Category Archives: Review

Review: B&N Bargan Bin Piccadily Sketchbook

This weekend I picked up a bargain priced sketchbook at B&N for about $5. I thought it was a no name brand that B&N often sell. When I got it home I realized it’s a Piccadilly branded journal.

The list price on this sketchbook is $12.99; I got it for $4.99. Less than half price. I noticed that B&N didn’t have ANY of these on the regular shelf. So I’m thinking these are only ordered for the cheapie racks. Which is fine, at $5 this isn’t a bad deal but for $12.99 not worth the money.

I tested this with a variety of inks in a variety of pens. I did a little sketching to see how the paper would respond and I did my usual of an ink and water wash.

Anything with a larger than a fine tip feathered and bled through the paper. There was a TON of feathering especially in my medium tipped and wet writing Pelikano. My extra fine and fine pointed pens did okay, regardless of the ink. I tested both sides of the paper and there is no right/wrong side, the sides have the same finish throughout the journal. The paper is very smooth. I wouldn’t want to use a pencil on this paper as it’s just too smooth and pencil would smudge all over the place.

As for water on this paper, it could be done but it’s not recommended, a very light wash caused major cockling (wrinkles) that never eased out of the paper. I also noticed that really heavy application of ink caused the same issues. Anywhere I used a heavy layer of ink it not only bled through the paper but also to the page underneath. Anywhere there was heavy ink use the fibers of the paper lifted and were picked up by the nib of the pen.

The Pros:

Good value at $5
Paper is smooth
Bright white paper
Great sturdy hard cover
Sturdy double coil binding

Cons:

Feathering with any ink
Bleedthrough
Fiber lifting
No water due to cockling
EF and F nibs or pencil only

Overall I’d say this is a good sketchbook for someone looking for something cheap that they can do a lot of throwaway sketches in or just to take some notes. This little journal probably wouldn’t stand up to a lot of the abuse that art journalers would toss at it. Even if you gesso’ed the pages the paper is just not sturdy enough. It’s too bad, because this is a really good looking little sketchbook, and comes in a lot of good sizes and with lined paper too which has a lot of different options for covers.

Thursday Review: Pelikan Pelikano Fountain Pen

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I like to draw with fountain pens. Now that I’ve discovered the joys of Noodler’s inks (a full post on those coming up soon) I have felt the need to buy a few more pens. I own now a mix of around a dozen pens, of which I keep 6 inked at all times. It’s a bit much. When I’m sketching I find I reach for one pen over and over again. That pen is my Pelikan Pelikano medium point in blue. I keep it inked with a blue or a blue black ink at all times. There is nothing special about this pen. It’s an inexpensive school pen that lays a nice medium line and a lot of ink. It’s comfortable and easy to clean. I’m not worried about breaking it or tossing it around because it was pretty cheap.

The important parts about this pen for you to know is that it has a medium point steel nib, it is what is referred to as a “wet” writer, in that when it puts down a line of ink it’s generous in the amount of ink in that line. This means my blacks are truly black and I can blend those lines with a wet brush. The steel nib is stiff and doesn’t have much line variation but can be abused. I’m not gentle with this pen. I tend to have a heavy hand and it takes that abuse and keeps on writing.

The body of the pen is translucent frosted blue plastic. It’s not gorgeous and it’s not ugly, like most school pens it’s functional. You don’t want to have a pen your classmates will steal, they won’t steal this one. The cap is brushed steel or aluminum with a plastic clip. The pen isn’t going to win any design awards but it works. This pen is a cartridge or converter pen. I hate cartridges and I’m not overly fond of converters, each holding 1ml of ink, sometimes less. That’s not a whole lot of drawing for me. I converted this one to what is called an eyedropper pen by using outdoor grade silicone caulking to plug the 2 vent holes in the end of the body. The body now holds 3ml of ink, which is a whole lot of sketching and drawing. While not a difficult job it was a tad fiddly to do but has held up for several months of sketching and drawing. Alternately someone could refill the cartridges with a syringe.

I’ll tell you about a couple of other go to pens I use for drawing soon.

Here is a picture I drew using this pen and a few others as well as a brush pen.

