marker
Soft Covers with a fabric spine, meant to go inside a leather cover, many companies make them
Price $15.50 at gouletpens.com

It handles wet media like a champ and is wonderful for a fountain pen. Pencil does amazing textural things on the textured side but doesn’t smudge as much as would be expected on the smooth side.

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It’s not cheap but it’s a better value than the moleskine sketchbook, it’s got more papges that behave better and respond better. I’d rate this 2 happy thumbs up and would recomend it to anyone looking to get a nice journal that they can write in, sketch ink, test watercolors in, and abuse.

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Art Experiments: In Search of a Gray Ink

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 I've been workingon the automatic drawings, and one of the directions I've wanted to take them is to use a very fine pen with a nice gray ink as the first layer of the drawing. I considered using pencil but really don't want to be able to erase the lines. Part of the automatic process is that the lines stay from start to finish. I wanted to use the gray ink with my extra fine RapidoCraft pen to get a fine hairline that fades into the background when a darker color is put of the top.

I searched the network's archives to see if I could find a gray ink that fulfilled my needs. I found a few reviews, but gray inks don't seem to be too popular. I then went to Gouletpens.com and checked out their swab shop tool to see the colors of the grays they had in stock. Still nothing definitive. Instead I ordered 5 samples of gray colors. Each was from a different brand and most I'd seen mentioned at some point on the network.

The 5 colors I ordered were:

    Omas New Gray
    Private Reserve Gray Flannel
    Diamine Grey
    Noodler's Lexinton Grey
    Iroshizuku Fuyu-syogun

And my 4 needs are:

    That it survive being wet and not bleed too profusely. A distinct line must remain.
    It not foul pale watercolors like yellow.
    It not foul shades of blue, turning them muddy or green
    It recede to the background when black is put over the top in a drawing.

I performed a test on each of these criteria with each ink on 3 types of paper:

    Clairefontaine Graf It
    Canson Universal Sketch 65lb
    Exacompta Plain Journal

The results were the same across all papers, though with the Graf It there was additional lifting across the inks when lifting was noted.

Diamine Grey was too dark to be a grey I would use for my drawings and it lifted the worst of all the inks.

Private Reserve Gray Flannel was also too dark for my use. I can't say that I actually like this color either. It has a green cast to it that I do not enjoy. It was also the second worst for fouling the pale watercolors. It was also barely discernible from black.

Noodler's Grey was the only ink that did not lift at all. Thus colors floated over it's surface and were not fouled nor muddied. However, it is very dark when in a pen running wet. It might be a contender if it were in a dry pen. I will be loading this into my  freshly cleaned RapidoCraft XF to see if it will work. I'm not convinced. It does hands down win on every other test.

Iroshizuku Fuyu-syogun was a good shade that is easily discernible from an overlay of black. It did lift, though not badly. It slightly muddied the pale colors, though not too badly. I really like the color. It does not fit the bill because it is too blue. It's also REALLY expensive.

The perfect shade of gray is the Omas New Gray. It perfectly matches the pale silvery line of pencil. It's clearly gray without a green tinge or looking like I added a bunch of water to my black ink. It's just a cool clear gray. It's pale on the page and black ink pops on top of it. It does however lift. It muddies the pale yellow but mixes well with the pale blue. Even when it does lift it leaves behind a discernible line.

I have one last test. It will require me to leave the inks on the page over night to see if time will allow them to bond with the paper more. Given how I work the more immediate test is the better indicator of how the ink will respond to me and my methods of working but the additional information will be useful. Click any of the images to see these tests in hi-res glory.

IMG_4304The above images is the Canson Universal Sketch paper.

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IMG_4304This is the Exactompta plain journal.(review on this to come.)

 

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Review: The Artist’s Way (BOOK)

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I am seemingly one of the few artists (journalers) who is not in love with Julia Cameron’s The Artist’s Way. Don’t get me wrong, I’ve read it, I’ve got it on my bookshelf, complete with the bookmark exactly where I left off. Sometimes I feel like I’m the only one who isn’t telling everyone else what a great book this is, recommending it every time someone I know hits a block.

It’s not that I don’t get it or that I don’t think it’s a wonderful book, it simply didn’t resonate with me. Sometimes I feel guilty that I’m just not that into TAW. Someone once told me that to follow TAW was a commitment, and I have to agree. There are groups online to help you get into TAW as well as a workbook, and at some community colleges you can take a course in TAW.

Reading TAW or taking a course in TAW can be a transfomative experience for some people, at the end of the line, the real message behind TAW (and all it’s look alikes) is that you need to spend time making and thinking about art.

If you think this might be a good book, pick it up. Maybe I'll revisit it, or not.