Review: Noodler’s Flex Pen December 25th Edition

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The pen I’m reviewing today is something I bought on a lark used off the Fountain Pen Network’s for sale page. I have to say that the Noodler’s Flexible Nib pens have been well marketed and sought after by many pen enthusiasts. Especially those like me, who are interested in pens on the lower end of the spectrum of price. This pen fits that bill. Its suggested retail price is $14. Noodler’s has come out with several special edition pens; the flex nib that I purchased is the December 25^th red and green edition. I purchased mine used for $10, shipping included. It’s a piston filled pen that hold 1ml of bottled ink.

It’s a nice cheery red color with marbling throughout. The marbling is supposed to be green but I notice little if any green in the marbling. The nib is steel and an unusual design. It does not have a vent hole, instead it’s got a very deep channel cut into the feed that allows a lot of ink to flow. It’s labeled as a flexible but most users report that it’s a semi-flex given the amount of pressure needed to flex the tines. The nib reminds me of a crow quill dip nib. It starts as an extreme hairline point that I’d label as a double extra fine. Flexed fully I’d call it a double broad. With normal writing or sketching pressure I’d say it writes a fine line.

While I was writing I found that my traditional cursive, learned way back in 3^rd and 4^th grade adapted itself well to the flexed down stroke with this pen. It made it look old fashioned and could be useful for meditative and mindful journaling. There are a lot of tutorials out there for scripts that use a flexible nib. Writing with this nib is NOT the easiest thing ever. In fact I’d say my forearm got quite a workout. I’ve decided that to better learn how to use this pen I’m going to start filling out all the forms at work with the pen, in script. I figure that using it across the day will make life more interesting, give my forearm a break and exercise throughout the day. I’ll also get a lot of practice in USING the pen.

For the artist the place where this pen really starts to sing is in sketching. Flexed it’s not going to keep up with a rapid pace, but the hairline is great for putting down a few delicate lines and then regular pressure gives you a nice fine line. When flexed it gives a nice solid line that is great for shading. I tested it out on a variety of papers. This pen lays down a HEAVY line of ink, especially when flexed frankly you’ll need to find a sketch paper that can handle the flow. Papers that worked well: watercolor paper, better quality drawing paper, Bristol, and heavier sketchbook paper. Using this nib on gesso’ed paper is going to cause issues. Gesso is gritty and gritty surfaces grind down nibs. Writing on gesso will ruin this nib (and most) fast.

Some images of the various papers:

Here’s my verdict for a $14 pen it’s a lot of fun and worth the money. I have pretty strong forearms and hands and I found using this pen tiring for writing. If you have a light hand this pen will be very difficult for writing use. For drawing this pen really shines in its flexible line width. It does take some practice to use but it’s enjoyable and creates a really dynamic look. It’s comparable to a crow quill dip pen in line variety and it less likely to shatter with heavy handed pressure. It does take a heavy hand for writing to get the full flex out of it. It’s a very adaptable little pen as you can adjust the ink flow pretty easily. (Goulet pens is planning on doing a how to video on this and I’ll link it up when it hit.)

I found the slower pace forced by this pen great for meditative thoughtful writing. It took some practice to get something decent, well that’s something we can argue, but passable.

The major con of this pen is how slim it is. I might try fitting the nib into a pelikan body and see if it’s more comfortable. The flex forces a less relaxed grip and less comfortable writing style that I’m accustomed to, but then again, you aren’t really meant to write for 3 hours with this thing. The second con of this pen is that it holds only 1ml of ink, which is the same amount as a cartridge, and yes I did measure it. I’ve gone through 2 fills of Private Reserve Sonic Blue ink.

Review: Moleskine 6×9 Sketchbook

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This sketchbook contains 80 roughly 110lb plain cream colored pages. They are contained within plastic covered hard black covers. The plastic is imprinted to look like leather. This sketchbook is very often suggested for people started out in art journaling.

The paper is stiff and smooth. It’s good for writing and drawing. I find that the paper has a coating that repels wet media like watercolors, which it absorbs but gives a blotchy appearance. It does the same with some inks. It can be quite a pain in the rear. I’ve found that if I got through my sketchbook and spritz the pages with a little water so they are evenly damp and then allow them to dry before working in watercolor or ink the blotchiness is minimized.

The paper responds favorably to pitt and zig pens. They remain perfectly black and don’t show any blotchiness. The paper is also heavy enough to support many layers of collage and acrylic paint. When working with wet media it’s best to be aware that the paper will cockle and remain wavy even after it dries. I like the wavy paper but most don’t.

The heavy weight paper does not show strike nor bleed through except when using sharpies and copic markers. Fountain pens do just fine on this paper. Some fountain pen inks get blotchy.

The sketchbook has a great form factor with its smooth hard black covers, pocket in the back and elastic closure. I can’t say that the paper would be a reason to recommend it. The pages can take abuse but if you erase too much or scrub the pages with a brush you’ll end up will pilling of the top of the paper. I’ve read reports of the spine breaking on these sketchbooks but I’ve abused the heck out of mine and never had a broken or damaged spine, and I’m not gentle with my sketchbooks and journals. The price however is quite prohibitive at $18 for 80 pages.

If you are looking for a sketchbook that handles a variety of media relatively well, with a nice hard cover, at a ridiculously high price this is a good sketchbook. There are others similarly shaped and sized that will work as well at a lower price.

INterested in purchasing a moleskine sketchbook? Follow this link, it was the best price I could find on them:

Thursday Review: MiquelRius Grid Notebook

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MiquelRuis 300page Grid Notebook with Red vinyl cover

I bought this notebook 4 or 5 years ago while searching for a Ciak brand notebook. As a notebook snob and a bookbinder I find this book to be just MEH.

First it’s perfect bound- glue with no stitching. Eventually with hard use pages will fall out. It’s just a matter of when not if. Perfect binding is simply not sturdy enough for the kind of abuse I put my notebooks and journals through. I will say that I’ve been carting this notebook around for 2 or 3 months and it’s held up pretty well so far. Also due to the binding and thickness of the book, it will not open completely flat while writing, which is a nuisance.

The pages are 15 to 18 pound in weight and very thin. Almost every pen I own strike through (is visible on the reverse side) and 90% bleed through. This means I can only use one side of each sheet of paper. So that drops the 300 pages of the book down to 150 usable surfaces. So even if I wanted to brave the non-flat writing surfaces of the left side of the notebook, I could barely read what I wrote. Additionally some of the inks I own feather like mad on this paper. I’m talking about relatively well behaved inks like Diamine Chocolate Brown.

The paper is very smooth and has the best light pale blue grid I’ve ever seen. It’s what drew me to the brand in the first place. After looking at a dozen or so gridded notebooks, I fell in love with the pale blue of this grid. It’s pale enough to blend into the background and not interfere with the writing when you are referring back to your writing. The pen glides over it. It’s not as smooth as Rhodia or Claifontaine paper but its way better than Moleksine paper. Ink is better behaved on the right side of the MiquelRuis paper than moleskine paper. The paper definitely has a right and wrong side for fountain pen use. One side is smooth and the other has a little more tooth to it and grabs the tip of the pen ever so slightly.

The format of the book I purchased is great- at 6×8 inches I’m finding the page size perfect for writing and recording thoughts and sketches. The size is good for slipping into a book bag.The 300 pages is a tad on the heavy size for every day toting about but if it were the only notebook you were to carry it wouldn’t be bad. They come in 100 and 200 page counts as well.

Would I buy another one of these notebooks? Probably not. The bright vinyl cover is nice but doesn’t speak to me the way a leather cover does. The paper’s lovely pale blue grid is about the only thing I really like about this notebook. Using both sides of the page is important to me, using just one side seems very wasteful to me. I prefer a stitched notebook for durability. I have to mention that pale blue grid again; it’s why I keep reaching for this notebook. This would be a good gift idea for the vegan writter on your shopping list. They also offer a host of recycled vinyl options that I'd like to see.

I purchased mine about 5 years ago at Barnes and Noble. I notice that the brand is no longer listed on their website. When I purchased this particular note book it was the last one on the shelf. It cost $10. You can buy these notebooks at the miquelrius website here.

Pros:

300 Pages
Sturdy Vinyl Covers
Cheap $10
Great pale blue grid
Mostly fountain pen friendly o n the right hand pages
Smooth paper is nice for writing

Cons:

300 pages are heavy
Almost all my pens and inks exhibit strike through and bleed through
Not good for a wet nib
Can only write in it- sketching would result in horrible bleed
Forced to write lightly
Perfect bound- not very sturdy
Won’t lay flat when writing.

Some inks that did well on the paper:

Noodler’s Bulletproof Black, Eel Blue, Walnut, Beaver, Eternal Brown and anything BUT Herbin Bleu Nuit in an EF nib.

Review: Canson XL Watercolor Pad

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I picked up a Canson XL 30 sheet pad of CP 140# watercolor paper a few months back with the intent of comparing it to my favorite inexpensive paper, Strathmore 140# CP 400 series. It compares well.

First off, it comes in a glue bound pad which is good for bookbinding not good for art journaling. To me a glue binding is temporary and won’t last, I abuse my art journals and thus this pad would absolutely not hold up to my use. The paper folds in half easily and without cracking. This is a bonus if you are intending to make your own sketchbook or journal. The grain of this paper is along the short side, which again, is perfect for binding.

The paper is thinner and softer in feel to other 140# paper, specifically the Strathmore. It’s still stiff, but is not quite as stiff as cardboard. The cold pressed paper is textured more on one side than the other. The Canson CP is significantly less textured than most other CP papers I’ve used, and I’ve used a lot. The reverse size is significantly smoother than the front. You can feel and see the difference in texture. The amount of sizing is different too. The differing texture and sizing means that when binding you either let the different textures face each other OR you pull the pages out and face them together. It’s an extra step in binding that makes an art journal more pleasurable, versus getting into the journal and realizing each facing page responds to pen, ink, and watercolor differently. I find that annoying.

The paper handled ink like a dream. Even my fine and extra fine pointed fountain pens floated on its smoothish CP surface. Noodler’s bullet proof ink bonded with it well and other inks gave me a wonderful watercolor effect. The pages handled watercolor crayon like a dream and scraped acrylics like it was made for it. I noticed even with repeated brushing and scribbling layers of ink no pilling or pulling up of fibers. Either side handled them well. The reverse and smoother side was much more absorbent, so an even pull of credit card scraped acrylic got less coverage but was decent. The paper is heavy enough that I did not notice any wrinkling. Watercolors of course gave a cockling effect that soon relaxed as the paper dried.

This is a budget friendly pad of paper. I purchased it on sale for around $7; regular price is around $13 for the 11×15 in size. It’s not a bad price, especially for a pad that is easily folded up for making an art journal. I found it on Amazon (see below) for $4.59 in the 9×12 size, which is not bad at all. I was unable to find the 11×14 on Amazon but did find it on the Blick site for about $7.

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Some more stuff for the upcoming year- Reviews

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Part of what I want to add to this blog is a series of reviews. I’d like to review journals, products, books and other items one might use in journaling; both art and written.

I’m developing a format for reviewing journals and products associated with journaling. Obviously journals will have their paper reviewed in terms of suitability for wet/dry media as well as how that paper holds up to the abuse of mixed media. I think that a good art journal needs to also have pages that can be written on with a variety of tools- sharpies, fountain pens, pencils and other markers. I’ll address such things as strike through, bleed through and warping. Obviously this sort of journal review will be vastly different from how paper reviews are done on blogs that focus solely on one aspect of journaling. I have passed over paper that people adore on other sites and adored paper that some people despise.

So I invite people to contact me if they’d like to have their journals and sketchbooks reviewed. Each review will be linked to the seller’s site with plenty of contact info.

I’ve got a ton of products that I used and, sadly some I don’t use. I’m going to reach into my tool kit and evaluate some of these products. The perspective will be that of a mixed media artist. Can I layer the product? Does it stand up to uses the manufacturer suggests and doesn’t suggest? Is it useful? Is the price acceptable or outrageous?

I’ve got a deep bookcase and I’m going to pull some of the stuff off the shelf, not just new books but older books and review them. I’ve been doing this in part for the zine, but I’ve focused on new books. I want to help people build up a book shelf of their own with books that are really useful resources for art journalers.

The reviews will start in January/ February and I’ll be hopefully be able to do one each week.

My hope is to make this blog more of a resource than it already is.

Anyone who is interested in having their product reviewed can email me: leslie(dot)herger(at)gmail(dot)com

Washi Tape reviews

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I have a particular artist’s book/ art journal project in mind. My design idea includes a very specific color of washi tape- white. I initially wanted masking tape colored but I think the white is a better fit for my idea. The secondary part of the project includes green graph style tape. Anyway, this led me down the path of washi addiction.

I always test my ideas before spending a lot of time and money on them. I headed to Michael’s with my 40% off coupon in hand to buy some washi tape. The only variety they had was the Tim Holtz line called symphony. At $8 for 2 rolls I was appalled at the price but figured with my coupon it was only $4. I brought it home and began to test my idea and also do a little art journaling. I was instantly disappointed. The tape didn’t stick to my heavily applied layers of acrylic paint. It also didn’t stick to itself well. I liked the look of the page but ended up having to use double sided tape to get it to stick to my page and itself.

Being a mixed media artist I work heavily in acrylic paint in my journal. Many layers of it some heavily applied. I glue shit to my page and torture it into submission. I often refer to my pages as having been muscled into what I want them to do. So I need a tape that STICKS to acrylic, ink, watercolor, collage as well as raw paper. I get really angry with companies that label their products as MIXED media and it clearly doesn’t work with one of the media. This is not Tim Holtz’s fault. He doesn’t work in crazy layers of acrylic paint like I do, he works in thin layers. I’m sure the tape will stick to dauber applied craft acrylic. I need tape that sticks to artist grade acrylic and gel mediums.

I tweeted my disappointment. (Not one word from Ranger btw…) I got a ton of response from other art journalers- try this brand try that brand, I have good luck with x brand. Though sad I placed a couple of orders on Etsy for 2 different brands of Japanese Washi tapes. One I ordered through Washimatta and another through PrettyTape. Both arrived promptly and very cutely packaged.

The PrettyTape package of the gridded tape arrived first. So cutely packaged! I tore off a piece and found it was VERY sticky. The tape felt stronger than the Ranger tape as well. I stuck it to the first heavily acrylic covered page in my journal and it stuck, no peeling of the corners, no lifting just strong sticking to the page. I also peeled the tape off the packaging and used it to stick a penny to the page, it stuck well, though I had peeled it off a glassine envelope. I poured glaze medium over the top of it and let it dry. No color lifting, no curling of the edges and again just sticking. PrettyTape washi tape has a vote of confidence from me. The tape sticks everywhere and doesn’t peel up.

I decided to take part in a little retail therapy in the clearance section at AC Moore after a rough week at work. I shockingly happened up $3 packages of 7 Gypsies colored masking tapes. These are more like American Masking tape than the washi tape but were super cool. At $3 a roll I could not pass them up. I grabbed a package each of the available colors. Spending $6 for a total of 6 colors was a steam. These are a peel and stick tape with a backing. The colors are grungy and rough, the way I like them. I used them to stick a medication package to my journal page. They stick, with no lifting or peeling. I used them again on another page and added a glaze of color over the top and I noticed some peeling but I didn’t burnish them down well on that page. The verdict: For clearance steals the 7 Gypsies tape was awesome. I suspect that it was what we call in the industry a “miss-pick*” as I’ve never seen any other 7 Gypsies product in that location.

The Washimatta tape arrived last, as it came the whole way from Japan. Again super cute packaging, opening these tapes was like opening a gift. I love it. The perfect white tape is perfect for my project. She also included a super thin roll of bright blue tape. It’s very cool. I pulled a piece off the roll and could feel that it had strong sticking power immediately. I stuck it to the same page as the other tapes and again burnished it with my fingers, it stuck, strongly and cleanly. I peeled up one corner and stuck it back down, perfect sticking. I’ve not added a wash of color to the tape as I’m not planning on using it in that manner. But in a typical art journal application of sticking to acrylic paint, it sticks and well. Washimatta tapes get a double thumbs up. I can recommend them.

I’ve got to tell you, like anything that comes in patterns and colors you can get really addicted to washi tape. It’s super cool, adds a perfect line of color to an art journal page and is fast. I’m looking at those solidly colored pieces of tape I bought and imagining them with rubber stamped patterns, sharpie drawings and other embellishments. No need to buy all the funky patterns, or even that many colors. Buy a few rolls of plain colors and ADD to them the patterns you want or a glaze to alter the colors. I’ve seen a whole host of great tips and hints on how to do this online. I’ll get my rubber stamps out for UStream one of these days. I wouldn't have bought it except for my project but I'm glad I've gotten to play around with it.

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Stuff I’ve been painting on and how it responds to paint

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I’ve been working on a variety of materials these last few weeks and they all respond differently to paint and thus make it handle in different manners. Here are the different materials I’ve been working with:

Gesso’d board: I prep my boards with 4 layers of rough gesso. The gesso texture responds much like primed canvas. The paint spreads smoothly and evenly over the gesso. Because the gesso I use is very rough it tends to be hard on my brushes.

Stonehenge paper, raw: This is a printmaking paper, it’s meant to be soaked and blotted before being pressed into copper plates under extreme pressure, as such it has little to no sizing. That means that it’s super absorbent. I can feel my brush sticking to the raw paper and skipping. This can be used to good effect if known in advance, but it also means that if you want to work in a wash you have to be careful.

Stonehenge paper, 1 watered coat of gesso: The thin coat of gesso leaves the texture of the paper behind and stops the super absorbent effect of the paper. This effect could be achieved with a thin watered down coating of matte medium or acrylic medium as well. I did have some texture from the gesso but not much, I would rub the medium or gesso on with a sponge next time to eliminate the texture totally. The brush moved around on the page much like on a smoothly gesso’d canvas or board.

Stonehenge paper, 2 coats of gesso: This performed like any other gesso’d surface. The brush moved around with ease, little skipping, the texture showed through in the painting and there was little paint absorbed into the gesso. Kind of a waste of paper really, in that it’s a fantastic paper and I could have gesso’d something less expensive and gotten a similar effect.

Fabriano Artistico 140lb, cold pressed, raw: I was surprised to find that this paper was fairly absorbent. I found it less so than the Stonehenge but I could feel the difference between this paper and the Stonehenge. Less skipping of the brush and less paint absorbed. I found the texture pleasing, but then this is my paper for choice for watercolors and art journaling. It’s not too rough, not too smooth. This was good paper for acrylic.

Fabriano Artistico 140lb, cold pressed 2 coats of gesso: I know there are watercolorists screaming in agony right now at the thought of me applying gesso to such a perfect paper. It was scraps left over from an art journal project… Don’t kill me. Love it, same as any gesso’d surface the paint performed as expected, little skipping, nice gesso texture. The cold pressed texture also showed through and was doubly nice. Though a blasphemy in some circles this was quite nice.

Strathmore 140lb Cold Pressed, raw: Strathmore cold pressed is my go to sketch paper for art journaling and sketching. It’s cheap, easily available and binds up nicely into a journal with no cracking. I found that this paper was less absorbent in the raw state than the other papers, which made it very nice to work with raw. It also has a very pleasing rough texture that I love. The backside is smoother and still not that absorbent. I found that the brush responded just slightly less smooth than it does on gesso’d paper. Few skips and drying of my brush. I was able to work in a wash easily and enjoyed this paper quite well.

Strathmore 140lb cold pressed, 2 coats gesso: This performed as any other gesso’d surface.

Gesso’d recycled poster: This stuff is a lot of work for little reward. Each sheet takes 4 coats of gesso and then I have to be careful of the gesso peeling off the surface. It annoys the bejesus out of me. However, I do love the lettering and colors that peek out from around the edges. If I sanded the pages (sure add ANOTHER step) the poster would work better. I love it as a gesso’d surface but get annoyed.

I’ve picked up a few other papers to mess around with today. Since it came out high on my list of good stuff so far, I snagged a new size of Strathmore Watercolor paper, at only $4.99 @ ACMoore it was a good deal. I also snagged a Canson XL Bristol sketchbook. I’ll be testing that out in the upcoming weeks. I noticed that Strathmore now has Bristol out in a little 6×6 inch pad, which I thought was super cool. Also the new size of sketchbooks/journals seems to be 6x12inches. It’s an odd but lovely size.

Anyway, I’ve added links above to everything but I don’t get anything from the companies for linking to the vendors. (But hey if any of the vendors or companies wants to throw me a bone fo doing so I’m game;)

Comfortable Shoes Studio

Musings about art and writing supplies.

Category Archives: Review

Review: B&N Bargan Bin Piccadily Sketchbook

Thursday Review: Pelikan Pelikano Fountain Pen

Review: Noodler’s Flex Pen December 25th Edition

Review: Moleskine 6×9 Sketchbook

Thursday Review: MiquelRius Grid Notebook

Pros:

Cons:

Some inks that did well on the paper:

Review: Canson XL Watercolor Pad

Some more stuff for the upcoming year- Reviews

Washi Tape reviews

Stuff I’ve been painting on and how it responds to paint

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